Well not, apparently, that Sam Fuller, although there’s something about this aerial view of New York City that seems timeless. Check out the director’s lovely “New York Paper Airplane Flight,” which is aided immensely by the Alexandre Desplat score (from Birth) that is yoked to it. Flying from Sam Fuller on Vimeo. Perhaps paper airplane flights are a new web sub-genre, like pet tricks and microwaved explosions? Here’s another take on the same idea, shot in 2000. Hat tip: Very Short List.
Cinekink, the festival that can lay claim to being truly alternative kicks, off tonight with an 8pm gala and fundraiser at the Kush Lounge, 191 Chrystie Street. Screening will be three shorts — Petra Joy’s Artcore, Chuck Renslow’s The Blue Rose, and Eva Midgley’s Erotic Moments. Tomorrow the fest moves over to the Anthology Film Archives with screenings of Daryl Wein’s doc Sex Positive and Robert Pratten’s erotic horror film MindFLESH. Other highlights include Barbara Bell and Anna Lorentzon’s Slamdance-premiering doc Graphic Sexual Horror, which looks at how the U.S. Patriot Act was used to shutter the extreme bondage website […]
New York filmmaker Patrick Daughters is one of my favorite music video directors, and his new clip for Depeche Mode’s “Wrong” has the queasy logic and panick-y vibe of a waking dream. See it below.
… that is, if your movie can cost $300. As reported by the Credit Matters Blog, the credit card company is offering select customers three c-notes if they’ll pay their cards off and close their accounts. For AmEx, the incentive serves to raise some cash and, undoubtedly, reduce on the books the amount of credit it needs to keep on reserve for each customer. With the company trying to shrink its rolls with such an undignified come-on, the AmEx of old, that tony symbol of having made it, may be gone. So, let’s revisit (in a remastered version) Jamie Stuart’s […]
Ted Hope has an impassioned editorial on the Tribeca Film site about the calamity that is the stalling out of the New York State Film and Television Tax Credit program. In the piece, which carefully details not only the economic but also creative disaster that will be caused by a cessation of the program, Hope raises a great question: All New York filmmakers—and those dependent on them—got a quick lesson two weeks ago, when we learned that the New York tax credits had run out of money. It hit everyone as a shock, but did it really need to? It […]
One of my favorite films at this year’s Sundance Film Festival was Ry Russo-Young’s New Frontiers selection You Won’t Miss Me, co-written by and starring Stella Schnabel. I’ve got a short conversation between Russo-Young and Lance Edmands, who cut the trailer with her, to run in our upcoming SXSW online coverage, but there’s one thing the director says in the interview that I want to quote here. As she discusses the intimacy she tries to create on-set with her actors, she says, “Well, I try to create an environment on set where people aren’t thinking about the film as a […]
Via Indiewire the very sad news that New Yorker Films, the storied art-film distribution company that released the films of Godard, Tarkovsky, Bertolucci, Resnais, Wenders, among others, shut its doors today. From an email sent by New Yorker’s Jose Lopez to filmmakers that was then forwarded to Indiewire: I have sad news.The parent company of New Yorker Films has defaulted on a loan. The assets of New Yorker were used as security on the loan. The lender has informed us that it intends to foreclose on these assets. New Yorker stopped doing business yesterday…We are in total shock that after […]
Unavailable for at least two decades, Eagle Pennell‘s landmark film has been lost in the conversation of influential American independent films. But with its low-budget filming, engaging yet hapless characters and Pennell’s semi-doc handheld shooting of Central Texas, The Whole Shootin’ Match is a precursor to almost any indie made today. The film, shot on B&W 16mm, follows two slacker cowboys who spend their time chasing women and getting drunk while trying to cook up get-rich-quick schemes. Legend has it when Pennell screened the film at the U.S. Film Festival in 1978, where it won the Audience Award, Robert Redford […]
Film Independent‘s Spirit Awards just concluded in Santa Monica with Darren Aronofsky‘s The Wrestler walking away with Best Feature, Cinematography and Best Male Lead for Mickey Rourke, who did not disappoint when accepting the award (hopefully he kept some material for tomorrow night). Milk won Best Supporting Male (James Franco) and Best First Screenplay (Dustin Lance Black), Frozen River took home the Producer Award (Heather Rae) and Female Lead (Melissa Leo), Vicky Cristina Barcelona also took home two awards (Best Supporting Female for Penélope Cruz and Best Screenplay for Woody Allen) while Tom McCarthy received Best Director for The Visitor. […]