“OK, Storaro, Let’s Go”: DP Shane F. Kelly on Working with Richard Linklater and Everybody Wants Some!!

Everybody Wants Some!!Everybody Wants Some!!

After a decade working with Richard Linklater, cinematographer Shane F. Kelly has learned that the most important rule on a Linklater set is that the performers have primacy. “Rick wants you to provide him with a stage for his actors…  Read more

By May 19, 2016

Friend or Foe: Maggie’s Plan

Greta Gerwig, Julianne Moore in Maggie's PlanGreta Gerwig, Julianne Moore in Maggie's Plan

Until filmmaker, novelist, and funnywoman Rebecca Miller weighed in with the invigorating Maggie’s Plan, the history of films addressing the impasse between order and randomness — in theological terms, the conflict between free will and determinism — has rested on…  Read more

By May 16, 2016

Managing Anamorphics in 16:9 and the HBO Learning Curve: DP Rachel Morrison on Confirmation


During our talk about her work on HBO’s Confirmation, cinematographer Rachel Morrison lamented that “as a DP you wish you had total freedom to tell whatever story you want to tell, however you want to tell it.” Of course, that’s…  Read more

By May 5, 2016

Unbuttoned: Maya Vitkova’s Viktoria


There is little navel-gazing in writer/director/co-producer Maya Vitkova’s Viktoria, in spite of the film’s specific focus and autobiographical elements. In fact, there is no navel at all on its principal protagonist, the young Viktoria (Daria Vitkova as a small child,…  Read more

By Apr 29, 2016

© 2016 Filmmaker Magazine
All Rights Reserved
A Publication of IPF