Open | Filmmaker Magazine

Georgina Riedel, How The Garcia Girls Spent Their Summer

AMERICA FERRERA, LUCY GALLARDO AND ELIZABETH PEÑA IN DIRECTOR GEORGINA RIEDEL’S HOW THE GARCIA GIRLS SPENT THEIR SUMMER. COURTESY MAYA RELEASING. Like her friends Azazel Jacobs, Gerardo Naranjo and Goran Dukic, Georgina Riedel is a distinctive new voice in American independent filmmaking. A first generation Mexican American who grew up in Arizona, Riedel studied film at the University of Arizona where she made a series of shorts. She gained her MFA at the American Film Institute, where she became friends with fellow directing students Jacobs, Naranjo and Dukic. Riedel’s graduation film, One Night It Happened (2002), a black-and-white romance about […]

by Nick Dawson on May 16, 2008

ONLY IN CANNES…

Will you see a huge billboard of Robert Downey Jr. in blackface. The promotion is for the upcoming summer release Tropic Thunder, which also stars Jack Black and Ben Stiller (who co-wrote-directed) as a group of actors making the most expensive Vietnam War film and finding themselves in real combat. Downey Jr. plays super serious actor Kirk Lazarus who’s been cast in the role of a black solider. Not enough? Tom Cruise has a cameo as a bald, foul-mouthed studio head. Image courtesey of Variety’s The Circuit.

by Jason Guerrasio on May 12, 2008

WHO RUNS THE YAKUZA, OR THE MASONS, OR THE M15?

The New Yorker this week reports on a Hollywood job opening in this generally deteriorating entertainment economy. The “Talk of the Town” piece by Lizzie Widdicombe quotes an “unofficial” email about what is apparently a real position: cultural attache to Oscar-winning producer Brian Grazer. Here’s the email: This person would be responsible for keeping Brian abreast of everything that’s going on in the world; politically, culturally, musically. . . . They’re also responsible for finding an interesting person for Brian to meet with every week . . . an astronaut, a journalist, a philosopher, a buddhist monk. . . . […]

by Scott Macaulay on May 10, 2008

"THIS ‘INDIE’ PART OF THE BUSINESS"

With the demise of New Line — one of the two partners behind the creation of Picturehouse (HBO is the other) — speculation has arisen over what’s going to happen to the specialty shingle now that it, like New Line, has been absorbed into Warner Brothers. Warner, you remember, has Warner Independent already on its lot. Anne Thompson penned a piece in Variety stating that WIP head Polly Cohen and Picturehouse head Bob Berney “are likely to accept a bicoastal co-head arrangement.” Stu Van Airsdale at Defamer ran his own story, saying that there are rumors that Berney will be […]

by Scott Macaulay on May 4, 2008

Garth Jennings, Son Of Rambow

WILL POULTER AND BILL MILNER IN DIRECTOR GARTH JENNINGS’ SON OF RAMBOW. COURTESY PARAMOUNT VANTAGE. When you meet Garth Jennings, it is immediately apparent where much of the energy, enthusiasm and imagination in his films comes from. The effervescent Jennings, born in Essex, England in 1972, attended the Central St. Martin’s College of Art & Design in London where he met Nick Goldsmith with whom he formed the creative partnership Hammer & Tongs. Though the pair have always collaborated closely on everything, over time Goldsmith has taken on production duties while Jennings now directs. The pair are most famous for […]

by Nick Dawson on May 2, 2008

LINKAGE

Here are a few noteworthy links from the last few days. First, a must-read (or must-listen) is an interview with Matt Zoller Seitz on his blog, The House Next Door. (The hour-long talk is available as a transcript or as a download.) In the piece, Seitz discusses his decision to abandon print criticism and concentrate on both moviemaking and things other than movies. Here’s how he opens: Well, the short of it is: I’m out of print criticism. I’ve been thinking about it for a while and for a variety of reasons. One of them is that I’ve been doing […]

by Scott Macaulay on Apr 29, 2008

Outrage the Rooster!: Words About This Film

The following essay by David Gordon Green on Todd Rohal’s The Guatemalan Handshake accompanies the film’s DVD release from Benten Films out today. I am plagued by two mothers of frustration: 1. POWER PROBLEMS: Who controls the switches? Who pushes the buttons? How do I get to be large and in charge like Arsenio Hall’s portly alter ego Chunky A? 2. LOST AND FOUND: Why did you leave? Where did you go? Or have I just forgotten where I put you? Todd Rohal’s first feature length movie The Guatemalan Handshake revolves around these issues through a series of characters and […]

by Jason Guerrasio on Apr 29, 2008

GREAT BUT PROBABLY QUITE IMPRACTICAL HORROR FILM LOCATION #2

The BLDGBLOB has a great post entitled “Hotels in the Afterlife” that is very J.G. Ballard — a series of shots of abandoned hotel exteriors on the Sinai peninsula, “monuments to failed investment.” Based on a photography show that opened last week in Vienna by Sabine Haubitz and Stephanie Zoche. From Geoff Manaugh’s blog post: The hotels now look more like “architectonic sculptures” in the desert, the photographers claim, or derelict abstractions, as if some aging and half-crazed billionaire had constructed an eccentric sculpture park for himself amongst the dunes. The billionaire goes for long walks at night alone amongst […]

by Scott Macaulay on Apr 28, 2008

DOCS IN A SLUMP

As Tribeca‘s first weekend passes, most talk has been on the admission by Errol Morris that he paid — or paid the expences of (depending on what story you read) — some of the prison guards interviewed in his latest film, Standard Operating Procedure. But Anthony Kaufman raises a much more pressing question in a story on indieWIRE: “Can Standard Operating Procedure Break the Political Doc Deadlock?“ Though it’s not just political docs that are in trouble, films that I and many others thought would take hold on audiences (My Kid Could Paint That, Zoo, Manda Bala) never took off, […]

by Jason Guerrasio on Apr 27, 2008

Yung Chang, Up The Yangtze

A SCENE FROM DIRECTOR YUNG CHANG’S UP THE YANGTZE. COURTESY ZEITGEIST FILMS. At a time when the popularity of documentaries is at an all-time high, Canadian director Yung Chang is not only telling stories as compelling as his peers’, but doing so with a truly cinematic sensibility that is often lacking in his field. Born in Whitby, Ontario, to first generation Chinese immigrant parents, Chang studied film production at Concordia University, graduating in 1999. He was also a student at New York’s Neighborhood Playhouse School of the Theatre, where he learned the Meisner Technique. He directed the short film The […]

by Nick Dawson on Apr 25, 2008

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