Everyone’s a critic, but when it comes to considering Michael Moore’s Sicko, some critical voices might be a little bit more important than others. From Roger Ebert’s positive review: I saw the movie almost a year to the day after a cartoid artery burst after surgery and I came within a breath of death. I spent the next nine months in Northwestern Memorial Hospital, the Rehabilitation Institute of Chicago, and the Pritikin Longevity Center, and still require the daily care of a nurse. I mention this to indicate I am pretty deeply involved in the health care system. In each […]
On the day of Sicko’s expansion to over 400 screens, John Pierson, who repped Roger and Me and namechecked Michael Moore in the title of his Spike, Mike, Slackers and Dykes, sends an open letter to the director. While citing Sicko as Moore’s best filmmaking to date, he brings up the issues about Moore raised in the doc Manufacturing Dissent and discusses the goals of political filmmaking in general. Read it over at Indiewire.
Over at his blog, Scott Kirsner says he wants to avoid getting sucked into the iPhone media vortex but has failed. He links to two articles, , one in Variety, where he discusses Apple’s Fair Play DRM and how the company has created a “closed loop” in which it will be difficult for other content providers to sell media for the iPhone platform. Still, there’s enough in Kirsner’s article and elsewhere to make me think that the iPhone will be more successful than some think as a movie platform. In his piece Kirsner talks to Jim Flynn, chief exec of […]
2PAC AND HIS SOLDIERS IN ASGER LETH’S GHOSTS OF CITÉ SOLEIL. COURTESY THINKFILM. Asger Leth grew up with film as a way of life. His father, Danish film giant Jørgen Leth, featured him in Life in Denmark (1971) before young Asger could even walk or talk, and he also appeared in two more of his father’s documentaries, Good and Evil (1975) and Moments of Play (1986). Keen to escape his father’s shadow, Leth initially considered a career as a lawyer but ultimately could not resist the lure of filmmaking. He started directing short films in the mid-1990s, while simultaneously working […]
Last year writer/director So Yong Kim (pictured) was one of Filmmaker‘s 25 New Faces of 2006, and now, her debut feature, In Between Days, is opening in New York. GreenCine rounds up links to the rave reviews, and The Reeler has an interview with Kim in which she discusses her upcoming projects, the current movie’s long march through the festival circuit and into release, and the methods by which she cast her movie.
Writer Lauren Wissot emailed me after I blogged about the Antidote Films vs. JT Leroy verdict with a link to her own blog, Beyond the Green Door, where she’s posted several pieces about the case. Wissot takes the pro-Laura Albert position in two posts, beginning with: I guess I’m trying to find the humor in all this because, frankly, Laura Albert’s Kafkaesque nightmare scares the hell out of me. Though the defense lawyers have broached the subject of Albert’s psychiatric history on the stand, Albert’s mental health is irrelevant. (Though as a good friend of mine pointed out, amputees who […]
[ Filmmaker concludes its exclusive look inside the Sundance Directors and Screenwriters Labs (which wraps up at the end of the week) with a final entry from Filmmaker Braden King [pictured above], who’s been posting weekly stories on his experience at the Labs. His project is titled Here, co-written by himself and Dani Valent, and follows an American mapmaker charting the Armenian countryside who’s traveling with an adventurous landscape photographer revisiting her homeland. King has directed music videos and short films for Sonic Youth, Will Oldham and Yo La Tengo. He co-directed the film Dutch Harbor: Where The Sea Breaks […]
Paranormalist Jim Callahan has created a psychologically subtle piece of interactive noir/horror in the form of a short film. He’s a contestant trying out for the Spielberg-produced On the Lot show. Check it out and see if Callahan’s magic works on you…
BEN KINGSLEY AND TÉA LEONI IN JOHN DAHL’S YOU KILL ME. COURTESY IFC FILMS. John Dahl has unquestionable cinematic flair and a genuine talent for telling unconventional stories, yet he never set out to be a film director. Growing up in Montana in the 60s and 70s, his great passions were art and music: he studied fine art in college, then dropped out to become a commercial artist and play in rock ‘n’ roll bands. Still uncertain of his place in the world, he ended up at film school where he focused on directing. After graduation, he worked as an […]
A jury in Manhattan this afternoon ruled for plaintiff Antidote Films International in its lawsuit charging Laura Albert, the writer behind fictitious literary star JT Leroy, with fraud. Antidote was awarded the $110,000 it paid for film options to the Leroy novel Sarah and $6,500 in punitive damages. In a blog posting below I noted the reference to coverage in the New York Times discussing the fact that the trial has had the effect of entering the story behind the creation of the Leroy material into the public record, making it fair game for filmmakers, documentarians, writers, etc. It’s this […]