17721 Results for “”
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“My Own Sweat Would Drip Onto the Camera”: DP Ants Tammik on Smoke Sauna Sisterhood
Women bear all in Smoke Sauna Sisterhood, the intimate documentary from Estonian filmmaker Anna Hints. While partaking in the ritualistic cleanse, a group of women divulge secrets, talk through past traumas and, above all, foster their feminine bond while sweating bullets in the nude. DP Ants Tammik tells Filmmaker about the complications of shooting in such a hot, stuffy environment with sensitive equipment —and a few injuries he sustained along the way. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]
by Filmmaker Staff on Jan 31, 2023 -
“Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice
An aspiring chaplain must complete her yearlong residency at NYC’s Mount Sinai Hospital during a particularly dark period for public health in A Still Small Voice, the latest from doc filmmaker Luke Lorentzen. Between 2020 and 2021, Mati conducts visits as part of the hospital’s spiritual care department, navigating the grief, trauma and uncertainly that weighs heavily on these patients—and herself. Lorentzen, who acted as director, cinematographer and editor, discusses his experience cutting the film, which he describes as his “favorite part of the filmmaking process.” See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did […]
by Filmmaker Staff on Jan 31, 2023 -
“Two Lenses and a Monitor Did Not Survive” | Anna Hints, Smoke Sauna Sisterhood
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I must say that the Smoke Sauna Sisterhood journey has been a total roller-coster or as we call in Estonian “American hills.” So I am more than delighted that in the end of the journey we end up with the world premiere at Sundance in the middle of real American mountains. The first big obstacle was that my first producer […]
by Filmmaker Staff on Jan 31, 2023 -
“I Had To Shoot This Film as a One-Person Crew”: DP Luke Lorentzen on A Still Small Voice
An aspiring chaplain named Mati navigates tragedy, grief and her own bandwidth for handling the incalculable loss of the pandemic in A Still Small Voice, the latest from documentary filmmaker Luke Lorentzen. Finishing her yearlong residency at the spiritual care department in New York City’s Mount Sinai Hospital, Lorentzen captures Mati and her supervisor Rev. David’s fight to maintain hope and warmth between 2020 and 2021, two of the deadliest years in U.S. history. Lorentzen, who directed, shot and edited the film, discusses how his one-person shoot allowed him to blend into the doc’s setting—and gain the trust of subjects—more […]
by Filmmaker Staff on Jan 31, 2023 -
“Okay Whit, I Think You Need to Get Dumber”: Clay Tatum and Whitmer Thomas on The Civil Dead (Back To One, Episode 238)
Clay Tatum and Whitmer Thomas wrote and star in the wonderful new comedy The Civil Dead, which Tatum also directed. On this episode, they discuss their long collaboration and friendship that goes back to Alabama at age 11, doing comedy events in Los Angeles with Power Violence, filming sketches, honing their craft, learning valuable lessons on the HBO/A24 production The Golden One, the importance of rhythm in comedy, the importance of trusting your own voice, and applying it all toward the modest indie film that won the audience award at Slamdance last year and is about to win audiences over […]
by Peter Rinaldi on Jan 31, 2023 -
“All of My Supporting Artists Were Testing Positive” | Nida Manzoor, Polite Society
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? At the beginning of the film there is a big school fight between Ria, the main character, and the school bully. I had always imagined it being set in this grand, round school library, filled with rabid teen girl spectators, creating a bloodthirsty gladiatorial image, a feeling of epic spectacle. When it came to the reality of filming, we were […]
by Filmmaker Staff on Jan 29, 2023 -
“Control of Women’s Sexuality Is What Makes Patriarchy Possible” | Nicole Newnham, The Disappearance of Shere Hite
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Our first shoot on The Disappearance of Shere Hite was in the fall of 2021, when we filmed a requiem on the anniversary of Shere Hite’s cremation, held in Paris by her friend and artistic collaborator, the German fashion photographer Iris Brosch. At that time, it was of course already very clear to us that the backlash against feminism that […]
by Filmmaker Staff on Jan 29, 2023 -
“I Like to Channel Musicality Into the Act of Editing”: Editor Adam Dicterow on Mutt
Feña (Lío Mehiel) is a 20-something trans guy living in Brooklyn in Mutt, the feature debut from writer-director Vuk Lungulov-Klotz. His life is instantly thrown into tumult when a series of people reenter his life unexpectedly, leading to the opening of old wounds. Editor Adam Dicterow talks about the process of cutting Mutt, also offering insight on how lucky he felt to work on the film in the first place. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that […]
by Filmmaker Staff on Jan 29, 2023 -
“The Best Tool for Capturing Human Behavior”: Editors Axel Danielson and Maximilien Van Aertryck on Fantastic Machine
Co-directors, cinematographers, producers and editors Axel Danielson and Maximilien Van Aertryck embark on a meticulous dissection of “image-making and a mapping of its movement through society” in Fantastic Machine, the duo’s documentary that utilizes a large catalogue of archival footage to make its point. Danielson and Aretryck discuss the intricate editing process they undertook for the film along with another co-editor Mikel Cee Karlsson. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for […]
by Filmmaker Staff on Jan 29, 2023 -
“I Consider Myself a Sensitive Person”: Editor Carolina Siraqyan on The Eternal Memory
The Eternal Memory, the latest from Chilean documentary filmmaker Maite Alberdi, follows a couple on a difficult journey after husband Augusto is diagnosed with Alzheimer’s. They have been married for 25 years, and August has lived with the disease for eight years at this point. As his memory fades, wife Paulina takes care of him and ensures that above all, Augusto is cognizant of how much he is loved—even if he eventually forgets the woman who provides it for him. Editor Carolina Siraqyan talks about cutting the film and the process of working with Alberdi. See all responses to our […]
by Filmmaker Staff on Jan 29, 2023
