In early May, with much hoopla, Columbia University’s graduate Film Program celebrated the 25th anniversary of its annual Film Festival at Lincoln Center’s Alice Tully Hall. The auditorium was nearly packed as tuxedo-attired Ira Deutchman, Columbia Film Program chair, took the podium to introduce both the evening, a weeklong series of events and screenings honoring Columbia’s film school, and, more particularly, the school’s maturation over the past quarter century. The opening night featured some of the best student films to come out of Columbia, including Adam Davidson’s superbly paced Academy Award-winning short The Lunch Date, and Greg Mottola’s charming Swingin’ […]
by Charles Lyons on Jul 19, 2012One of the pleasures of Annette Insdorf’s new book on the director Philip Kaufman — titled, simply, Philip Kaufman (University of Illinois Press, $22.00) — is how jargon-free it is: while it implicitly subscribes to the auteur theory, which credits the film director as the creative author of a film, it does so through the type of patient close readings that have fallen out of fashion. The first book-length assessment of Kaufman’s oeuvre, which will reach 14 films when Hemingway and Gellhorn premieres on HBO in May, Philip Kaufman is a shrewd and very readable study. It seeks not only […]
by Charles Lyons on Apr 24, 2012