Authors — Nick Dawson
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Voices from the Grave
“I think we have really broken a new genre. It is the next evolution of factual storytelling.” So says Christine Connor, the creator and producer of ABC’s forthcoming drama-documentary hybrid series Final Witness, which begins its debut season in early 2012. In fall 2009, independent producer Connor pitched ABC’s Rudy Bednar the idea of a show that would present “true-crime murder stories told with an emphasis on narrative storytelling, narrated by the character of the victim.” A further hook was that Final Witness, in an attempt to move away from the look and feel of conventional true-crime re-enactment shows, would […]
by Nick Dawson on Jan 17, 2012 -
ROOFTOP TURNS 15
by Nick Dawson on Jul 19, 2011 -
“PAUL” DIRECTOR GREG MOTTOLA
Writer-director Greg Mottola won himself a lot of fans with his smart, witty debut movie The Daytrippers, and then promptly disappeared from the indie scene for the best part of a decade, working in television while he tried to get his sophomore feature off the ground. In 2007, he returned to the big screen fray with Superbad, the Judd Apatow-produced teen comedy, which was a number one box office hit and made him a hot commodity once again. Going back to his indie roots, Mottola followed up the success of Superbad with Adventureland, a beautifully nuanced coming-of-age dramedy about a […]
by Nick Dawson on Mar 13, 2011 -
“ROAD TO NOWHERE” DIRECTOR MONTE HELLMAN
There’s little better at restoring one’s faith in cinema then when a great director returns from the wilderness. Terrence Malick was MIA for 20 years between Days of Heaven and The Thin Red Line, but Monte Hellman’s time away from feature filmmaking has been even more prolonged. It was as far back as 1988 when Hellman made Iguana, his last “proper” film, but now the director of such cult classics as Two Lane Blacktop and Cockfighter has happily returned to filmmaking. Last fall, Hellman unveiled Road to Nowhere at the Venice Film Festival – where he won a Jury Award […]
by Nick Dawson on Mar 13, 2011 -
“THE OFF HOURS” DIRECTOR MEGAN GRIFFITHS
Good things come to those who wait, as writer-director Megan Griffiths will attest. The debut feature from the Seattle-based filmmaker, The Off-Hours, was seven years in the making before it finally went into production last spring. Inspired by Griffiths’ own experiences working the night shift, this moody, atmospheric indie captures the lives of the people who frequent a diner in a nowhere truckstop town, including pretty young waitress Francine (Amy Seimetz), her foster brother Corey (Scoot McNairy), soft-spoken truck driver Oliver (Ross Partridge), and alcoholic diner owner Stu (Tony Doupe). There are also cameos from fellow directors Lynn Shelton (whose […]
by Nick Dawson on Jan 26, 2011 -
“SEPTIEN” DIRECTOR MICHAEL TULLY
Michael Tully began his career with a flurry, getting selected for Filmmaker‘s 25 New Faces of Independent Film in 2006 on the back of his debut feature Cocaine Angel, and then following it up the next year with Silver Jew, a documentary about Silver Jews frontman David Berman. In the years since, Tully has stayed active, shooting Mary Bronstein’s Yeast, acting in a handful of movies by fellow Generation DIY peers, including Aaron Katz’s Quiet City and Ry Russo-Young’s You Won’t Miss Me, and editing the indie film website Hammer to Nail. But, in terms of new films, he has […]
by Nick Dawson on Jan 23, 2011 -
“THE CATECHISM CATACLYSM” DIRECTOR TODD ROHAL
For many people, making a film seems like an impossibility. However, for those who do get their first feature in the bag, there’s no guarantee that making a second will be any easier. Todd Rohal is a case in point. He attracted buzz for his debut, The Guatemalan Handshake, which won Best Film at Slamdance in 2006 and earned him a spot on Filmmaker’s 25 New Faces list that same year. However the success of Handshake, a beautiful and stunningly original cinematic vision which Rohal describes as a hybrid of Kentucky Fried Movie and Days of Heaven, did not directly […]
by Nick Dawson on Jan 22, 2011 -
“TERRI” DIRECTOR AZAZEL JACOBS
Azazel Jacobs’ profile has grown steadily since he made his striking, black-and-white debut feature, Nobody Needs to Know, in 2003. He followed it in 2005 with the delightfully quirky and inventive The GoodTimesKid, a film which found a devoted audience on the film festival circuit and was eventually released theatrically in 2007. Jacobs’ third feature, Momma’s Man, a poignant tale of adult regression into childhood, had its world premiere at Sundance. It became one of the hits of the 2008 festival, and played in theaters later that year to universal acclaim. Jacobs, the son of experimental filmmaker Ken Jacobs, grew […]
by Nick Dawson on Jan 18, 2011 -
Ti West, The House Of The Devil
As a genre that’s all about keeping the audience on its toes, the horror movie naturally needs a regular injection of fresh talent, and writer-director Ti West is the latest to give it a shot in the arm. Born in Wilmington, Delaware, in 1980, West spent his adolescence watching as many movies as he could catch on TV or rent from his local video store. Though he made stop motion movies with his G.I. Joe action figures, he didn’t give much serious thought to filmmaking until he decided to make a short film to indicate to colleges that he had […]
by Nick Dawson on Oct 30, 2009 -
Peter Greenway, Rembrandt’s J’Accuse
It is not uncommon to describe filmmakers as “true artists,” however in the case of Peter Greenaway it is literally the case that he brings an artist’s sensibility to work on the big screen. Born in Newport, Wales, in 1942, Greenaway grew up in London and studied to be a painter at the city’s Walthamstow College of Art. In the late 60s, Greenaway began to explore his fascination with cinema, embarking on a series of documentary short films which he continued throughout the 1970s that set out to capture the peculiarities of the world (or the world from a peculiar […]
by Nick Dawson on Oct 21, 2009
