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NOTES ON A REVOLUTION
The blog post, below, titled “Breaking In,” in which filmmaker Marc Maurino discussed the tensions between jobs, job security and filmmaking, inspired several responses. You can find them in the comments section to the original post, but filmmaker David Munro just wrote with a longer reply so I’m posting it here as its own entry. It’s David Munro (New Faces ’98, Full Grown Men). I read Marc Maurino’s reply to your newsletter entry. It got me thinking, too. Unlike Marc, who is just now contemplating his next move as a talented aspiring director, I drank the full jigger of indie […]
by Scott Macaulay on Sep 5, 2008 -
GETTING INTO THE SWING OF TORONTO
What’s with the media and indie film these days? I attend my first party in Toronto, eager to catch up with old film friends and see some new movies, but the toxic murk of today’s business environment keeps seeping in. I got a ride in from the airport with a sales agent friend who, while bemoaning the difficult market for auteur films worldwide, said to me, “You have it worse in America. It’s not that the films do any poorer there, but there’s so much focus internationally on the American release that when they do fail everybody around the world […]
by Scott Macaulay on Sep 5, 2008 -
NOODLING AT IFC CENTER
Bradley Beesley‘s sequel to his breakout hit Okie Noodling will be screening this Friday and Saturday at the IFC Center in New York. If you’re not familiar with the film, here’s a sum up from the release: In 2001, filmmaker Bradley Beesley brought the strange subculture of barehanded catfishing to the screen in ‘Okie Noodling’, which won the Audience Choice Award and 1st runner-up for Best Documentary at the 2001 Sundance Film Festival. Now he returns to his home state of Oklahoma to see how the sport has evolved over the last decade in ‘Okie Noodling II’. Revisiting the colorful, […]
by Jason Guerrasio on Sep 4, 2008 -
Chris Smith, The Pool
VENKATESH CHAVAN IN DIRECTOR CHRIS SMITH’S THE POOL. COURTESY VITAGRAPH FILMS. Chris Smith is an interesting conundrum, a filmmaker who brings a narrative verve and energy to his documentaries and approaches fiction films with the delicate restraint and remove of a documentarian. A graduate of University of Wisconsin-Milwaukee’s film program, Smith first appeared on the scene in 1996 with American Job, a low-key narrative feature loosely based on the work experiences of the film’s star and co-writer, Randy Russell. During the editing of that film, he met Mark Borchardt, an oddball wannabe horror filmmaker who became the subject of Smith’s […]
by Nick Dawson on Sep 3, 2008 -
PAUL SCHRADER AND OX GORING
This piece by Karina Longworth discussing a panel discussion at Telluride on the crisis in independent film is essential reading. Ann Thompson, director Danny Boyle, distributor Michael Barker, critic and professor Annette Insdorf and writer/director Paul Schrader all talk about changing models and whether or not independent film as we know it is dead. There’s a lot of great stuff here, but these words by Schrader are choice, and they echo the comments I far less eloquently tried to advance in the Filmmaker magazine panel discussion that we recorded for the next issue. From the piece: “Technology is leaving behind […]
by Scott Macaulay on Sep 3, 2008 -
A BILLION DOLLAR PRODUCTION FUND
In Variety, Ali jafaar reports on a new production company poised to pump a billion dollars into film production. From the piece: Abu Dhabi has set its sights on joining the big leagues of pic production. The Abu Dhabi Media Co., which oversees the emirate’s film, TV and radio outlets, is launching a production shingle with $1 billion to spend on developing, financing and producing feature films over the next five years. Company dubbed Imagenation Abu Dhabi, which will also oversee Abu Dhabi’s existing $1 billion production fund with Warner Bros., has a mandate to produce eight features a year […]
by Scott Macaulay on Sep 2, 2008 -
SCRIPPETS ARE HERE
At his blog John August announces the arrival of Scrippets, a WordPress plug-in that allows for easy script formatting within blogs. Check it out. (Hat tip: Noah Harlan.)
by Scott Macaulay on Sep 2, 2008 -
BREAKING IN
In the last weekly newsletter I wrote the following: Last week Filmmaker gathered a small group of producers, sales reps and a distributor to talk about what some are calling a crisis in the funding and distribution of independent film. Our panel mixed generations, comprising veterans who remember independent film in the ’70s and ’80s as well as relative newcomers who have begun producing in the post-Pulp Fiction/Blair Witch era. I won’t go into all the details of our conversation here because the comments will run as a roundtable discussion in the next issue of Filmmaker. One thing was clear, […]
by Scott Macaulay on Sep 1, 2008 -
URMAN LEAVES THINKFILM, JOINS SENATOR
As we enter a lazy Labor Day news cycle, Anne Thompson picks up on her Variety blog the press release that THINKfilm CEO Mark Urman is leaving the troubled distributor and will join Senator Entertainment as the head of its new theatrical distribution company. Here’s the press release: Effective October 1, veteran film industry executive Mark Urman will join Marco Weber’s Senator Entertainment US as president of his newly formed distribution company. The teaming with Urman follows Weber’s recent acquisition of all shares in U.S.-based Senator Entertainment Inc. in order to focus solely on the production of English language films […]
by Scott Macaulay on Aug 29, 2008 -
Jiri Menzel, I Served The King Of England
IVAN BARNEV AND ASSORTED FEMALE FRIENDS IN DIRECTOR JIRÍ MENZEL’S I SERVED THE KING OF ENGLAND. COURTESY SONY PICTURES CLASSICS. Ji?í Menzel is rather like a character from literary fiction, the brilliant best friend who is beset by bad luck but accepts his lot in life with a wry, philosophical smile. Menzel, born in the former Czechoslovakia on the cusp of World War II, grew up with a passion for theatre but failed to get into drama school due to a perceived lack of ability. Instead he went to film school, where he was taught by the seminal Czech director […]
by Nick Dawson on Aug 28, 2008
