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  • Loving Cinema, Frame by Frame: The Art of Cathy Lomax
    A painting of a woman lying down while smoking a cigarette.

    Every now and then—winter break, summer break—I purchase a new notebook at the local Blick intending to take up drawing, a practice far from my discipline of cinema studies. This notebook need is not driven by my usual academic hubris, which asks smugly, often with a shrug, “Really, how hard could it be?” but by something more feral and fervent. Like, if I could put pen or pastel to paper, something pure would pour forth, heart to hand to drawing. There would be color and expression and the ineffable, all in a scribble. And if you think I’m exaggerating: There […]


    by Holly Willis on Jun 27, 2024
  • Festival Report: The 2023 JIO MAMI Mumbai Film Festival

    “Things are bad all over,” I thought to myself, as I left ceasefire protests in New York to attend a film festival in Bombay, India, whose recent news cycle included the political persecution of writer Arundhati Roy for a comment made about Kashmir in 2010 — indicating an opportunistically timed defense of occupation. India, too, agreed to send 1,000 workers to Israel as replacements for deported Gazans (before Indian trade unions refused in protest), and the country’s military remains Israel’s biggest arms client. All of this gave me a queasy feeling as I was thrust into the pomp of the […]


    by Inney Prakash on Dec 20, 2023
  • “Sometimes You Just Get Incredible Access”: Liza Mandelup on Caterpillar
    A man wearing a blue shirt stares at a butterfly that is perched in his finger.

    David desperately wishes to change the color of his eyes. Thanks to an experimental procedure peddled by an Indian company called BrightOcular, his fantasy of physical transformation might actually manifest. Documentary filmmaker Liza Mandelup (who made our 25 New Faces of Film list in 2017) follows David on this journey in her sophomore feature Caterpillar, as he meets other BrightOcular patients in India and grapples with the not-so-subtle side effects of these implants. Unsurprisingly, many of these patients are Western people of color who’ve been overwhelmed with images of European features (which ostensibly represent the pinnacle of physical perfection) for […]


    by Natalia Keogan on Mar 16, 2023
  • “Making These Documentaries Is Like a Wild Goose Chase All Over the Globe”: Chapman and Maclain Way on Untold Volume 2
    A shot from Untold Volume 2's "The Girlfriend Who Didn't Exist"

    Now in its second season, Untold—the Netflix documentary series executive produced by brothers Chapman and Maclain Way (Wild Wild Country)—continues to offer an intriguing selection of sports-centered stories. From covering the world’s most successful female boxer to the infamous “Malice at the Palace” brawl, Volume 1 of the series became popular for choosing to tell a side of a notable story you thought you knew—essentially a nonfiction offering of feature-length episodes packaged under the Untold umbrella. As a basketball fan, I was curious to see what Volume 2 would include. Having premiered on August 16th and rolling out an episode […]


    by Erik Luers on Aug 30, 2022
  • Rediscovering the NBA’s First Female Player: Ben Proudfoot on The Queen of Basketball
    Lusia “Lucy” Harris in The Queen of Basketball

    More than just the answer to an obscure trivia question, Delta State University’s Lusia “Lucy” Harris was one of the most dominant basketball players of her era, eventually becoming the first woman drafted into the National Basketball Association (NBA) in 1977. Her collegiate and amateur accomplishments were numerous, including three national championships and a 51-game winning streak while being the only woman of color on the Delta State Lady Statesmen women’s basketball team. (Her home games were played in an arena that, to this day, remains named after Walter Sillers, Jr., a prominent white nationalist.) Director Ben Proudfoot’s documentary short A Concerto […]


    by Erik Luers on Mar 10, 2022
  • Watch: Michael Reich’s She’s Allergic to Cats Trailer and Short Film Quarantine Dog Good Boy

    Filmmaker Michael Reich has a thing for both household pets (and vermin) as well as bleeding VHS-damaged color schemes. The former dog groomer’s debut feature She’s Allergic to Cats, which premiered in ’16 at Fantasia Fest but is only now seeing a digital release via Gigantic Pictures, is about, natch, a socially awkward dog groomer (Michael Pinkney) attempting to deal with a rat infestation in his apartment while making an all-cats remake of Carrie. Sonja Kinski is the love interest whose cat may be the answer to the rodent issue. As the trailer above attests, Reich is fond of distressed […]


    by Scott Macaulay on Apr 28, 2020
  • 13 Films and VR Pieces to Anticipate at the 2019 SXSW Film Festival

    With SXSW already underway, here’s my quick list of films of interest at this year’s edition of Austin’s annual tech, music and film festival. The Beach Bum. Harmony Korine’s latest, The Beach Bum, which time travels the stoner comedy ethos of ’70s Cheech and Chong to the upscale mansions and beer-soaked boardwalk of contemporary Miami Beach, is sure to be a SXSW standout this year. Matthew McConaughey plays Moondog, a cheerfully debauched would-be poet whose writer’s block is more a product of his 420 lifestyle than existential exploration. “The idea of getting wasted is a virtue to Moondog, living in […]


    by Scott Macaulay on Mar 9, 2019
  • Berlinale 2018: Fascism, Reconciliation and Surprises

    “Through images of natural turmoil the viewer gets the idea that societal events are just as unavoidable as any flood disaster. Constantly receiving outbreaks of natural violence served up as news, the spectator automatically transfers natural laws of causality to human conditions and inevitably ends up mistaking the crisis of the capitalist system for a geological tremor.” — Siegfried Kracauer, “The Weekly Newsreel” in Die neue Rundschau 42, no. 2, October 1931 This year’s Berlinale was marked by two retroactively related occasions. The first one, celebrated by a retrospective, was the centenary of the Weimar Republic, that liminal space that historically divides […]


    by Celluloid Liberation Front on Feb 27, 2018
  • Recovering Family Memories through The Polaroid Job

    I love this short — The Polaroid Job — now up on the New York Times Op Doc page by producer, director and Sundance shorts programmer Mike Plante. A trip home to visit his parents leads to Plante sifting through stacks of their old Polaroids, photos that not only document family moments but also a family business. For a short time, while Plante was 11, his parents had “the Polaroid job,” a gig that involved taking a large-format Polaroid camera to various events — a store opening, a haunted house, etc. — and taking pictures of attendees posing with various […]


    by Scott Macaulay on Oct 26, 2017
  • NAB 2017: The Interesting Stuff

    Last week was the annual NAB show. Every year in April the film and television community comes together in Las Vegas to “ooh” and “ah” over the latest technology. With so much announced and demonstrated, here are the most interesting things I heard about: Blackmagic DaVinci Resolve 14. Blackmagic announced several new products, but the most interesting — once again — was a major update to DaVinci Resolve. Version 14, which is available now in beta, claims a number of performance enhancements that make it up to 10 times faster than the previous version. Resolve also has an entirely new audio […]


    by Michael Murie on May 1, 2017
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Videos

  • "You Think You’re Scared of These Creatures, Well, Look Into Our Own Dark Hearts": Sean Byrne on His Cannes-Premiering Shark Attack Horror Film, Dangerous Animals   Video
  • "At the Same Time that We’re Fighting for our Lives, We Are Also Agents of Exploitation, of Domination, of violence": Pedro Pinho on his Cannes-Premiering I Only Rest In The Storm Video
  • "A Human-Ghost Relationship Perfectly Fits Within a Queer Framework": Ratchapoom Boonbunchachoke on his Cannes-Premiering A Useful Ghost Video

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