Madeline (Helena Howard) has a hospital bracelet on her wrist and a rehearsal to go to. One of the questions fueling Madeline’s Madeline, Josephine Decker’s third feature as a solo director, is how two of the biggest elements of Madeline’s life — some unspecified form of mental instability and her promise as a young actress — interact, or if they even can safely. Howard’s breakout performance as the troubled thespian is part of an unusual triangle. At one point is her mother Regina (the writer, actress and performance artist Miranda July), whose protective custody of her unstable daughter is unreadable: justifiable […]
by Mike Mills on Jun 11, 2018That was quite surreal. I’ve been to just two events like that before, so the red carpet shenanigans, seeing so many “movie stars” and directors you’ve listened to on DVD commentaries, and being in a room with so many people you’ve tried to get financing from – is really a strange experience. The kind that makes you all wild eyed and sweaty palmed. But mostly I was really truly just very happy to be there and felt very safe that we weren’t going to win anything and that I was just lucky to be included, to be in the group, to […]
by Mike Mills on Dec 1, 2011I was very very lucky. First, because I was blissfully unaware that the Gothams would announce the nominations on that day. In fact I was trying to get used to the idea my film — Beginners— had run its course and now it was time to put it to bed, move on, stop worrying about that project. Which isn’t easy. I started this in 2005, I’m used to putting everything I have into it, and the film contains so many people and places and things I truly love (both the real people who inspired the story and the filmmaking family […]
by Mike Mills on Nov 28, 2011