As previously announced, Filmmaker‘s Summer 2020 issue is being published as a PDF, and it’s now online and available for single-issue purchase. It’s our largest page-count ever (244 pages!), and our designers, Caspar Newbolt and Charlotte Gosch, tweaked the whole design to make it a beautiful and comfortable experience on both a tablet and a laptop in either portrait or landscape view. For the first time, we’ve also enabled the issue to be purchased individually as a PDF for $5.95, and you can do that by clicking here or on the button below using PayPal or your credit card. On […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor During the two months of lockdown in Paris, I lived alone in my painting studio. All the paintings I have made for the last 30 years are there, waiting patiently to […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor In 2019, I began making a video work about a computer-generated woman living and working in isolation in a virtual void. From the apartment where she’s been placed, this simulacral subaltern, […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor In many ways, I feel the responsibility of documenting the world more than ever because we’re living the history, and I hope there’s a way I can tell the history or […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor When coronavirus hit New York, I had just moved into a new office along with my producer Gabriel and associate producer Nick. This move represented a big step for us, almost […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor Since March 13, we have been living in confinement, one of us in Liège and the other in Brussels. We call each other every day to write the script for our […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor My name is Véronique N. Doumbé, and my COVID story starts early this year. I have been wearing a mask inside airports for a while now, a habit I have developed […]
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor I’m in Santiago, Chile, where I came to be with family when the film I was working on went on hiatus. These questions to people in the arts seem to focus […]
As stay-at-home orders are lifted across the world and productions begin to resume, documentary filmmakers and organizations are assessing how to “reopen” their own practices amid urgent ethical and safety considerations. They do this as COVID-19’s first wave continues to make its way across the United States, and protests around Black Lives Matter, DACA and other causes fight to dismantle our society’s structural racism and inequity. Among these filmmakers are members of Brown Girls Doc Mafia, an organization formed in 2015 that advocates for women and nonbinary professionals of color in the nonfiction space. Below, directors, producers, crew members and […]
A show like HBO’s Succession risks being either tone-deaf or ineffectual, especially at a moment of heightened sensitivity toward income inequality and billionaires’ amoral business practices. Armstrong’s background in unsparing British cringe/political comedy, namely acclaimed sitcoms Peep Show and The Thick of It, helped him adopt an intimately satirical approach to the story of the dysfunctional Roy family, nouveau riche owners of the fictional media/hospitality empire Waystar Royco (a la the Murdochs and News Corp or the Redstones and ViacomCBS). Armstrong filters Shakespearean and Grecian tragedy into the series’ premise—patriarch Logan Roy (Brian Cox) fights to preserve his empire from the […]