Remember stop-motion, that venerable technique of animated films ranging from old-time children’s classics by Rankin/Bass to sword-and-sandals epics by Ray Harryhausen? Given the success of Pixar’s movies, Minions and other computer-animated features, you might have thought that 2D, hand-drawn, and traditional stop-motion has been relegated to the dust bin of history. Well, if you are a fan of these styles, don’t lose hope just yet. Opening just before the New Year was Charlie Kaufman’s much-anticipated directorial follow up to 2008’s Synecdoche, New York, Anomalisa. Directed by Kaufman and Duke Johnson, it’s being touted for its unique amalgam of animation processes […]
by Christianne Hedtke on Jan 11, 2016With the arrival of the Golden Age of Television, many indie-slanting stories are finding a home in episodic series. And if you’re one of these independent filmmakers with a hot series concept, you might find yourself in the least “indie” situation possible: pitching a network executive. But don’t be intimidated — as more and more non-traditional TV formats become runaway hits, networks’ doors are wide open to new ideas and innovative visions. If you can find a way onto the network exec’s couch, the following tips — culled from recent industry events, like the IFP’s Screen Forward, as well as […]
by Christianne Hedtke on Dec 16, 2015