The Maryland Film Festival, which wrapped its 2012 edition on Sunday, is one of the East Coast’s most intimate and engaging film events. With 40 features, over 70 shorts and an amazingly healthy contingent of loyal filmmakers annually making the trip to Baltimore, Maryland functions as both a discovery festival and friendly pit stop for directors on the independent circuit. John Waters hosts a movie — this year Barbara Loden’s seminal and still influential Wanda — and takes the audience out partying afterwards; the Opening Night consists of shorts, not some star-bloated, sub-standard mini-major feature; and, for the second year […]
by Scott Macaulay on May 11, 2012Bryan Wizemann’s recommended Think of Me, which boasts an amazing performance by Lauren Ambrose, is tomorrow night’s opening feature for the Rooftop Films 2012 season. The following interview was originally published on the eve of its Toronto Film Festival premiere. One of the more sobering and even painful short films of recent years is Bryan Wizemann’s Film Makes Us Happy. In the 12-minute documentary, Wizemann argues with his wife about his obsession with filmmaking, with her challenging him to give up on his dreams in order to focus on his family — including his new baby. Wizemann’s synopsis simply states, […]
by Scott Macaulay on May 11, 2012My blog post last week on 15 Things to Do After You Finish Your Script dances around the issue of quality, but my approach was fundamentally affirmational. Over at Script Shadow, Carson Reeves is blunter with his 10 Possible Reasons Your Script is Boring. All ten points are pretty dead-on, meaning that I’ve encountered each one more times than I want to remember. Reeves does a good job of identifying the reasons why a script read could produce just a “meh” reaction, but the short diagnosis is, it all comes down to quality. A script shouldn’t be just good these […]
by Scott Macaulay on May 11, 2012The death of celluloid is a terrifying concept for many filmmakers. That nightmare, of a cinematic dystopia where film stock is contraband, inspired this witty short by Vincent Lacrocq and Thierry De Clermont. It stars the filmmakers along with Mika Zimmerman, and director Jean-Stéphane Sauvaire also makes an appearance. Check it out below.
by Scott Macaulay on May 10, 2012“A writer fading into irrelevancy…” Yikes! That is the scary premise of Martin Donovan’s directorial debut, starring Donovan, Olivia Williams and David Morse. The movie is about a failing playwright and his “explosive run-in with a right-wing ex-con.” It hits theaters in early July, but for now, check out the trailer.
by Scott Macaulay on May 9, 2012The Sundance Institute announced today the roster for its June Directors and Screenwriters Lab. The complete press release follows. Los Angeles, CA — Sundance Institute today announced the 13 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah from May 28 through June 28. Under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program, and the artistic direction of Gyula Gazdag, the projects selected for this year’s program include emerging filmmakers and projects from the United States, Italy, Romania, Australia, Algeria, France, Chile and the UK. Directors […]
by Scott Macaulay on May 8, 2012Video Time Machine, free this weekend on the App Store for both iPhone and iPad, is one of the most entertaining apps I’ve played with in a while. Like all good video viewing apps, it’s based around one simple curatorial concept. In the case of VTM that concept is — yep, you guessed it — time. Dial up a year and the app pulls from YouTube videos produced during that year. You can further drill down by category, browsing TV, movies, music, sports, news and advertisements. And, there’s a curatorial element: the videos are “hand-picked” and always seem to strike […]
by Scott Macaulay on May 6, 2012“Where is Cooky Puss at?!?” I still remember breaking up over that line from “Cooky Puss,” the single from the Beastie Boy’s second EP. A recorded prank phone call to Carvel Ice Cream about their inexplicable dessert treat set to sleazy electro-funk and streaming over my college dorm room speakers via WNYU’s New Afternoon Show, it was my introduction to a group that swiftly went from novelty item to cultural force. “Cooky Puss” may not be the group’s highest moment, but it made me laugh then and it makes me laugh now even as it throws me back in time. […]
by Scott Macaulay on May 5, 2012A filmmaker asked me, “Do you think I can raise $400,000 on Kickstarter?” I told her that that sounded like a lot. Start-up technology companies using Kickstarter as, essentially, a customer-financed pre-buy platform, are raising in the seven figures. But $400,000 would be on the high-end of a feature film raise. Blue Like Jazz raised about $350,000, and that was based on a New York Times best-seller. Koo did great with Man-Child, scoring about $125,000, but he spent a couple years seeding his campaign by building an audience at No Film School. But as I was talking, I realized the […]
by Scott Macaulay on May 5, 2012A Filmmaker reader recently emailed me with a simple question. After going to film school, making some shorts and working conspicuously within his means, he’s now written a script purely from the imagination — not censoring himself by thinking of things like money and production requirements. The resulting project, I take it, is too big for his usual DIY methods. He asked, “What do I do now?” A tough question, not knowing the filmmaker very well and not having read the script. There are easier-said-than-done answers: “Find a producer! Get an agent!” But just sending out a bunch of PDFs, […]
by Scott Macaulay on May 2, 2012