There’s an eccentric tracking of life and movies through ticket stubs posted by Mike over at Botsko.net. Having collected all his movie ticket stubs for six years, he puts their data in a spreadsheet and analyzes his moviegoing habits through dating, Fandango, ticket price increases, The Lord of the Rings trilogy, and the birth of his child. One of his conclusions: he wound up paying more for movies he liked: What’s interesting though is that the average price I paid per ticket reflects my opinion of the movie. The better I rated the movie, the more I paid on average […]
Twitch, which is a great site covering what it calls “strange little films from around the world” (with a heavy emphasis on Asian art and genre films) links to Handcranked Films, a collective of filmmakers who include War (pictured) director Jake Mahaffy, one of Filmmaker‘s 25 New Faces of 2005. What I didn’t realize until Twitch’s piece is that Handcranked includes a number of other filmmakers, including Daniel Sousa and Jeff Slas, and that all of their work is featured on the site. Here’s what Todd at Twitch has to say about them: “Handcranked is a collective of film makers […]
The Reeler has a good piece up on Marshall Curry, whose Street Fight opened today at New York’s IFC Center. From the piece: “While viewing Curry’s riveting film last week, it occurred to me that this could absolutely be the dark horse nominee come March 5. In chronicling Newark’s 2002 mayoral race between relative newcomer Cory Booker and Jersey’s reigning machine-politics king Sharpe James, Curry captures a system imploded by racism, corruption, lies and at least a few physical altercations. Perhaps more shockingly, Street Fight reflects the assured work of a first-time feature filmmaker–a guy who quit his job, bought […]
I ran into a colleague on the street a few hours ago who caught me up on some depresing industry buzz that had been circulating in Berlin: that Genius, the parent company of theatrical distributor Wellspring which is majority-owned by the Weinstein Company, is effectively shuttering the classy specialty distributor that has released so many great foreign and independent films. And now, Eugene Hernandez has the details in Indiewire. Going forward, the Wellspring name will become a home-video brand, and the Weinstein Company says they’ll release Wellspring’s upcoming theatrical titles. About ten people in Wellspring’s theatrical division will lose their […]
Josh Horowitz has a good conversation with writer/director Whit Stillman up on his Better than Fudge blog. His transcribed phone call works as a solid “part two” to Anthony Kaufman’s piece in the current Filmmaker which discussed the making of Metropolitan on the release of the film’s new Criterion release. Here’s the end of the piece, but click on the link above to read the whole thing: “JH: What do you miss most about making films?WS: Number one, an income. Number two, director’s guild health insurance. Number three I just miss the extroverted production life, being around technicians and being […]
There’s a new trailer up for Richard Linklater’s Philip K. Dick adaptation A Scanner Darkly. It’s way better than the previous teaser as it highlights the film’s woozy humor as much as its panoptic paranoia. When I interviewed Rick for Filmmaker, the film was slated to come out this spring. It’s been pushed to summer, so this trailer will have to tide you over in the meantime…
Forgive us as we iron out the kinks on the new site design. We just learned that due to an improper setting comments from readers have been going into the ether as opposed to onto our website. We’ve just reinstated those formerly lost comments and have changed our settings so comments are posted immediately.
Chris Gardner in Variety reports today that producer Michael London has launched a new financing and production company, Groundswell Productions. Starting with a capitalization of $55 million, the company plans to raise a total of $100 million and produce five films a year with budgets under $20 million. From the piece: “Groundswell’s business strategy will be a mix of foreign pre-sales for projects with established stars or pure equity investments in filmmaker-driven projects. The company’s slate will mix films from established directors and emerging talent alongside comedies and genre films. London said with Groundswell he will be looking for projects […]
Green Cine notes that filmmaker Sujewa Ekanayake, who posts on his Filmmaking for the Poor website, has launched a new blog: Indie Features 06. The site allows several filmmakers who are all finishing films this year and screening them in festivals or theaters to post in a “group blog” format their experiences. Filmmakers include Ekanayake, the four Texas-based directors behind the anthology film Deadroom, Chris Hansen (The Care and Feeding of an American Messiah, and filmmaker Rick Schmidt, whose Feature Filmmaking at Used Car Prices was one of the first no-budget film books ever published.
The folks who run Antville, the music site, have just launched Shortsville, a blog consisting solely of links to cool short films and commercial clips. Bookmark it now.