The Gotham, Filmmaker‘s publisher, announced today the projects and creators accepted into the 2024 Gotham Week Project Market, which takes place in Brooklyn and Manhattan September 30 – October 4. A long-running program of The Gotham, the Project Market introduces projects in development seeking financing or distribution to industry partners, including producers, sales agents and distributors. It returns this year following last year’s break due to the ongoing Writers Guild strikes with 112 projects spanning feature films, documentary and television. Among the projects are Buffalo Stone, which Lily Gladstone co-wrote and produced, with co-writer-directors Daniel Glick and Ivy Macdonald and […]
by Scott Macaulay on Aug 7, 2024Film at Lincoln Center announced today the Main Slate lineup of the 62nd New York Film Festival. Among the lineup are the latest from David Cronenberg (The Shrouds), Paul Schrader (Oh Canada) and Mike Leigh (Hard Truths) are world premieres by younger American auteurs, including Julia Loktev, who will debut the 332-minute, five-part My Undesirable Friends: Part I — Last Air in Moscow, about the young female independent journalists at Russia’s TV Rain during the first week of the invasion of Ukraine. Robinson Devor (Police Beat, Zoo) world premieres his documentary Suburban Fury, about would-be presidential assassin Sara Jane Moore. […]
by Scott Macaulay on Aug 6, 2024U.S. in Progress is now through September 8 accepting submissions from American independent filmmakers with pictures in post-production seeking finishing funds. Accepted filmmakers and projects will attend the in-person event at Wroclaw, Poland’s American Film Festival from November 7 – 9, where they will present the rough cuts of their narrative projects to European buyers and Polish post-production companies providing over $100,000 in post services. Recent and upcoming projects that are alumni of U.S. in Progress include the Venice-bound Familiar Touch, directed by 2023 25 New Face Sarah Friedland; the recently released Summer Solstice, by writer/director Noah Schamus; India Donaldson’s […]
by Scott Macaulay on Aug 5, 2024Back in 2021, filmmaker Jessica Oreck (Beetle Queen Conquers Tokyo), who appeared on Filmmaker‘s 25 New Faces list in 2009, launched her Office of Collecting and Design, which she describes as “part wonderland, part library, and part nostalgia machine, devoted to the diminutive, the misplaced, the unusual, and the forgotten.” A truly unusual endeavor, the Las Vegas-based tiny museum is exhibition space, animation studio and prop house — in short, a physical extension of the enthusiasms that have powered Oreck’s filmmaking. From my print issue profile of the project: A cinematic sensibility permeates the whole endeavor, not just in the […]
by Scott Macaulay on Jul 29, 2024At Filmmaker we’ve long been a fan of Zach Clark, director of such witty and genre (and genre-adjacent) work as Little Sister, Vacation! and White Reindeer. He always brings real style and subversive smarts to his pictures, which often apply ingenious tonal twists to familiar situations and set-ups. For his latest, The Becomers, Clark fuses an Invasion of the Body Snatchers-type tale with a classic rom-com set up. Reviewing the film out of Fantasia, Erik Luers wrote: In depicting two shape-shifting entities who arrive separately on Earth searching for their misplaced mate, Clark’s film provides his Midwest cast the opportunity […]
by Scott Macaulay on Jul 23, 2024Each Friday I send out a free email newsletter with an original Editor’s Letter along with viewing recommendations and festival deadlines. The Editor’s Letter is usually not reposted here on this site. As a way of encouraging sign-ups — you can join for free here — I’m posting here a slightly edited version of last week’s edition, in which I draw some production and distribution conclusions from the success of the Mike Cheslik’s independent hit Hundreds of Beavers, drawing info from linked interviews, now unpaywalled, from our current print edition. — Editor Because I edit Filmmaker and am supposed to […]
by Scott Macaulay on Jul 23, 2024“Did you make the day?” That’s the first question financiers and production execs will ask after a first day — or, really, any day — of shooting. “Making the day” means completing all the scenes on the call sheet so that the production isn’t falling behind, something that can led to dropped scenes, budget overruns and more. But beyond the “making the day” question lies a deeper one: how is a production making the day? Rushed scenes, abandoned coverage and quickly made decisions can result in an on-time shooting schedule but diminished artistic results. That’s why this behind-the-scenes video of […]
by Scott Macaulay on Jul 17, 2024With White Rose, My God, a new album from Alan Sparhawk — his first since the passing of Mimi Parker, his partner in the band Low — scheduled to appear in September, the singer/songwriter has released its first single with a music video directed by independent filmmaker Rick Alverson (The Mountain). Alverson has pixellated Sparhawk’s face as the musician has digitally manipulated his voice in this eerie clip. Check it out above.
by Scott Macaulay on Jul 17, 2024Y’lan Noel played Daniel in the HBO series Insecure starred in The First Purge, and now he plays Officer Platt in Lady in The Lake, Alma Har’el’s eagerly anticipated new series for Apple TV+ that drops on July 19th. On this episode, he discusses his unique approach to the work, which starts with, and centers on, daydreaming and the avoidance of aiming to do “the right thing.” He talks about allowing for “an energy that’s not me to make certain decisions;” the importance of solitude, space, stillness; how Har’el’s willingness to leave room for the mystical served his process; and […]
by Scott Macaulay on Jul 16, 2024What used to be known, literally, as “the cutting room floor,” now exists as a digital bin, an assortment of deleted scenes, unused (and in today’s mode of industrial documentary production, perhaps even unviewed) footage — material that, through its absence, haunts any finished audiovisual work. Often when this material is revealed, on a Blu-ray supplemental features disc, for example, the director’s elisions affirm the strength of their initial creative editorial decisions. Other times, particularly in biographical documentaries, the unused material becomes a kind of lacuna, suggesting not only paths unexplored but a failure to engage with all that’s messy, […]
by Scott Macaulay on Jul 12, 2024