Authors — Peter Rinaldi
-
Back to One, Episode 98: Zora Howard
Zora Howard is a juggernaut. She stars in Premature and co-wrote the script with director Rashaad Ernesto Green. Her performance has an assured authenticity and a new brand of quiet desperation that is remarkable for a first feature. She’s been an award-winning creator for years though. Plays, poems, spoken word performances. Her play Stew just closed off-broadway to great acclaim. I gush about it and ask where her love of words began, and which of these various paths of creation she’s anxious to continue down. She talks about the necessary step of taking off the writer’s hat in order to […]
by Peter Rinaldi on Feb 25, 2020 -
Back to One, Episode 97: Zoey Deutch
Acting wunderkind Zoey Deutch returns to the podcast on the occasion of the release of Buffaloed, the raucous indie she stars in (and produced) where she gets to flex her high octane comedy chops. We get into the weeds discussing comedy performance, she talks about striving to make her characters relatable, and about her love for auditioning (despite the hiccups). I delicately ask her what makes up the bulk of her now legendary script binder and she graciously explains. Plus much much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and […]
by Peter Rinaldi on Feb 18, 2020 -
Back to One, Episode 96: Richard Rankin
Scottish actor Richard Rankin plays Roger Mackenzie Wakefield on the Starz hit series Outlander (Season 5 premieres on Sunday, February 16th). On this episode, he talks about the process of stepping back into playing Roger after being on hiatus. We have a very clinical discussion about sex scenes, chemistry, and the importance of genuine depth in on-screen romance. I ask if he’s looking for roles where he can use his American accent. A listener question leads to a discussion about the effects of time travel. Plus he (very objectively) talks about why he’s the reason season 5 of Outlander is […]
by Peter Rinaldi on Feb 11, 2020 -
Back to One, Episode 95: Portrait of a Lady on Fire Special Episode
This is a very special episode of Back To One. Last year, in September, I sat down with the stars of Portrait Of A Lady On Fire, Noémie Merlant and Adèle Haenel, and their director, Céline Sciamma. On this show, I only sit down with one actor every week, so for me to sit with two actors and their director from the same film, it must be very special. And it is a very special film. For me, it is the purest example, in recent memory, of a perfect synthesis of direction and performance. The exemplary work of these three […]
by Peter Rinaldi on Feb 4, 2020 -
Back to One, Episode 94: Deirdre O’Connell
Deirdre O’Connell is a legend of the New York stage and brings true depth and authenticity to every moment she has in front of the camera, but make no mistake, she doesn’t have this “down” yet. In this hour, she talks about why she likes to travel to the place her character resides and why it’s important that she believes her character is smarter than her. I ask about her incredible performance in Diane, one scene in particular, and how on earth she’s able to lip sync every single line in the brand new production Dana H at the Vineyard […]
by Peter Rinaldi on Jan 29, 2020 -
Back to One, Episode 93: Marsha Stephanie Blake
Marsha Stephanie Blake destroyed me. Not just once, a few times. Her devastating portrayal of Linda McCray in When They See Us was justifiably recognized with an Emmy nomination last year. She talks extensively about one line in particular that really got to me in that incredible limited series. She also “kills” with comedy too. Like in The Merchant Of Venice on Broadway. She talks about obsessively studying Al Pacino during that run, and relishing her time with Viola Davis on this season of How To Get Away With Murder. She was on her way toward a career in medicine when […]
by Peter Rinaldi on Jan 22, 2020 -
Back to One, Episode 92: Adrian Martinez
He’s been called the “sidekick to the stars,” but a more apt, yet slightly less elegant description of Adrian Martinez is “scene-stealer from the stars.” Some recent thefts occur in The Secret Life of Walter Mitty, Focus, and Casa De Mi Padre. You can also see him in the hit ABC show Stumptown. Now he wrote, produced, directed and stars in the brilliant, timely, and deeply impacting new film iGilbert. On this episode, he talks about going “all in” to make that labor of love, how the psychological gesture plays a big part in his craft, the work ethic Philip […]
by Peter Rinaldi on Jan 14, 2020 -
Back to One #91, a Special Episode: Rehearsal
On this special episode, I spend a few days with the cast of A City Of Refuge as they rehearse this powerful new play by Evan Cuyler-Louison for Primitive Grace Theater Ensemble in New York City. Having had no experience with theatrical rehearsal, I pose lots of questions to Louison (who also directed the production) and his incredible actors, Ylfa Edelstein, Wilton Guzman, Miah Kane, Hailey Marmolejo, Gregg Prosser, and Luke Edward Smith. If, like me, your experience is limited to film production or you just have gaps in your knowledge regarding rehearsal in general, or you’re just curious about […]
by Peter Rinaldi on Jan 7, 2020 -
Back to One, Episode 90: Chris Eigeman
The incomparable Chris Eigeman is probably best known for the three films he made with Whit Stillman—Metropolitan (which was his very first film), Barcelona, and The Last Days of Disco. The singular style of performance he delivered in those films led to great work with filmmakers and showrunners such as Noah Baumbach, Amy Sherman-Palladino, and John Frankenheimer. Lately he’s been writing and directing his own films. In this episode he talks about the importance of knowing your role in the story, the harmful effects of the disappearing table read, loving those monologues, the freedom of it NOT being game day, […]
by Peter Rinaldi on Dec 31, 2019 -
Back to One, Episode 89: Mary Kay Place
Mary Kay Place’s long career is filled with memorable supporting parts in films like The Big Chill, The Rainmaker, Being John Malkovich, and television shows such as Mary Hartman, Mary Hartman, for which she won an Emmy. Diane is her first starring role. Kent Jones wrote it with her in mind. In this episode, Place unpacks and lets us examine the DNA of that vulnerable and subtly devastating performance. She talks about the importance of “building a bridge to the unconscious” (and other Jungian approaches) in her work, finding the rhythm in a scene, not being afraid to be “bad,” and much […]
by Peter Rinaldi on Dec 24, 2019
