Stunning black-and-white photos of movie theaters — old-style palaces and tacky multiplexes alike — sit underneath the credits of The Canyons, the 18th feature from veteran director and screenwriter Paul Schrader. Except rather than evoke the majesty of the 20th century’s dominant art form, they depict its collapse. These theaters are guttered, wrecked, their seats torn out, signage empty, neon fixtures torn and dangling from the ceilings. Some of these theaters — vintage single-screen Art Deco houses — are surely no longer viable in the modern era. The demise of the pictured strip-mall multiplexes, however, is most likely the product […]
by Scott Macaulay on Jul 18, 2013You can now follow Filmmaker on App.net. What is App.net? Well, here’s Ben Friedland last August on the App.net blog: App.net is a subscription-based, advertising-free social network and API. It’s a platform that developers can rely on and that members can use to interact with each other. App.net connects members’ feeds across clients built by third-party developers. Developers are free to build on our API – we’ll even send you a monthly payment, if your app is well-received – which means that members have a variety of apps to choose from to access the network. Most of the larger press […]
by Scott Macaulay on Jul 17, 2013Less than three months since she premiered her documentary, Aatsinki: The Story of Arctic Cowboys, at the Tribeca Film Festival, Jessica Oreck is both on the road and back with new work. This Working Man is a web project combining video portraiture, travel, and crowdsourced curation. From the project’s website: This Working Man is a series of short portraits of men at work. It is about practiced motion, kinetic movement, bodies, and forms. It is about a particular type of man: exceedingly capable, strong, confident, and diligent. The project is a search for humble masculinity and an unapologetic admittance of […]
by Scott Macaulay on Jul 16, 2013Set in the years leading up to the Civil War, and based on Solomon Northup’s 1853 autobiographical memoir, Steven McQueen’s new 12 Years a Slave tells the story of a free New York State black man kidnapped and travelled down South, where he is sold into slavery. The film chronicles his attempts to stay alive and maintain his spirit as he dreams of the day when he can be reunited with his family. Chiwetel Ejiofor plays Northup, Michael Fassbender a harsh slave owner, and Brad Pitt a Canadian abolotionist. The film was shot on 35mm by Sean Bobbitt and opens […]
by Scott Macaulay on Jul 16, 2013Filmmaker Paul Stone has launched a great online interview series, “My First Shoot,” which features filmmakers talking about their first time on set as directors. What’s particularly interesting about it is the perspective the passing of time affords. These aren’t directors talking about the shoots they wrapped last week. No, in many cases these are experienced directors reflecting back, pulling from their memory banks, and constructing lessons that can only be gained by the perspective continued practice provides. An example is provided by the latest interviewee, Twilight Saga: Eclipse director David Slade. I interviewed Slade for Filmmaker during the Sundance […]
by Scott Macaulay on Jul 15, 2013Ectotherms is the feature debut of Miami-based filmmaker Monia Peña, and it mixes fiction, documentary, the Miami landscape and black metal. Peña was influenced, she writes, by Cuba’s “Imperfect Cinema and many derivations of realism,” by her collaborators as well as by the people she met along the way. The suitably mysterious trailer is above, and here’s the synopsis: ECTOTHERMS: organisms that rely on external heat sources When teenager Chelsey finds her grandmother dead, she knows life without the old Cuban woman who raised her will never be the same. So she skips school with her brother Cassidy and his […]
by Scott Macaulay on Jul 14, 2013A year ago next week Filmmaker audiences met for the first time writer/director Ryan Coogler, as we featured him in our 2012 “25 New Faces” list. Here’s my profile: Ryan Coogler remembers the first moment it occurred to him to become a film director. Having grown up in Oakland, Coogler was on a football scholarship to Saint Mary’s College in Moraga, Calif., where he had to take a creative writing class. The assignment was to write about a personal experience, and Coogler wrote about the time his father almost bled to death in his arms. He handed it in, and […]
by Scott Macaulay on Jul 12, 2013Yasiin Bey (Mos Def) submits himself to the force feeding procedure hunger-striking Guantanamo Bay prisoners are currently undergoing twice a day in this painful short video by Senna director Asif Kapadia. As Ben Ferguson describes in The Guardian, the video was directed using the testimony of a hunger striker, Samir Mokbel, provided by the prisoners’ rights organization Reprieve: There was no rehearsal: after all, no acting would be required. He swapped his black leather jacket, jeans and designer shoes for an orange jumpsuit. In an instant, he was no longer Mos Def – rapper and Hollywood star – but a […]
by Scott Macaulay on Jul 9, 2013A joint program between the American Film Festival in Wroclaw and the Champs Elysées Film Festival in Paris, U.S. in Progress is a twice-yearly showcase for American independents that should be on the radar of all indies seeking post financing and services. The events present American independent works in progress to groups of European buyers, with two films each year winning post service packages. It’s the only European event devoted exclusively to American independents. The Wroclaw edition is upcoming, October 23 – 25, and has an August 15 deadline for submissions. (And, there’s no submission fee.) The Paris edition recently […]
by Scott Macaulay on Jul 9, 2013Is it possible to be blocked even after you successfully complete your film? If you asked me at the start of this series, “Letters from Blocked Filmmakers,” I would have answered no. You could be frustrated, disappointed or even angry, perhaps, but the realization of an artistic goal should have transmuted that feeling of blockage into something else… Or, at least, that was the rationale behind this column. With “Letters from Blocked Filmmakers,” I wanted to create a space on this site for those whose films aren’t getting made but whose voices are still very much worth hearing. I also […]
by Scott Macaulay on Jul 9, 2013