Stunningly sad news today that Oscar-nominated editor Sally Menke, known for cutting all of Quentin Tarantino’s films, died sometime Monday while hiking in Los Angeles’s extreme heat. She had set out with a friend in Bronson Canyon; after an hour, her friend turned back, and when Menke didn’t return police were called. Her body was found at the bottom of a ravine with her dog at her side. The Los Angeles Times has the details. In the public mind, editors are sometimes judged by the flashiness of their cutting, a style Tarantino’s films have never embraced. But his films are […]
by Scott Macaulay on Sep 28, 2010Last night British director Chris Cunningham premiered a new short work, New York is Killing Me, at the Museum of Modern Art. An “audio-visual remix” of the song by Gil-Scott Heron from his new album, the piece was projected on three screens and was both darkly beautiful as well as unexpectedly simple. Far from the stutter-step hyperglitch and shocking imagery of his short Rubber Johnny and some of his Aphex Twin videos, New York is Killing Me was dreamy in both seductive and menacing ways. A close-up of Scott-Heron singing the song occupied the left side of the middle screen […]
by Scott Macaulay on Sep 27, 2010Thanks to the Workbook Project for allowing us to cross-post this interview with Ben Moskowitz of the Open Video Conference. Filmmaker readers can receive a special discount to attend this year’s conference by clicking here and entering the discount code FILM20. The Open Video Conference returns to NYC with a stop at FIT for two days of conference Oct 1st and 2nd and a special hack day on Oct 3rd. We caught up with Ben Moskowitz who’s pulling the event together to get a better sense of what to expect. WorkBook Project: What is OVC and what’s new this year? […]
by Scott Macaulay on Sep 26, 2010Here’s part one of five from yesterday’s press conference of the New York Film Festival’s opening day film, The Social Network, at Lincoln Center yesterday. Parts two through five can be seen at the film’s YouTube site.
by Scott Macaulay on Sep 25, 2010A highlight of last year for me was the Open Video Conference, a two-day seminar uniting thinkers, technologists, software developers and activists around the concept of “open video” — that is, open, non-proprietary standards allowing video to be generated and distributed on the web with the same ease as text. For a taste of what last year was like, read my coverage here. I’ll be attending this year’s conference at the Fashion Institute of Technology this coming Friday and Saturday, October 1 and 2. The organizers have kindly offered a discount to Filmmaker readers, so if you’d like to attend, […]
by Scott Macaulay on Sep 25, 2010Starting with Jesse Eisenberg, stills from today’s red carpet and press conference by Jamie Stuart, whose filmic ode to this year’s New York Film Festival will be up on the site soon.
by Scott Macaulay on Sep 24, 2010Here’s the last of our guest blog posts by the makers of One Hundred Mornings, currently running at Los Angeles’s Downtown Independent Theater. This one is by writer/director Conor Horgan on the genre possibilities of his movie. When I finished writing the script for One Hundred Mornings, I wasn’t overly concerned about which genre the film would be — I just wanted to get it made. But most filmmakers have to specify their project’s genre at an early stage — it makes everything nice and neat, and life is a little easier for all involved, except maybe for the writer/director […]
by Scott Macaulay on Sep 21, 2010As I wrote about on our newsletter a few weeks ago (and if you don’t get the weekly newsletter, why not? It’s free), we’ll be adding more new columns and original web content in the days ahead. On Friday we launched “Into the Splice,” Nicholas Rombes’s column on the pleasures of moviegoing. Every two weeks he’ll be going to a movie and writing an essay about the experiences and thoughts it triggers. And today we have the first of a three-part essay by Zachary Wigon on the multiple meanings of Catfish (pictured), examining it within the context of other movies […]
by Scott Macaulay on Sep 21, 2010Here’s the trailer for Todd Haynes’s five-part HBO miniseries, “Mildred Pierce,” that played tonight in front of the premiere of Boardwalk Empire. (Click on the headline if the trailer does not appear.)
by Scott Macaulay on Sep 19, 2010It’s Independent Film Week and the IFP’s Independent Filmmaker Conference, so I thought I’d bring up Radiohead before some panelist does. A couple of years ago I remember sitting at a panel (not at the IFP, actually) at which a young filmmaker was asking how to jumpstart his own business model. A guy onstage in a suit who probably billed at $600 an hour looked at him and said, “The answer is Radiohead,” referring to the band’s strategy of releasing their In Rainbows digitally over the internet for whatever price fans were willing to pay. (The band subsequently released a […]
by Scott Macaulay on Sep 19, 2010