6296 Results for “Open ”
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“Sex and Sexuality Have Been Central to All of My Movies”: Gregg Araki on Restoring The Doom Generation
The tongue-in-cheek title card for The Doom Generation—“a heterosexual movie by Gregg Araki”—isn’t merely an enduring “fuck you” to homophobes. Amid a sexless and puritanical American film landscape, coupled with an equally regressive online discourse on whether sex scenes in films are ever truly necessary, the emphasis on a sexual movie by Gregg Araki, regardless of orientation, transmits a much-needed erotic jolt. Newly restored in a 4K director’s cut, with grisly moments previously nixed for an Araki-unapproved R-rated cut now restored, The Doom Generation follows a trio of heartthrobs on a road trip from hell. After a night out clubbing, teen […]
by Natalia Keogan on Apr 3, 2023 -
“The Search for Images is a Search That Can Last Forever”: Agnès Godard on The Line and Nenétte et Boni
Agnès Godard films the opening sequence of her fifth collaboration (following four features and a short) with writer-director Ursula Meier, The Line (La Ligne), in static slow motion: Margaret (Stéphanie Blanchoud) hits her mother (Valeria Bruni-Tedeschi), who falls and collides against the keys of her own piano, rendering her deaf in the impacted ear. A restraining order charges the eldest daughter not to come within 200 meters of her mother—an invisible boundary she immediately ignores with abrasive attempts to make amends until her younger sister paints a literal perimeter around the house. Margaret hovers at a little hill at one end […]
by A.E. Hunt on Mar 31, 2023 -
Five Highlights from the 2023 New Directors/New Films Festival
New Directors/New Films, the annual showcase of work by emerging directors co-presented by the Museum of Modern Art and Film at Lincoln Center, began this week in New York City and runs through April 9. The 2023 slate features 27 features and 11 shorts, most of them culled from top-tier festivals such as Berlin, Cannes, Locarno, and Rotterdam. As always, ND/NF’s offerings are global in scope, with over 30 countries represented, and the programmers remain admirably committed to arthouse aesthetics: conventional genre films and commercially minded crowd-pleasers are thin on the ground here. This is a festival for audiences willing […]
by Nelson Kim on Mar 30, 2023 -
Berlinale Forum 2023: The Trial, De Facto, Anqa, I Heard It Through the Grapevine
Last year at the 2022 Berlinale I had the uncanny experience of watching Hito Steyerl’s documentary The Empty Center (Die leere Mitte, 1998) in a 75-seat theater hidden away beneath The Sony Center. If you’re unfamiliar with The Sony Center in Berlin, take a second to Google it, or think back to the sterile postmodern backdrops of Brian De Palma’s Passion, in which architect Helmut Jahn’s eight-building complex plays a prominent role. The Empty Center is, in part, about the obscene land grab that occurred after German reunification, when multinational corporations like Sony, Daimler-Benz and ABB swept in to stake […]
by Darren Hughes on Mar 29, 2023 -
“We Need Work That is Impossible to Describe”: Kimi Takesue on Onlookers
When I first met Kimi Takesue, I saw a flash of recognition from her that my eyes reflected. It was clear we understood something very specific about each other—being biracial is, as she said, “a particular sensibility.” Takesue’s father is Japanese American, and her mother is Italian and German; my father is Filipino American, and my mother is also German. I’ve seen this same immediate recognition disarm other half-white, half Asian Americans whose way of carrying themselves, especially when that has helped them pass in white company, suddenly loses its balance: they feel seen for what they are (and are […]
by A.E. Hunt on Mar 28, 2023 -
Even/Odd Partners with the Kiarostami Foundation on an Ongoing Product Collection
Creative studio and production company Even/Odd has partnered with the Kiarostami Foundation on a special product collection that celebrates the legendary Iranian filmmaker Abbas Kiarostami. The collection currently features three items: a 40-page graphic novel and activity book that reimagines Kairostami’s 1987 film Where Is the Friend’s House?, a small-batch mulberry jam inspired by his 1997 film Taste of Cherry and reprints of original posters designed by the filmmaker for Friend’s House, Certified Copy (2010) and A Wedding Suit (1976). These products are the first of many that the California-based company (founded by Mohammad Gorjestani, a 25 New Faces of […]
by Natalia Keogan on Mar 27, 2023 -
Trailer Watch: Verena Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica
A squirm-inducing sensation on the festival circuit, Harvard Sensory Lab leaders Lucien Castaing-Tayler and Véréna Paravel’s De Humani Corporis Fabrica has a new trailer ahead of its limited release next month. The film consists of raw medical footage—eye surgery, genital drilling and an assortment of equally unsettling internal procedures—shot between eight different French hospitals. Vadim Rizov covered De Humani during its Cannes premiere last year, writing: …Fabrica toggles between something like Fantastic Voyage and a particularly grody Wiseman documentary. Defamiliarizing images on the former front include a camera being inserted deep inside….whatever (I don’t want to know) that made me wonder why I’ve never […]
by Filmmaker Staff on Mar 24, 2023 -
Ghostface Takes Brooklyn: DP Brett Jutkiewicz on Scream VI
In 1989, Friday the 13th transplanted its hockey-masked slasher from summer camp to concrete jungle for the franchise’s eighth installment, Jason Takes Manhattan. That titular promise was not fully delivered upon: Manhattan was mostly Vancouver and Jason spent much of the running time on a boat full of high schoolers traveling to the city. The newest Scream offers up a similar relocation as Ghostface follows the previous chapter’s survivors from Woodsboro to college. Again, a Canadian city (this time Montreal) stands in for New York. But this time, the killer actually spends the entire running time chasing his victims through […]
by Matt Mulcahey on Mar 22, 2023 -
SFFILM Announces Full Lineup for the 66th San Francisco International Film Festival
SFFILM announced today the full lineup for the 66th annual San Francisco International Film Festival (SFFILM Festival), which will take place in the Bay Area from April 13-23. The longest-running film festival in the Americas, this year’s program will screen films from 37 countries at various theaters in San Francisco, Berkeley and Oakland. “It is SFFILM Festival season once again and I cannot wait to share this year’s program with local audiences,” said Jessie Fairbanks, SFFILM’s Director of Programming in a press release. “The line-up includes a wealth of Bay Area filmmakers across all sections, and highlights new—and seminal—work from […]
by Filmmaker Staff on Mar 22, 2023 -
“Yes He Was a Visionary, but He Pissed a Lot of People Off”: Spinning Gold Star Jeremy Jordan (Back To One, Episode 245)
Jeremy Jordan is probably best known for his Tony and Grammy-nominated portrayal of Jack Kelly in Newsies on Broadway, as well as his many roles on television including series regulars on CW’s Supergirl, NBC’s Smash and Disney Channel’s Tangled. And now he leads a star-studded cast as the tenacious record industry giant Neil Bogart in the epic new feature film Spinning Gold. On this episode, he talks about how finding a character’s physicality and where they hold tension informs his preparation, the importance of letting every single moment of a performance tell the story, why he’s still getting used to […]
by Peter Rinaldi on Mar 21, 2023
