Ingmar Bergman Interviews Ingmar Bergman

You can check out the entire playful dialogue (or should it be monologue?) at the Criterion Current.
What was it like making Monika?
I didn’t make Monika. [Source novel author and coscreenwriter Per Anders] Fogelström bred her in me and then, like an elephant, I was pregnant for three years, and last summer she was born with a big ballyhoo. Today, she is a beautiful and naughty child. I hope she will cause an emotional uproar and all sorts of reactions. I shall challenge any indifferent person to a duel!
A wild paternal love, indeed!For most people, a film is a short-lived product, like soap, matches, or polished false teeth. But not for the film director. He lives with his opus (like the devil, he does) until opening night, when he unwillingly surrenders it to the public.
Does it have to be like that?
For me it does. A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
There are also sensible directors.
Of course, sir. I have heard of several such individuals who are both wise and reasonable and who also behave almost like decent people, even when making a film.
And you despise them?
I don’t envy them. They have a tougher time than those of us who have lost or have never owned a pair of decency’s long underwear or the gold-rimmed glasses of critical reason or the rustling starched shirt of wise afterthought.