Let me weigh in quickly on the imbroglio surrounding the deletion of Kevin Lee’s YouTube account. On the account Lee had posted his series of critical video essays on a number of recent and classic films, and in the course of arguing the aesthetic merits of each picture the videos included clips from the movies themselves. Apparently, YouTube received a complaint from the copyright holder of one of the clips and deleted his entire account. Matt Zoller Seitz has the complete story along with a comments thread that is also a must read, and Karina Longworth originally covered the story […]
Last year, I put together a blog post with a taster of some quotes from Director Interviews I did in 2007 and I have now (somewhat belatedly) come up with a compilation of choice soundbites from this past year. Though in my thoughts on 2008 I expressed the opinion that it had been a below average year for cinema (at least in comparison with the high water mark of 2007), it has been a hugely enjoyable 12 months from my perspective as an interviewer. Any year in which you get to sit down with George Romero, Werner Herzog, Catherine Breillat, […]
I like the nice, clean look of the new Indiewire along with a number of its user-friendly interactive features. It’s just gone live so I’ll spend some time exploring it, but for now, here’s a piece of editor Eugene Hernandez’s introductory letter: As I revealed last week, we have spent over a year developing this new site, but it’s actually taken us twelve years to get here. We’ve not only re-designed indieWIRE, but completely re-imagined it. Understanding that indieWIRE has emerged as a hub for filmmakers, the industry, and movie lovers alike over the past twelve years, we have developed […]
At the of Barack Obama’s election-night speech, he had a beautiful bit of oratory in which he remembered an elderly woman and spoke of all the things that she saw in her lifetime. What will we see if we live as long as her, he wondered. That, in essence was the question posed to a distinguished group of artists, writers and thinkers at The Edge. The responses here are of the quality that you want to bookmark the page and read one a day for the next month or so. Formally, the question posed by editor and publisher John Brockman […]
What’s the mood heading into the 25th Sundance Film Festival? Overall, the sense of a across the board scaling back is palpable. Almost no one will talk about their own company’s downsizing publicly, for fear of appearing financially unstable, but it’s no secret that the economic catastrophes have hit everyone’s travel and promotional budgets. Besides fewer sponsored parties – Motorola, for instance, will not be in attendance — the rumor is that some photo agencies have majorly scaled back their coverage, sticking to the red carpet only, and usually ubiquitous publications aren’t sending their film critics. “The party grid is […]
Independent filmmakers like to think that they are creating works of art that contribute to an enduring American culture. There’s just one problem: these works of art are disintegrating. Literally. More concerned with life rights than half-life, filmmakers are allowing their films to crumble and dissolve into analog blurs and forests of digital glitches as formats change, materials are uncared for, and elements are left forgotten on lab floors. Enter the Sundance Collection, a collaborative program with the UCLA Film and Television Archive. It is the first archive to be devoted exclusively to the preservation of independent cinema. This year, […]
Here’s Anthony Kaufman’s Industry Beat column for the upcoming Winter issue. “Gay Marriage Ban Inspires New Wave of Activists,” declared a recent headline in The New York Times. If the passage of California‘s Proposition 8 initiative — which denied same-sex couples the previously granted right to marry in the state — could stir hundreds of newly politicized members of the gay community to join together and fight back, will that same activist energy jolt America‘s gay and lesbian filmmakers to do the same? If a new, more radicalized LGBT cinema were on the rise, trend spotters would likely find murmurs […]
Here Roger Ebert reprints his review of the deficit documentary I.O.U.S.A., which CNN airs this weekend. From Ebert’s blog post: I’m reprinting my review of the nonpartisan doc I.O.U.S.A. again because it will be televised on CNN at 1 p.m. CST Saturday, Jan. 10, and 2 p.m. CST Sunday, Jan 11. Co-hosts will be CNN financial experts Ali Velshi and Christine Romans. Their panelists will include Pete Peterson, ormer U.S. Commerce Secretary; Dave Walker, former U.S. Comptroller General; Alice Rivlin, former Director of the Office of Management and Budget; and Bill Bradley, former U.S. Senator. Okay, I’m going to reprint […]
I was hoping to find someone to cover CES this year but struck out. (If you are a Filmmaker reader attending and would like to send some comments from the point-of-view of an independent filmmaker, you can email me at editor.filmmaker AT gmail.com.) However, discovering Scott Kirsner’s CES blog at Variety is, for me, the next best thing to having a correspondent there. I interviewed Scott in the last issue of the magazine, and over at the Variety blog he files commentary in his own patented fusion of tech coverage and industry business analysis. Among the topics: a predicted explosion […]
I am empowering Burger King’s pernicious viral marketing campaign, which I linked to below, even further by quoting this blog from Kottke.org, in which Jason Kottke uses the mathematics behind the campaign to come up with a valuation for Facebook that is lower than the valuation Microsoft used when they invested in the company. (Getting people like me to blog about a fast food product seems to have been the whole point of the campaign.) You see, if each Whopper costs $2.40, and there are 150 million users on Facebook, but some of them live overseas and are ineligible… well, […]