Side Effects Open Road – May 21 Perhaps Steven Soderbergh’s swan song as a theatrically distributed director (his Liberace biopic with Michael Douglas and Matt Damon will premiere on HBO this spring), Side Effects is a masterfully made noir thriller, although one that, at least initially, obscures its genre coding by deploying a setup that has “mental illness TV movie of the week” written all over it. Rooney Mara is a depressed, downwardly mobile young woman whose formerly high-rolling financier husband (Channing Tatum) went to jail for insider trading. When she goes on some new antipsychotic for her clinical depression […]
by Brandon Harris on Apr 23, 2013It was 2012 and there was an election on and it was getting hotter everyday and I didn’t know how much time we had left and it was the end of film (if not the end of cinema) and I knew not what to do, so I did what I always do in situations like this: I went to the movies. Usually for free, at the behest of some publicist or festival. About half the time I went because I had nothing better to do. Often I went alone for no discernible reason other than that I had no one […]
by Brandon Harris on Jan 1, 2013Occasionally a period piece comes along that feels neither like the gauzy, ignorantly rendered, idealized versions of the past churned out by the Hollywood of yesteryear nor like the product of our grim, cynical and corporatist postmodern times, the maddening ideological manifestations of which are usually filtered through the perspective of some stooge director. I’m about to tell you about one such film. As stark and unforgiving as her previous works, Andrea Arnold’s new film finds her pondering the aftermath of a mysterious, multi-pronged trauma for yet another soulful, alienated loner. That this shatteringly potent adaptation of Emily Brontë’s too-often-filmed […]
by Brandon Harris on Oct 4, 2012