Summer 2023
Decisive Moments: Earth Mama Director Savanah Leaf in Conversation with Derek Cianfrance
There are two long back-and-forth tracking shots in Savanah Leaf’s wise, emotionally full debut feature, Earth Mama. In the first, the pregnant Gia—a 24-year-old Oakland single mother fighting for custody of the two young children she already has lost to state-sponsored foster care—purposefully strides across a playground, the camera focused on her as she passes expensive strollers and children playing in the background in soft focus. Moments before, she has asked the owner of the photo studio she works at for a cash advance: “I don’t want my baby coming out with no clothes or nothing,” she says. (Leaf cuts […]
Features
Rebelling Against the Independent Film Industrial Complex
The hyper-industrialization of the independent film space and the shift away from in-person screening to the vertically integrated streaming-sphere means that content curation is increasingly more general (massified), with fewer people participating in the process of sharing films with the public. In general, the U.S. A-list film festival circuit, where independent voices used to be able to thrive in more ragtag and aesthetically diverse ways, is now mostly a self-reflexive bourgeois echo chamber of sanctimonious gatekeepers serving corporate interests and neoliberal logics. Something has to change. Perhaps it’s time to turn away from the independent film industrial complex and toward […]
-
Punching Down: Emma Seligman on Bottoms
The following interview was published in Filmmaker‘s Summer 2023 issue and is being reposted today as Bottoms arrives in theaters via Metro-Goldwyn-Mayer. Bottoms, the sophomore feature from Shiva Baby writer-director Emma Seligman, takes the concept of blood and guts in high school to a queer, campy pinnacle. Co-written by Seligman and Rachel Sennott—who starred in Shiva Baby and returns to act in Bottoms alongside frequent comic collaborator Ayo Edebiri—the project embraces a streak of absurdist satire that’s been present in Sennott’s sensibility since launching her highly popular, if now infrequent, Twitter presence. Coupled with Seligman’s directorial desire to “always do […]
-
Turning Poetry into Art: Joanne McNeil on Large Language Models and the Poetry of Allison Parrish
An application like ChatGPT is “taking the last 20 years of the internet and chewing it up, then producing a system that draws from that,” Allison Parrish explained when we spoke over Zoom last month. To the poet and programmer, generating content with large language model (LLM) neural nets is like “powering an engine with the methane that comes from decomposing corpses in a graveyard.” Few artists working today have Parrish’s depth of experience with generative text. You have likely encountered her work online, especially if you were active on Twitter in the “Horse_ebooks” era. Early on in her career, […]
-
How and Why to Set Up a Production Company
In today’s entertainment industry, owning a production company has become synonymous with having a trainer, manager or overall deal—no celebrity can be seen without! But what exactly makes owning a production company such a crucial and sought-after asset? How can aspiring producers, particularly those who are young and not yet famous or well-established, go about creating one? What are the key factors that contribute to making it successful? Drawing from a decade of observing producers, learning from their triumphs and setbacks, as well as my personal experiences, here I explore the anatomy of a production company, the elements that lead […]
Punching Down: Emma Seligman on Bottoms
Turning Poetry into Art: Joanne McNeil on Large Language Models and the Poetry of Allison Parrish
How and Why to Set Up a Production Company
Other articles
- Life (And Work) After Film School
- “The Nature of Global Capitalism is Such that [Stories About] Gay Sexuality Are More and More Difficult to Finance”: Passages Director Ira Sachs in Conversation with Stephen Winter
- Reaching the Peak: Exploring Virtual Production on an Independent Budget
- A New Kind of Cinematograph: New Filmmakers at the AI Film Festival
- YouTube Film School
- Peak TV is Over—What Comes Next?
- Crash Course: A Professor Quickly Learns about AI
- Editor’s Letter
-
A Productive Friction
The restructuring of media conglomerates in the wake of streaming’s stagnating growth has left documentarians on shaky ground. Industry efforts to impress stockholders with cost-cutting measures and broad appeal entertainment have led to some high-profile layoffs in the nonfiction field and the sense among independents that there are few financing and distribution deals for formally experimental projects that challenge viewers’ political assumptions. So, what films are being made right now? What do alternative paths to exhibition look like? And how might thinking through the relationship between commercial and public media present possibilities for a more inclusive documentary culture on and […]
-
Earth Mama DP Jody Lee Lipes
Jody Lee Lipes likes to ask questions—so many, in fact, that the cinematographer says it can sometimes annoy directors. However, Lipes found a collaborator with an equally inexhaustible inquisitiveness in Savanah Leaf. “Savanah wanted to go through every scene together [during prep],” said Lipes. “I loved it because that’s my favorite thing to do. We would talk about a scene for like three hours. We went literally word by word through the script.” Lipes, whose credits include Manchester by the Sea, Martha Marcy May Marlene and I Know This Much Is True, first met Leaf on a commercial. They developed […]
-
Acting Their Age: Dustin Guy Defa on The Adults
“It was a highly anticipated scene for me,” Hannah Gross told me with a laugh. “It’s just so absurd. For anyone who has a complicated relationship, spoken or unspoken, with a sibling, it’s the ideal scenario: to get to express your grievances through the safety of these voices.” I’d asked her about a memorable moment near the end of The Adults, Dustin Guy Defa’s follow-up to Person to Person (2017). Gross, Michael Cera and Sophia Lillis star as estranged siblings still reckoning with the death of their mother and still adjusting, unsuccessfully for the most part, to the disappointments of […]
A Productive Friction
Acting Their Age: Dustin Guy Defa on The Adults
