If you want to be your own film cricket, as Ray Pride would say, then check out Criticker, a new “personalized search engine” in which you record your numerical scores on a number of movies and then sit back as the site predicts what else you might like. The difference between this site and others seems to be a very healthy representation of independent and foreign films.
Opus Zine links to this article by Barbara Nicolosi in Christianity Today in which the author discusses the advice she gives to young Christian artists who want to be “the next Mel Gibson.” The advice contained in the article, itself an adaptation of material from her book Behind the Screen: Hollywood Insiders on Faith, Film and Culture, is not what you’d expect. She disses A Walk to Remember (“…a banal, predictable story with underdeveloped characters, pedestrian acting, and saccharine dialogue”), praises In the Bedroom (which “deals with the spiritual and psychological urgency of forgiveness”) and offers — after answering the […]
The bloggers at Spin and Stir have been writing about the Bob Yari vs. the Producers Guild of America lawsuit and in this post offer perhaps a more nuanced account of the reality of the producing business today than the PGA’s more idealistic definition. The end of the post has a hilarious producer breakdown comparing a good independent film (Capote, 12 producers) and a bad studio film (Pink Panther, 3 producers), countering all those Variety reviews that love to count off producer credits as if a lot of producers is a bad thing. Here’s from the end of the piece: […]
Both Indiewire and The Hollywood Reporter reported today that Focus Features co-president David Linde will become co-chairman of Universal Pictures, effective immediately, and Mark Schmuber has been appointed chairman. Shmuger has served as the studio’s vice chairman since 2000. Variety posted a longer article on the story later in the day that reports that the two jobs are equal in stature and that Shmuger received the “chairman” title due to his “longer tenure at Universal.” The two will work collaboratively and replace Stacey Snider, who recently announced her departure to become co-chair and CEO at Dreamworks. From the Hollywood Reporter: […]
Tne NYC production community, which, for the purposes of pitching projects and raising money, has gotten used to automatically knocking off 15% from its production budgets may have to revise its spreadsheet calculators. Articles in The New York Times and Gothamist both reference an upsetting development: the New York City tax credit program for film has been a victim of its own success. The $50 million allocated by the legislature for four years of the program has run out in only 13 months and, for now, producers aren’t guaranteed it will be renewed. (It is due to come up for […]
Ray Pride’s column over at Movie City News contains a long interview with Why We Fight director Eugene Jarecki in which he takes issue with David Denby’s recent review of his film: PRIDE: I’m not asking you to respond to this specific review, but I was floored by the incredibly jejune review that David Denby wrote in the New Yorker of Why We Fight. This is merely a collage film; this guy went in with a point to make; this is not true filmmaking. Does that trouble you when a reviewer is so obstinate, so resistant to whatyou’ve made? JARECKI: […]
Over at the Movie City News “Hot Blog”, David Poland reports on what he predicts could, with the right distributor, become the first big hit to get picked up out of the SXSW Festival. The film is Behind the Mask: The Rise of Leslie Vernon, and here’s what Poland has to say about it: First time director Scott Glosserman was here with his entire family for the premiere of Behind The Mask: The Rise Of Leslie Vernon. Title sucks. Poster looks like a conventionally crappy cheapo horror film. The only two acting names you’re likely to recognize are Freddy Englund […]
Partizan, the European video company that was a producer of Michel Gondry’s The Science of Sleep, has posted a video podcast that includes a sequence from the movie, due out later in the year from Warner Independent. As it’s called a “podcast,” I’m hoping that the subscription, now lodged in my iTunes, will reveal further clips and maybe some original short-form work for the podcast medium from this great filmmaker.
Sheerly Avni has an interview with Gore Vidal up on Truthdig.com in which the American author discusses Oscar-nominated films Brokeback Mountain and Capote (both of which he approves of, saying of the latter, “The movie is quite brave about showing somebody who did not have any redeeming characteristics, nor did they pretend he had”). Of Capote himself, Vidal has some choice memories: Oh, Capote. [Sighs.] I spent half a century trying to avoid him, in life, and now suddenly I’m surrounded by him. He was a pathological liar. He couldn’t tell the truth about anything, and he’d make it up […]
From Takashi Miike’s blog covering the production of his new film (helpfully translated and posted by the folks at Japan Film News): “So what’re ya shooting?” It’s a picture about a fierce battle between Aikawa Sho and a bunch of young boys.?So, half the actors are kids. “I’ve said this before but… is that really safe?” This is a wholesomely violent movie. You can revel in excitement that doesn’t fit within established genres, and after watching it I would like people to discuss human suffering with their mates over a few sakes at their local izakaya. Heh heh heh. Next […]