Filmmaking

TOUCH ME IN THE MORNING

For fans of Jan Wozencroft, the artist whose evocative and mysterious landscape photos adorn CD covers by the likes of Christian Fennesz and others on the Touch label, the folks at the U.K. music company are offering free 20 downloadable Wozencroft pics, formatted for use as screensavers on a variety of differently-sized computer screens. It’s the label’s 20th anniversary and a bunch of other special stuff is planned for the year.

By Scott Macaulay on Jan 15, 2006 Filmmaking
THE SCIENCE OF IT ALL

There are a lot of screenplay contests and development programs out there, but the Sloan/Tribeca Screenplay Program is one of the more interesting. In addition to a sizable development grant, the program provides mentorship to screenwriters and writer/producers grappling with science and technology themes in their work. An advisory panel of writers and scientists offer a year’s worth of feedback and input to, says the press release, “scripts that have a scientific or technological theme and story line or have a leading character who is a scientist, engineer, or mathematician…. Screenwriters currently participating in the program are Shawn Lawrence Otto […]

By Scott Macaulay on Jan 14, 2006 Filmmaking
IS AMY PASCAL REALLY AMY PASCAL?

I supposed I should take note of the whole JT Leroy thing. I’m referring, of course, to the recent piece by Warren St. John in the New York Times revealing that the shy, diminuitive figure with a floppy hat, black sunglasses, and a smear of red lipstick appearing in public as author JT Petty is actually a woman named Savannah Knoop, the half sister of Geoffrey Knoop, husband of Laura Albert. Albert is the 40-year-old Brooklyn woman who, in a New York magazine piece a few months ago, Steven Beachy asserted was the person behind JT Leroy’s fiction and rapidly […]

By Scott Macaulay on Jan 13, 2006 Filmmaking
CURRENT AFFAIRS

Here’s a link to Current TV’s very smart “Survival Guide” for those who want to make short videos that can get played on the cabler. Lots of filmmakers and celebs, ranging from director Catherine Hardwicke to Sean Penn, tell you in short Quicktime films how to do everything from telling your story to taking good sound to getting the right clearances.

By Scott Macaulay on Jan 12, 2006 Filmmaking
A VISION OF SHIRLEY TEMPLE

One of the more unusual indie film stories forwarded to us as Filmmaker is that of Minnesota producer and writer Christopher Harmon. Profiled here in the Minnesota-St. Paul Star Tribune, “Harmon can’t see, but he has vision. Can’t hear, but has imagination. Can’t move, but in his mind, he can dance and sing and dream about giving the rest of us films with messages of hope and triumph.” Harmon has a rare neurological condition called spino cerebellar degeneration which prevents communication and requires his use of a respirator to breathe. With writer Doug Klozzner, however, Harmon, who communicates through interpreters, […]

By Scott Macaulay on Jan 12, 2006 Filmmaking
TV EYE

I linked to Joe Gratz’s legal blog below when discussing the 2257 regulations, but here’s something else interesting from his site: This discussion of the company TVMyPod.com, which will sell you a video iPod pre-loaded with your favorite DVDs (which you have to buy from them along with the iPod), getting around the video iPod’s digital-rights-management system. It’s basically just a company doing for you what you could learn to do for yourself in about ten minutes on the internet, but the idea that a market has sprung up for this is kind of interesting.

By Scott Macaulay on Jan 11, 2006 Filmmaking
SCENE 2257, THE 2006 EDITION

Joe Grat, over at his legal and intellectual property-oriented blog, writes about a setback for the Justice Department in its enforcement of the 2257 regulations, a set of record-keeping requirements designed, many feel, to severely hamper and restrict the adult entertainment industry on the internet. As few have pointed out, however, these regulations also regulate content by all manner of film producers, including independents, and, as I’ve been blogging throughout the last few months, the ramifications of these rules needs to be debated in the indie community. For now, the fight over 2257 is being waged by the adult industry’s […]

By Scott Macaulay on Jan 11, 2006 Filmmaking
DOLPHINS AND WHALES

The folks at the literary magazine McSweeney’s have launched a DVD zine called Wholphin. The title has something to do with the way we’re supposed to have felt when we learned that “dolphins and whales sometimes, you know, do it.” Anyway, Volume One is included in the latest issue of McSweeney’s that’s on the stands, and it includes a bunch of should-be interesting stuff: a Spike Jonze film about Al Gore, a David O. Russell film about the first Iraq war, a short-film collaboration between Miguel Arteta and Miranda July, Alison Smith’s short film “The Specialist,” and something with John […]

By Scott Macaulay on Jan 8, 2006 Filmmaking
IT’S NICE TO BE APPRECIATED

Dennis Lim has a great half-page profile of writer/director Andrew Bujalski in the Sunday New York Times. Bujalski, who Matt Ross selected as one of our “25 New Faces” three years ago, has built up a big fan and critical base with his two features, Funny Ha Ha and Mutual Appreciation. Lim uncovers some good stuff — I didn’t know, for example, that Chantal Akerman was Bujalski’s filmmaking thesis advisor at Harvard and that she instructed him to run down the hall one day after a possible performer. Lim ends the piece by discussing what the future could hold for […]

By Scott Macaulay on Jan 8, 2006 Filmmaking
THE FUTURE IS NOW

First there was inclusion of video in the iTunes music store, an now, with Friday’s announcement by Google, is the new Google Video Store, currently online in a beta version. For those slow to the party, here’s a good Los Angeles Times piece by Chris Gaither explaining Google’s approach, which allows producers to upload their own videos and set their own price for downloads and decide whether or not to allow copy-protection. (The copy-protected works on the site use Google’s proprietary technology and are annoyingly not transferable to video iPods.) Google is launching the service with 5,000 titles, including films […]

By Scott Macaulay on Jan 7, 2006 Filmmaking

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