Authors — Monica Uszerowicz
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Critic’s Notebook: Monica Sorelle’s Miami-Set Debut, Mountains
Monica Sorelle’s debut feature Mountains is currently screening at the Seattle International Film Festival, with its final screening tomorrow, May 14, and then on the festival’s streaming platform from May 20 – 27. Mountains, the debut feature by Miami-based filmmaker Monica Sorelle, opens with a Haitian proverb: Dèyè mòn gen mòn—behind mountains are mountains. We hear the brutal clamor of a towering demolition crane—perpetually under construction, Miami, where Mountains is set, has no mountains but these—as it rakes the shingles off a roof. The patriarch of the family at Mountains’ center is Xavier (Atibon Nazaire), a construction worker who’s been […]
by Monica Uszerowicz on May 13, 2024 -
“How Do I Capture the Storytelling That is Quintessential to South America, and Marry It to the Experience of Living Here in Florida?”: Director Kevin Contento on His Vimeo Staff Pick, From Fish to Moon
In The Conference of the Birds, the famous Persian epic written in 1177 by Sufi poet Farid ud-Din Attar, a group of birds gather and discuss their collective journey to meet their king, the Simurgh, a mythical winged creature. In this allegory for the human search for enlightenment and wisdom—despite our flaws—a sparrow cowers, hoping to avoid the quest altogether. “I do not wish to begin such a toilsome journey for something I can never reach…I shall be content to seek here my Joseph in the well,” she says, in one translation. “If I find him and draw him out, […]
by Monica Uszerowicz on May 13, 2024 -
Women-Only Space
The teaser for Kali Kahn’s film, Fairchild, is a murky thing, dark but patchy with light, too, because this is Florida. A young girl, pale and denim-shorted, digs a hole in the dirt, uprooting the tendriled root of a tree in the Everglades. She chews the ends of her hair and her fingers, the way children do, the way teenagers do (she’s both or somewhere in-between). The clearing is saw palmetto green; her nails are blue, bluer still in the soil, on her own shoulder, on her lips. There is neither antecedent nor aftermath for the scene—it’s the film’s trailer, […]
by Monica Uszerowicz on Mar 14, 2019 -
“We’re Using the Caribbean as a Lens Through Which to Explore Intersectionality”: The 2018 Third Horizon Film Festival
The trailer for this year’s Third Horizon Film Festival—the third Third Horizon, as time would have it—was beautiful, because the films comprising it are beautiful: wide-eyed children, skin aglow with flames, the massive, lime-green expanse of sugarcane fields, a sea coursing like blood. The preview’s song begins with a dissonant, bell-like din, stretched like sinew over the rest of the track, which moves a lot like, actually, waves: steel drums clanging like a ticking clock; keys that progress upward, then down, till the whole song heads somewhere melancholic, toward a wisp of its former self. Third Horizon Film Festival is […]
by Monica Uszerowicz on Oct 8, 2018 -
“I Only Want to Tell Caribbean Stories”: DP Shabier Kirchner on His Directorial Debut, the Short Film Dadli
I read a book on architecture and design in the subtropics, once, a long time ago, that described the region as inherently cozy. Palm trees and big-leafed plants, it said, are made for hiding; enough of them, bundled together, will look like home. Tiquan, the thirteen-year-old narrator of cinematographer Shabier Kirchner’s directorial debut, Dadli, has places to hide, the way teenagers need to. “I go far in the country,” he says. “Hunt, get high — nobody troubles me.” Dadli, a brief and searing documentary portrait of Antigua, where Kirchner grew up, is as short as Tiquan is young, but it […]
by Monica Uszerowicz on Sep 27, 2018
