Welcome to the fall 2023 edition of Filmmaker—our 31st anniversary issue containing the 26th edition of our 25 New Faces of Film list. Or perhaps I should say, “Welcome to the fall 2023 edition of Filmmaker Magazine” and actually use that final descriptor, one which I often edit out of interview copy when people say it. As I wrote in this space a year ago in a longer-than-usual editor’s letter tied to our silver anniversary, I picked the name “Filmmaker” after being inspired by a magazine called Musician that ran for nearly 25 years in the latter part of the […]
by Scott Macaulay on Sep 20, 2023The Gotham Film & Media Institute, Filmmaker‘s publisher, announced today significant changes to its Gotham Awards eligibility criteria, removing entirely the previous $35 million budget cap for submitted films. That means studio films like Barbie and Oppenheimer could potentially compete against smaller-scale independents, films like 2022 nominees Best Feature nominees The Cathedral and Dos Estacionnes. Additionally in the lead-up to an awards season already impacted by the WGA and SAG-AFTRA strikes, The Gotham announced that international films will be eligible to compete alongside U.S. titles in the following categories: Outstanding Lead Performance, Outstanding Supporting Performance, Best Screenplay, and Bingham Ray […]
by Scott Macaulay on Aug 10, 2023Jess Search, an extraordinary and impactful documentary producer and executive, died Monday in London of brain cancer. She was 54. Search began her career in 1998 as a founder of Shooting People, the London-based site connecting thousands of filmmakers and crew, and then at UK’s Channel Four, where she was a documentary commissioning editor. From there she founded the BritDoc Foundation, which then became the nonprofit Doc Society. As Doc Society’s co-founder and also chief executive, her vision led to a diverse set of initiatives that includes funding non-fiction films by UK filmmakers as well as, more specifically, supporting films […]
by Scott Macaulay on Aug 2, 2023SAG-AFTRA is joining WGA on the Hollywood picket lines. Following the collapse Wednesday of its negotiations with the Alliance of Motion Picture and Television Producers (AMPTP), the union voted to strike, effective tonight at 12:01 AM. It’s the union’s first motion picture and television strike since 1980 and the first time since 1960 that both the actors’s and writers’ unions have concurrently struck. “We had no choice,” said SAG-AFTRA President Fran Drescher at a live-streamed news conference this afternoon. “We are the victims here. We are being victimized by a very greedy entity.” She continued, “I cannot believe it, quite […]
by Scott Macaulay on Jul 13, 2023Pittsburg-based director Charlotte Glynn, who made Filmmaker‘s 25 New Faces in 2014, is now running a Kickstarter campaign to raise funds for her debut narrative feature, The Gymnast. The film, which was actually discussed at the end of Brandon Harris’s profile, is set in a former mill town and is about “a 14-year-old aspiring Olympic gymnast and her die-hard ‘gym dad’ [who] must reinvent themselves after a potentially career-ending injury.” Elaborates Glynn on the Kickstarter page: The Gymnast is a film about loss and perseverance in the face of extreme odds, and the making of the film has mirrored that […]
by Scott Macaulay on Jul 7, 2023There’s a moment early in director Brian Vincent and producer Heather Spore’s documentary Make Me Famous when the ’80s downtown New York artist Edward Brezinski is described by the late artist Duncan Hannah as the guy with the flyers. Brezinski would show up at openings, drink the cheap wine and press flyers for group shows at the Magic Gallery (his own barren apartment on East 3rd Street) into as many palms as possible. In a world where the most successful artists managed to self-promote while simultaneously adopting a pose of understated remove, Brezinski’s old-school hucksterism was memorably uncool. As the […]
by Scott Macaulay on Jul 6, 2023I can’t think of a better film to grace the cover of the final issue of Filmmaker’s 30th anniversary year than Savanah Leaf’s Earth Mama. From its opening scenes, it impresses as a work of classic independent cinema—social realism shot through with unexpected creative flourishes and informed by the personal life experience of its maker. A version of this film might have been made in each of Filmmaker’s three decades, but with different emphases, of course, and perhaps under very different circumstances. The story of this one—a U.K./U.S. production backed by Channel 4 and A24—was told last issue by Anthony […]
by Scott Macaulay on Jun 27, 2023Currently boasting 100% on Rotten Tomatoes and heading into its second weekend in New York theaters is Brian Vincent‘s Make Me Famous, a self-distributed documentary about the 1980s New York art world centered around painter Edward Brezinski. A notable figure from the era that spawned Nan Goldin, Jean-Michel Basquiat and David Wojnarowicz, he never attained their level of recognition and subsequently disappeared — a disappearance the filmmakers try to solve. From the press materials: A madcap romp through the 1980’s NYC art scene amid the colorful career of painter, Edward Brezinski, hell-bent on making it. What begins as an investigation […]
by Scott Macaulay on Jun 26, 2023Each Friday I write an original Editors Letter as part of the free Filmmaker newsletter. Always original and not usually archived on the site, the letters consist of essays, thoughts, recommendations and sometimes even early versions of pieces that appear later here. This week I wrote about the Apple Vision Pro and am reposting that piece in updated form here. To subscribe for free to the Filmmaker newsletter, click here. If you watched any of Apple’s WWDC keynote on Monday, or saw any of its videos, and thought that its new AR headset, the Apple Vision Pro, looked like science […]
by Scott Macaulay on Jun 10, 2023Art and biology coexist in the work of artist Heather Dewey-Hagborg, who has created images — film, video, sculptural — as well as multimedia performance and process-oriented work that animate with emotional complexity increasingly urgent questions around identity and personal freedom. Much of her work uses DNA as both subject and artistic material, with the artist working herself with genome sequencing and DNA collection as well as exploring the implications of this same work being commodified at scale through consumer-facing companies like 23andMe. What’s particularly noteworthy are the emotional valences she brings to these questions. Neither a techno-thrillseeker or a […]
by Scott Macaulay on Jun 7, 2023