Authors — Scott Macaulay

LENA DUNHAM’S APATOW-PRODUCED PILOT GREENLIT BY HBO

Tiny Furniture director Lena Dunham, one of Filmmaker Magazine’s “25 New Faces of 2009,” will write, direct the pilot for, and co-executive produce a new HBO series exec produced by Judd Apatow and Jenni Konner, reports Nellie Andreeva at Deadline Hollywood. The piece says the series “is expected to feature autobiographical elements” From Deadline: “Lena has a unique, truthful comic voice,” Apatow said. “I am excited to work with her and learn from her.” Konner said she was “obsessed with working with Lena” since HBO’s entertainment president Sue Naegle gave her a copy of Tiny Furniture. “She has a staggeringly […]
by Scott Macaulay on Sep 8, 2010
WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS

Here are a few articles, links and videos that caught my eye this week: The shape of documentaries to come may be revealed by Prison Valley, which won the second FRANCE24-Radio France International Web Documentary Award last week. From France 24’s article about the new media doc by David Dufresne and Philippe Brault: Created by David Dufresne and Philippe Brault, the striking multimedia production takes viewers to the heart of Canon City, “a distant place that is home to 36,000 souls and 13 prisons.” Produced by the French company Upian and distributed by Arte.tv, Prison Valley, is an interactive journey […]
by Scott Macaulay on Sep 5, 2010
ETIENNE! PREMIERES AT NEW YORK’S reRUN

I loved Jeff Mizushima’s delicate, entirely charming, and vaguely emo-ish Etienne! when I saw it last year after its CineVegas premiere. I wound up putting Jeff in our “25 New Faces” simply because the film’s sensibility seemed so different to me. I also loved its formally-bold second-half narrative shift and director Caveh Zahedi’s last-reel appearance in a scene that could have been taken from a Peter Handke novel. The film receives its East Coast premiere at the Brooklyn gastropub theater reRun beginning tomorrow for a one-week run. You can reserve tickets here. Here’s what I wrote last year: Writer-director Jeff […]
by Scott Macaulay on Sep 2, 2010
“GET ME MY F*CKING SOY BURRITO!”

Producer Gavin Polone’s presumably ex- current assistant has made one of those Xtranormal videos where you submit text and use the service to make a robotically-voiced animated short. This was sent to me this week by a friend who attested to its validity, and now, Nikki Finke gets confirmation from Polone (Curb Your Enthusiasm, Zombieland) himself. He is quoted, “Sadly, it isn’t altogether untrue. People seem to like it. Maybe it will inspire an HBO series about me?” Some enterprising curator should assemble the best of these Xtranormal videos. They’d make an oddly compelling full-evening show.
by Scott Macaulay on Sep 1, 2010
WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS

Here are some links that caught my eye this week. The Workbook Project has a new Transmedia Talk Podcast. Topics include “The Web is Dead,” Foursquare, and the Transmedia panels at SXSW 2011. Also at the Workbook Project, Mark Harris on why he shot his forthcoming The Lost Children fiction feature as a doc. Sarah Kessler at Mashable: “New Neutrality — Seven Worst-Case Scenarios.” There’s been a lot of interest in NYC writer Tao Lin over at The Rumpus. I haven’t read him, so I can’t comment. But here’s an intro at Salon that also discusses the new ways he’s […]
by Scott Macaulay on Aug 29, 2010
FILMMAKER FLASHBACK: FALL, 1996

Al Pacino, Robert Young, Joe Berlinger & Bruce Sinofsky, Cheryl Dunye, Curtis Charm, Nina Menkes, Alexander Payne, Steve Buscemi, Eric Bogosian and Nick Cassavetes were all featured in our Fall, 1996 issue, an edition that was dominated by one feature: our “50 Most Important Independent Films.” What makes one film more “important” than another? Here’s a portion of my intro: When we sent a letter out to several dozen critics, curators, distributors, and producers asking them to pick the most important American independent films of all time, we received a slew of responses ranging from the excited to the confused. […]
by Scott Macaulay on Aug 28, 2010
SUNDANCE DOC CREATIVE PRODUCING LAB DIARY #2: RACHEL LIBERT

Here is part two of Rachel Libert’s diaries from the Sundance Labs. Read part one here. The busloads of people arriving at the Sundance Resort for the Creative Producing Summit signaled the end of the Creative Producing Lab. Twenty narrative producers, twenty documentary producers and dozens of high-level industry representatives are sequestered in the privacy of the Wasatch Mountains. We’re participating in an information marathon. We are a think tank in which our collective brainpower evaluates the industry and its future. For the Documentary Creative Producing Lab fellows there’s a palpable shift from our tight knit group discussions about the […]
by Scott Macaulay on Aug 28, 2010
SUNDANCE DOC FILM CREATIVE PRODUCING LAB DIARY: RACHEL LIBERT

Here is the first of two diaries from Rachel Libert, a producer and director who brought her project Semper Fi: Always Faithful to the Sundance Doc Film Creative Producing Lab. I’m on my way home from the Sundance Documentary Film Creative Producing Lab and Summit and struggling to describe the experience. Nearly four years ago I was researching a documentary film about a public health organization and, while the idea was intriguing, it was becoming increasingly obvious that it was an impossible film to make. Before I graciously made my exit from the project I went to lunch with the […]
by Scott Macaulay on Aug 27, 2010
SOLVE A HUMAN MYSTERY, PRODUCE A FILM

Since I was a teenager, one of my favorite science-fiction writers has been Norman Spinrad. Of course, to call him a science-fiction writer is tremendously reductive, because his writing has encompassed historical fiction, political commentary and cultural critique. But when I encountered him, he was part of a renegade group of science-fiction writers who were pushing the genre’s boundaries of form and content. He was collected by Harlan Ellison in his Dangerous Visions series, which is where I first read him. Later I stumbled across a signed copy of Norman’s excellent and now astonishingly prescient tale of the media and […]
by Scott Macaulay on Aug 26, 2010
Sundance Creative Producers Lab Diary: Amy Lo, Part Two

Producer Amy Lo with Producing Advisor Ron Yerxa Here’s part two of Amy Lo’s Sundance Creative Producer’s Lab Diary. Part One can be read here. Back in New York, a director I’d just met the other day told me, “You’re really nice for a producer.” Have we sunk so low? He was surprised that I was…nice? In fact, at the Sundance Creative Producing Summit, there was nothing but niceness all around. It began on Friday; specifically, after lunch. Pre-lunch, we were still ensconced in our intimate, small-group sessions for the Feature Film Creative Producing Lab, which had started five days […]
by Scott Macaulay on Aug 26, 2010

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