“A stroke, and then a slap,” says editor Joe Walker. That’s how director Steve McQueen described the tone he wanted in the opening scenes of Widows. The movie opens with a remarkable sequence, intercutting glimpses of the main characters’ family lives with images from a horrifically bloody heist gone wrong — showing, in effect, how four of the women at the heart of the film become widows. So, for example, we see Viola Davis’s Veronica Rawlings passionately kissing her husband Harry (Liam Neeson) and then suddenly we’re in the back of Harry’s van as police fire on it. We see […]
by Bilge Ebiri on Dec 20, 2018Movies aren’t just willed into existence, however much Alfred Hitchcock might have wanted them to be. We love to talk about visionary directors, but we often fail to properly acknowledge the artists, craftspeople and technicians who make their works possible. Luckily, many of these individuals — the below-the-line talent, as they’re sometimes called — receive some recognition during awards season, particularly from the guilds and, ultimately, the Oscars. And those who look at the late-year awards rush only through the lens of who’s going to win the big prizes — picture, director, performance, etc. — risk missing out on some […]
by Bilge Ebiri on Dec 17, 2018