The following interview with David Lynch appeared in Filmmaker‘s Winter, 1997 issue, and is being posted online today, David Lynch’s birthday, for the first time. An audacious return to feature filmmaking after his underrated Twin Peaks: Fire Walk With Me, Lost Highway is pure Lynch. Alternately seductive, mysterious, and terrifying, the film’s narrative unfolds with the chaos of a waking nightmare. Bill Pullman plays an avant-jazz musician whose fear of intimacy with his wife, Patricia Arquette, propels him into a series of schizophrenic states. Or perhaps not. Lost Highway can be read as a discombobulated film noir, study of mental […]