Since Aesop the fable has been told of the snake or scorpion whose life is being saved by a farmer, turtle, or frog, and who then turns around and inflicts a mortal bite or sting upon its benefactor, perforce sealing its own fate too. The point of the fable is not that snakes or scorpions are evil, but that we each possess an essential nature that drives our behavior, and that others ignore our essential nature at their peril. Hold on to that thought. We’ll come back to it. Since posting my initial notes on FCP X, FIRST MUSINGS, […]
Last summer, at about the same time I was shooting Orphaned, Columbia Pictures was shooting second-unit/chase scenes for Salt here in Albany, NY. Apparently we have a really dope set of off-ramps and bridges that made it necessary to shoot one scene in Upstate New York. They brought in all their own people and all their own gear. Many of the actors that worked on Orphaned got day-play extra roles and stand-in gigs, and downtown was a mess for a week. The film community of Albany was pissed and ecstatic all at the same time, and the experience acted as […]
“Like a lot of partner dynamics, a healthy amount of arguing begins most of our working situations,” write Rania Attieh and Daniel Garcia from Karlovy Vary, where their evocative debut feature, Ok, Enough, Goodbye, is receiving its European premiere. “There is yelling and calling each other names. Then we settle down and begin actually working. Perhaps what makes our process work is the fact that we are completely unafraid to be brutally honest with each other about our opinions regarding each other’s ideas.” Attieh, born in Tripoli, Lebanon, and Garcia, from South Texas, met in Texas in an undergrad drawing […]
Alison Klayman remembers the moment people knew she was really making a movie about Chinese artist Ai Weiwei. A Brown University graduate, Klayman had moved to Beijing with the intent of learning Mandarin and becoming a documentary filmmaker and journalist. “I bought my first camera there,” she remembers, “and was doing video for hire, trying to get into television.” In 2008 a friend asked her to make a short video to accompany a gallery show of Ai’s New York photography — shots of the artist and the downtown scene taken during his years living there in the 1980s. “My camera […]
When Michigan-born writer-director Rola Nashef started thinking about her film, Detroit Unleaded, there wasn’t much of a film scene in the state, independent or studio. Now, after several years of tax incentives and high-profile productions, she laughs, “I go to restaurants and hear people talking about their scripts.” But Nashef was inspired by Detroit long before the state’s recent production boom. The city didn’t just provide her debut feature’s location, but also its subject matter — specifically, the tales that come out of its Arab-American community. “Living within an Arab immigrant family, dating within the Arab-American community, the restrictions Arab […]
Carlen Altman is strictly low-brow. She loves Leslie Nielsen, Ja Rule and Weekend At Bernie’s; she runs a jewelry company that stocks Jewish Rosaries (jewishrosaries.com); and was seduced into performing by the success of her first public access show, Sunday Night Live, which ran on the campus channel of SUNY-Binghamton College. “It got taken off the air because we did this skit about a rape clinic, which did not go over well,” says Altman. “It was a competitive rape group, like who had been raped the most times… It was funny though.” Born and raised in New York, Altman’s parents […]
The URL for Los Angeles-based filmmaker Sheldon Candis’s website is cinephileacademy.com, speaking to not only the USC grad’s artistic interests but also his fusion of film and life. As a child born in Baltimore, “I was one of those kids who loved movies,” he says, “and would watch them on my grandfather’s old VHS player.” Then, he’d spend time with one of his uncles, and those hours too, “even for a nine-year-old, felt like a movie.” Learning Uncle Vincent is the film arising from those childhood memories — spiked with a healthy amount of imagination. “‘It’s about a young child […]
Before completing Dirty White Boy, his screenplay about the last days of rapper Ol’ Dirty Bastard and his relationship with VH1 p.a.-turned-manager Jarred Weisfeld, Brent Hoff had 24 partially written scripts on his hard drive. “One of them was over 200 pages long,” he says. “I came up with lots of ideas, but I never completed them.” But when Hoff heard that producer Todd Hagopian had bought Weisfeld’s life rights along with those of ODB’s mother, he knew that he was the guy to write — and finish — that story. “I worked at VH1,” says Hoff, “and I met […]
“I became a film composer by accident,” admits Gingger Shankar, who was called in one day by a music supervisor to work on some cues for The Passion of the Christ. A vocalist and musician raised in Los Angeles and India, Shankar has performed on stage with everyone from Peter Gabriel and Frank Zappa to the Chicago Symphony Orchestra and Smashing Pumpkins. But contributing music that would accompany the cinematic image? “I was swimming in the deep end,” she says. Her work on John Debney’s The Passion of the Christ score impressed the folks at the Sundance Composers Lab, and […]
The line separating documentary and narrative film aesthetics has never been more porous than it is now. Damon Russell is a filmmaker whose work lives right on that line. The Atlanta, Georgia native, who shuttles between Atlanta and New York as projects come and go, made a short film that was partially shot in the notorious western Atlanta ghetto, “The Bluff.” After seeing Russell’s film, a Bluff resident named Curtis Snow, whose livelihood revolves around armed robbery and drug pushing, sought out Russell to make a film about his life. Snow on Tha Bluff, which world premiered at this year’s […]