Director Michel Gondry (Eternal Sunshine of the Spotless Mind) and brother Olivier, who previously worked together on music videos like the Chemical Brothers’s “Star Guitar,” have just released a new quarantine-made clip for the Bristol band IDLES. Using a blend of lo-fi animation (Michel’s cardboard cutouts shot by a suspended-overhead iPhone) and CGI (Olivier’s desktop wizardry), the clip, which suggests a Richard Scarry adaptation of Animal Farm, moves from a racist village to the moon. From an article on the video at WePresent: The song is really about the dangerous small-mindedness born out of villages which can sometimes act as […]

As studio and television filmmaking creaks back into production, a first wave of microbudget films made amidst the coronavirus-related shutdowns enters post. One such film is the horror-thriller drama Banishment, which launches today an Indiegogo campaign for its post-production costs. Shot in and around a secluded cabin in Lake Placid, New York for just $5,000, the film fashioned its own safe production protocols before official industry guidances, like the recent “Safe Way Forward” plan, were issued. Nonetheless, the basic tenets of today’s safe production — quarantining, social distancing, mask-wearing on set — were all adhered to. But one other element […]

A long, progressively disorienting drive across a snow-battered landscape leads to a relationship milestone — meeting the parents — in the latest from writer/director Charlie Kaufman. For Jessie Buckley’s unnamed girlfriend character, Jake (Jesse Plemmons) is someone promising even as the film’s serenely despondent title functions as her mantra-like internal dialogue. Awaiting in a house that seems unmoored by time are Jake’s mom and dad, played by Toni Collette and David Thewlis. Said Kaufman to Entertainment Weekly, “The house represents the imagined interaction between someone you bring home to your parents — that panic that is twoheaded at that point. […]

TIFF co-heads Cameron Bailey and Joana Vicente have announced the 50 films that will comprise the 2020 Toronto International Film Festival. Necessarily due to the coronavirus pandemic, this year’s TIFF is very different edition — the film count is down from 2019’s 300+, and most press and industry will attend virtually — but there are still many anticipated world premieres and diverse international offerings. “We began this year planning for a 45th Festival much like our previous editions,” said Bailey, Artistic Director and Co-Head of TIFF, in a press release, “but along the way we had to rethink just about […]

From Brian Newman, whose Sub-Genre newsletter I highly recommend subscribing to, comes this set of three surveys about the independent film and festival worlds in the age of COVID-19. The three organizing parties — Sub-Genre, Film Festival Alliance and iGEMStv, a movie and TV curation/recommendation platform — promise to aggregate the results with an eye towards helping the industry figure out a way forward amidst the current pandemic. From the organizers: One way to solve the problems… is by collecting data and using it to build better systems. To that end: With COVID having such a major impact on the […]

Launching a career with a strong short is a hallmark of the independent film scene. The best shorts of the year commonly attract attention from festival programmers, managers, producers, agents. And in addition to generating recognition and industry interest, many shorts do more — they establish not only a voice but also subject matter their makers go on to explore with even more depth, nuance and subtlety in future works. Currently in release from IFC Midnight and attracting much-deserved attention is Natalie Erika James’s Relic, which artfully lodges an exploration of dementia and elder care within a genuinely scary haunted-house […]

In a project led by series producer and editor Ben Fee, 19 filmmakers have turned the old Surrealist “exquisite corpse” creation method into a “collaborative filmmaking game,” Exquisite Shorts, that you can watch above. Previously used throughout the 20th century to create poetry and artwork, the method lends itself beautifully to collaborative filmmaking, particularly when the creators are as inventive as the ones in this group. (Names involved who are familiar to Filmmaker readers include Travis Stevens as well as Courtney and Hillary Andujar, who appeared on last year’s 25 New Faces list.) In the 12-minute piece they mix short visual […]

Critic and programmer Pamela Cohn recently published her first book, Lucid Dreaming, a collection of extremely thoughtful and probing interviews with boundary-pushing non-fiction filmmakers. (Read an excerpt of the book’s conversation with Donal Foreman here.) And now an extension of the book, the Lucid Dreaming podcast, has just launched. The first guest is Penny Lane, well-known to Filmmaker readers for films like Our Nixon and Hail, Satan?, as well as for her occasional Notes on Real Life column. You can listen to Lane’s interview and subscribe so you don’t miss future episodes here.

With the rallying cry of its hashtagged title, Tom Gilroy’s #WaynesvilleStrong is a darkly comic and scarily plausible vision of a very near future in which low-wage work, enforced patriotism and the panoptic powers of the internet combine to create a pandemic hellscape that one laid-off meatpacking worker must delicately navigate, one videocall prompt at a time. The short was made quickly, in May and during quarantine, with everyone appropriately socially distanced, and to its great credit that what was political satire just two months ago is now turning into, with the current battles over “reopening,” political reality. The short […]

Premiering today here at Filmmaker is #WaynesvilleStrong, a short film by Tom Gilroy (The Cold Lands, Spring Forward) starring Nick Sandow (Orange is the New Black) that, with dystopic wit, speaks directly to today’s arguments around workplace reopening during the pandemic. Set in a distressingly-possible near future, Sandow is a quarantined worker who has fallen afoul of the government’s official “reopen, rejoice and rebuild” policy. Stuck in a videochat hellhole of automated prompts, Sandow’s worker becomes increasingly agitated as the contours of a new, neoliberal form of pandemic-fueled social control becomes apparent. Gilroy describes the film as “a kind of […]