Zeiss
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Progress in Small Steps: Camera and Lighting Technology Trends in 2023
Commercial theatrical projection for most folks is an afterthought. A DCP gets loaded into a playout server, sound levels checked, curtains adjusted, and everything is good to go. This testifies to the efficacy of the two-decade old DCP (Digital Cinema Package) container format. However, DCP adoption was not always smooth sailing. In 2009, a necessary DCP revamp complicated the industry’s transition away from 35mm. The original “Interop” specification, which had only been provisional, was superseded by a set of standardized specifications from the Society of Motion Picture and Television Engineers (SMPTE). Interop supported only one frame rate, 24 fps, but […]
by David Leitner on Dec 15, 2023 -
Watch: “Behind the Lens: Zeiss LWZ.3 21-100mm Zoom”
A few weeks ago, AbelCine launched a video series hosted by DP Matt Porwoll that’ll examine 11 common lenses used in documentary filmmaking. First up: the Zeiss LWZ.3 21-100mm Zoom, whose sharpness, chromatic aberration and other properties are exhaustively broken down. To read through the tech info, click here.
by Filmmaker Staff on May 31, 2017
