I distinctly remember precisely where I was when I watched my first Ted Fendt film, his 2011 short Shattered Sleep. I can very easily envision the room (not my own) and where the laptop (also not my own) was positioned. My experience watching it is also very clear. I remember feeling somewhat befuddled at first—where did this film and filmmaker come from?—but soon that befuddlement turned into amazement. The work was funny, weird, genuine and utterly original—rare qualities then and even rarer qualities now. Since that fateful night, I’ve been thankful to share noodles, tacos, unending pastries and even an […]
by Gina Telaroli on Mar 25, 2022For the past 10 years, I’ve been making collage films that utilize and composite together found footage from movies (all eras, all genres!) and original footage that I shoot—a mix of the abstract (light, colors, shadows) and the concrete (flowers, paintings, landscapes)—on a wide variety of formats, most notably the many different models of BlackBerries that I’ve owned over the years. I had been working on a new film since an inspirational 2016 screening of Nicolas Roeg’s Bad Timing, staring Theresa Russell. But just as pandemic events have caused people to abandon their homes, jobs and lovers, the last year […]
by Gina Telaroli on Jan 18, 2022In the 1970s, the experimental filmmaker Gregory Markopoulos wrote a piece called “Towards a Complete Order of the Temenos.” In the years that followed, he began to take all of his previously made films and tear them apart frame by frame, taking the pieces and parts — along with newly shot footage and black and white leader — to create what would be his final project, ENIAIOS. The career-spanning contents of the film were combined and alternated to form an epic flicker film encompassing a lifetime of materials and ideas. The project, an 80-hour cycle of films, was completed but not […]
by Gina Telaroli on Jul 14, 2017[Editor’s note: this is a guest post from director Gina Telaroli. Enough said.] Over the past few months I’ve been spending more time than normal at the gym, getting up at 5:30 AM and arriving there by 7:00 for yoga or a cardio/weights/TCM combo before heading to my job for the day. When I made the decision to kick it up a notch from my usual two days a week, my reasons were probably a New York City cocktail of anxiety, sublimation, and restlessness from having a day job that keeps me at a desk. What I realized after a […]
by Gina Telaroli on Nov 3, 2015