A self-described “knock-knock joke ten years in the making,” Gary Huggins’ debut feature Kick Me has to be seen to be believed. The film ostensibly tells the story of a high school guidance counselor who goes into Kansas City, Kansas one night to buy a pet bunny and meet with a delinquent student before attending his daughter’s choral concert. But nothing — and I mean nothing — goes as planned. What unfolds instead is an (often funny) nightmare freakshow featuring three-legged dogs, maniacal Winnebago-driving swingers, geriatric drug dealers, abandoned shopping malls and jenkem huffers that makes Scorsese’s After Hours seem […]
by Paul Harrill on Feb 20, 2023When the book of no-budget filmmaking war stories is written The Planters should get its own chapter. Not only were Hannah Leder and Alexandra Kotcheff the co-writers and co-directors of this truly independent comedy, they also served as its cinematographer and camera operator, gaffer, production designer, wardrobe designer, hair stylist, sound recordist, and — oh yes — its two lead actors. With only producer Jacqueline Beiro and a few supporting performers rounding out the production team, Leder and Kotcheff persisted through desert heat and nearly 130 days of filming to produce their feature debut. Of course, none of this would […]
by Paul Harrill on Nov 15, 2019The deadline to apply for the 2014 IFP Narrative Lab, April 4, is coming soon, and in advance of that deadline, I thought I’d write some words about my debut feature Something, Anything being selected for last year’s Lab, what happens in the first week of the Lab, and things to consider if you plan on applying. And let’s be clear: If you’re working on your first feature you should apply. * * * In Spring 2012, producer Ashley Maynor and I set our sights on applying to the IFP Lab when we were halfway through shooting Something, Anything, which […]
by Paul Harrill on Mar 21, 2014In my office hangs a blue and green woodblock poster that features an image of Woody Guthrie and a lot of hand-carved text. The text is a quote — an exhortation, really — adapted from Born To Win, Guthrie’s autobiography, about why he writes songs and who his audience is. I’ve had this poster as long as I’ve been making films, and — not coincidentally — that poster’s been on my mind for the last week while I had the honor of workshopping my debut feature, Something, Anything, through the first week of IFP’s Narrative Lab. Throughout the week, our […]
by Paul Harrill on Jun 19, 2013