Alexandre Gasulla pays tribute to the Coen brothers with this supercut connecting motifs and visuals from across their body of work.
by Filmmaker Staff on Jan 9, 2017Another day, another 2016-in-cinema supercut, this time credited to YouTube user Beeblebrox.
by Filmmaker Staff on Jan 9, 2017The supercut of 2016’s best cinematography edited by Scout Tafoya gets points for originality in including FX’s Atlanta.
by Filmmaker Staff on Jan 5, 2017Martin Kessler’s supercut connects the visual dots across Andrei Tarkovsky’s filmography for eight minutes.
by Filmmaker Staff on Jan 4, 2017The latest trailer-but-not-really for the much-anticipated return of Twin Peaks has David Lynch “in character” as FBI agent Gordon Cole eating a donut.
by Filmmaker Staff on Dec 19, 2016With Silence out soon, it’s Martin Scorsese season. This video essay by Cole Smith looks at Elia Kazan’s approach to staging interior and urban spaces in films such as A Streetcar Named Desire and On the Waterfront, then moves on to consider his influence on Scorsese’s The Departed. New Yorkers: the film shows on 35mm this Saturday at the Museum of the Moving Image.
by Filmmaker Staff on Dec 12, 2016Brian De Palma has been accused by detractors of being nothing more than a shameless Hitchcock imitator. Peet Gelderblom’s video essay puts that to the test, using De Palma’s beloved split screen to compare and contrast shots from both director’s films. Hitchcock is on the left, De Palma on the right.
by Filmmaker Staff on Dec 8, 2016This video from Blank on Blank animates excerpts from a fairly heavy interview with Francis Ford Coppola that touches on death, loneliness and solitude. It was conducted in 1996 while Coppola was promoting, of all things, Jack. He also discusses changing reception of his films over time, with an emphasis on Apocalypse Now.
by Filmmaker Staff on Dec 7, 2016Following the announcement of its competition, NEXT, New Frontier, premieres, midnight, kids, spotlight and special events slates, Sundance rounds out its slate with a list of the shorts to be shown during the festival. Some quick highlights: Come Swim, Kristen Stewart’s first narrative short; Fish Story, the new short by documentary filmmaker Charlie Lyne (Beyond Clueless), who’s also been a contributor to Filmmaker; and a new film from Jim Cummings, winner of last year’s Short Film Grand Jury Prize for Thunder Road. He returns with The Robbery, whose one-line synopsis is unimprovable: “Crystal robs a liquor storeāit goes pretty OK.” U.S. NARRATIVE SHORT FILMS American Paradise / […]
by Filmmaker Staff on Dec 6, 2016David Ehrlich’s justly popular annual supercut of his personal choices for the 25 best films of the year is here. From Weiner at #25 to Moonlight at #1, it’s a solid list, but the meat, as always, is in the editing, which finds many points of association between these disparate films.
by Filmmaker Staff on Dec 6, 2016