Given the sense of suspended time often pervading the narratives and atmospheres of classic westerns, perhaps it’s appropriate that the wait for Valeska Grisebach’s own Western was a protracted one. Arriving eleven years after her previous film, the understated Sehnsucht (Longing, 2006), the third feature by the German filmmaker (and Berliner Schuler constituent) sacrifices none of the depth and focus of her previous work. With a plot following a group of German construction workers in Bulgaria, the film is in some ways far removed from the vast plains and Monument Valley iconography we identify with the Hollywood western tradition, while at […]
by Jesse Cumming on Mar 12, 2018“The sky above the port was the color of television, tuned to a dead channel.” opens William Gibson’s Neuromancer, set in Chiba, Japan (while generally accepted as a reference to the novelist’s home in Vancouver). A similar pall intermittently lingered over the northern Portuguese city of Porto during the city’s Porto/Post/Doc festival. The pallid grey and smoke were reminders of the devastating fires that have engulfed northern regions of the country since the summer, claiming many lives. The cinematic image of smokey cobblestone streets — with a knowledge of the real, if unseen forces behind them — provided a somber and […]
by Jesse Cumming on Dec 27, 2017Is it worth developing a taxonomy of film festivals? Would such an order more resemble a food pyramid or a series of loosely overlapping Venn diagrams? At the peak or center of either we can be assured to find prestige world-class festivals à la TIFF or the NYFF. In the 1990s, Montréal had its own to rival and even challenge these, the Montréal World Film Festival. Technically the festival still exists, though as a shell of its former glory following decades of poor programming and mismanagement by the president Serge Losique. As was widely reported in August, this year the […]
by Jesse Cumming on Jan 4, 2017