Nominations for the 2022 Gotham Awards were announced this morning, with Todd Fields’s TÁR topping the list with five nominations, including Best Picture, Outstanding Lead Performance (Cate Blanchett) and two Outstanding Performer noms (Noémie Merlant and Nina Hoss). But perhaps the biggest surprise is in the composition of the Best Feature category, which omitted a number of presumed awards-season heavyweights in favor of a trio of excellent, smaller-budgeted, pure independent films acquired at festivals. Along with TÁR and the Daniels’ Everything Everywhere All at Once, Best Feature nominees are Charlotte Wells’s delicately allusive memory piece, Aftersun, an A24 acquisition out […]
by Scott Macaulay on Oct 25, 2022Rachel Gordon, author of the recently published and recommended The Documentary Distribution Toolkit: How to Get Out, Get Seen, and Get an Audience and James Boyer, director of operations at distributor Collective Eye Films, join D-Word founder Doug Block for this useful conversation about documentary distribution and all of its related subjects. In the talk, Boyer talks about things like needed deliverables, how his company makes acquisitions and the role of festivals in launching films, and Gordon talks about the realities of self-distribution, grassroots marketing techniques, and identifying and interacting with educational instructors who may be able to place films […]
by Scott Macaulay on Oct 25, 2022When Irwin Young, longtime chairman of DuArt Film Laboratories, died earlier this year at the age of 94, there was an outpouring of tributes, remembrances and praise for a businessman and technical innovator who was “foundational to the indie film movement,” as David Leitner wrote on our website. “Irwin not only simplified and streamlined postproduction, he stepped to the plate to help ‘impecunious’ (his word) indie filmmakers too many times to count, cutting deals, OK’ing delayed payments, sometimes even investing in the films themselves. As a consequence, iconic filmmakers working today—too many to list here—got a leg up when they […]
by Scott Macaulay on Oct 11, 2022After much speculation over the release date of Antoine Fuqua’s Will Smith-starring Emancipation, Apple TV+ is making something of an awards season play and has dated the film for December 2 in theaters and December 9 on the streaming service. By point of comparison, last year’s Best Picture-winning Coda was released day-and-date in theaters and on the service. From the press release: Apple Original Films’ “Emancipation,” directed and executive produced by Antoine Fuqua (“Training Day,” “The Equalizer”) and starring and produced by Will Smith (“King Richard,” “The Pursuit of Happyness,” “Ali”), will premiere in theaters on December 2, 2022, and […]
by Scott Macaulay on Oct 3, 2022With the opening night of the 60th New York Film Festival upon us, Filmmaker would like to recommend 14 titles to catch during the 17-day engagement, which runs from September 30 through October 16 in-person at Film at Lincoln Center. Over the course of our previous festival coverage from this year—including Sundance, Cannes, Venice and TIFF—many of these films have been featured on our site in critical dispatches and reviews. Below, we share links and excerpts from these director interviews and festival dispatches, highlighting Jerzy Skolimowski’s Eo, Véréna Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica, Kelly Reichardt’s Showing Up […]
by Scott Macaulay on Sep 30, 2022Filmmaker is hosting four conversations next week at The Gotham’s Gotham Week Conference, all with filmmakers who have recent films we love and have covered extensively at Filmmaker. And, these talks are free to public. Three are in person at Brooklyn Navy Yards, and the fourth is on Zoom. RSVP by clicking on the links below. On Monday at 10:30 AM, I’ll be speaking with DEDZA founder Kate Gondwe, one of our 25 New Faces last year, about the distribution of Saul Williams’s and Anisia Uzeyman’s Neptune Frost, and particularly about the specialized techniques used to broaden the reach of this […]
by Scott Macaulay on Sep 16, 2022In Spring of 1994, as Filmmaker began its third year of publication, we received a call: would we be interested in interviewing Jean-Luc Godard? Yes, we excitedly said, and when Hal Hartley agreed to be the interviewer, and the interview was a go, we made the film our cover. (In Filmmaker’s history, it’s sandwiched between Rose Troche’s Go Fish and Rick Linklater’s Before Sunrise.) Rereading the interview today, I’m struck — although I shouldn’t be! — by the prescience of Godard’s musings on the future histories of cinema, the ways that it will be mediated by technology and its changing […]
by Scott Macaulay on Sep 13, 2022Filmmaker is proud to announce that we have moved our quarterly digital edition and archive going back to 2005 to Exact Editions, a London-based company that specializes in digitizing content, selling subscriptions and providing streaming solutions across web, iOS and Android platforms. Our digital edition, which replicates our print edition, is now available to read via Exact Editions across browsers and mobile devices, the latter through a browser or the company’s Exactly app, found in the App and Google Play stores. As a long-time reader of other publications using Exact Editions, I’ve admired the company’s elegant, easy-to-use platform. Issues download quickly, can […]
by Scott Macaulay on Sep 12, 2022The Toronto Film Festival is underway, the first purely in-person edition since before the COVID-19 pandemic. There are high profile premieres, including Ryan Johnson’s Knives Out sequel, Glass Onion, a number of films traveling on their awards march from Telluride and/or Venice (Florian Zeller’s The Son, Laura Poitras’s All the Beauty and the Bloodshed), as well as smaller acquisition titles that are always in danger of being overlooked amidst the galas. Below are a number of films, most but not all TIFF premieres, that we’re recommending you check out, whether that recommendation is based on pre-screening or just our knowledge […]
by Scott Macaulay on Sep 9, 2022In Summering, James Ponsoldt‘s return to cinema following several years of episodic television work, four young girls, best friends about to enter different junior high schools, find their final moments of group bonding upended by a shocking discovery: a dead body. Encountered near a secret spot they dub Terabithia (after the YA novel and film Bridge to Terabithia), the gruesome find turns into a challenge. What if rather than calling the police or telling their parents these friends could actually solve the mystery of this deceased middle-aged man’s identity and cause of death? It’d be both a kind of end-of-summer […]
by Scott Macaulay on Aug 12, 2022