For those attempting to parse the business climate at this year’s Sundance Film Festival, today’s piece by David Halbfinger in the New York Times is pretty on the money. Also, I should note that I was a trifle embarassed to have been called by Ann Thompson one of the passionate bloggers who would be reporting from Sundance and then not to have written anything. Well, I was there more in producer mode this year rather than daily reporting mode, but I did catch a bunch of films I’ll be writing about during the year. And, I am heading to Rotterdam […]
In Filmmaker this issue writer-director Andrew Bujalski interviews Caveh Zahedi, whose I am a Sex Addict won the new Filmmaker-sponsored “Best Film Not Playing at a Theater Near You” award at the Gotham’s this year. As a sidebar to the piece, Zahedi penned a “Self Distribution Manifesto” explaining the moral imperative behind his decision to distribute his film himself. Zahedi started the piece by admitting that he had always dreamed of getting big distribution deals for his film and that none were forthcoming for Sex Addict. But midway through he turned what could have been a sour-grapes rant into a […]
In the print magazine this issue Rupert Chiarella writes a short piece about Turn Here.com, a new website that streams short films created specifically about neighborhoods all over the United States. I figured some interesting filmmakers might be tempted to contribute to the site, but the site’s layout makes it hard to identify the directors behind the various clips. So, I was glad to get an email today from Chris Kenneally, a veteran NYC post supervisor (he post-suped Patrict Stettner’s Sundance pic The Night Listener) and also a director/producer (with co-director Danielle Franco he directed the doc Crazy Legs Conti: […]
The generally excellent Boing Boing website posts this link to a news release from the Association for Psychological Science that answers a common question about actors and acting: how actors learn all their lines. Cognitive psychologist Helga Noice (Elmhurst College) and her husband, cognitive researcher, actor, and director Tony Noice (Indiana State University) have studied the subject and hope that their results can be used to counter cognitive decline in the elderly. From the piece: “According to the researchers, the secret of actors’ memories is, well, acting. An actor acquires lines readily by focusing not on the words of the […]
Brian Brooks and Eugene Hernandez post upsetting news in Indiewire today that filmmaker Julia Reichert who, with her partner Steve Bognar (together pictured), directed Lion in the House, a Sundance Competition doc about children dealing with cancer, was herself diagnosed with lymphoma. She received the news just after arriving in Utah for the film’s premiere. After her third screening she flew back home to Ohio where she is now hospitalized and receiving treatment. Julia’s work has been covered in Filmmaker and she has a long association with IFP. We send her our best wishes for her recovery, and friends and […]
After I posted Ted Hope’s movie pitch, 1000 Red Pieces of Sarah, below, Hope received this email alerting him to a fictional competing project from someone who prefers to be referred to as “an anonymous source”: “Hate to blow your bubble, but (off the record) Michel Gondry is directing the almost exact same movie as a co-production between Palm, Res Magazine, and Tokion Magazine, who has a first look deal with Nathan Hornblower, who controls the underlying rights to the autopsy reports of Eric Red’s victims. Additionally, Governor Schwarzenegger and Ed Pressman are still squabbling over Conan royalties, and the […]
Producer Ted Hope, who travels to Sundance this week with two films — Friends with Money and The Hawk is Dying — emailed to say that he’s been reading this blog and noticing certain subcurrents linking the various posts, observing that people, things and ideas are shape-shifting between fiction and fact within our cultural landscape. He’s come up with a fictional movie pitch encapsulating his thoughts which he forwarded to me, and I’m reprinting it below: “Okay it goes like this: A screenwriter who alleges to be Eric Red’s unevil twin is hired to adapt a story of a drunk […]
For fans of Jan Wozencroft, the artist whose evocative and mysterious landscape photos adorn CD covers by the likes of Christian Fennesz and others on the Touch label, the folks at the U.K. music company are offering free 20 downloadable Wozencroft pics, formatted for use as screensavers on a variety of differently-sized computer screens. It’s the label’s 20th anniversary and a bunch of other special stuff is planned for the year.
There are a lot of screenplay contests and development programs out there, but the Sloan/Tribeca Screenplay Program is one of the more interesting. In addition to a sizable development grant, the program provides mentorship to screenwriters and writer/producers grappling with science and technology themes in their work. An advisory panel of writers and scientists offer a year’s worth of feedback and input to, says the press release, “scripts that have a scientific or technological theme and story line or have a leading character who is a scientist, engineer, or mathematician…. Screenwriters currently participating in the program are Shawn Lawrence Otto […]
I supposed I should take note of the whole JT Leroy thing. I’m referring, of course, to the recent piece by Warren St. John in the New York Times revealing that the shy, diminuitive figure with a floppy hat, black sunglasses, and a smear of red lipstick appearing in public as author JT Petty is actually a woman named Savannah Knoop, the half sister of Geoffrey Knoop, husband of Laura Albert. Albert is the 40-year-old Brooklyn woman who, in a New York magazine piece a few months ago, Steven Beachy asserted was the person behind JT Leroy’s fiction and rapidly […]