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Cannes 2023: Asteroid City
The negative talking points around Wes Anderson—too twee, airlessly production-designed, an aesthetic in search of emotions—have metastasized thanks to a wave of AI-generated trailers of movies “in his style” (Lord of the Rings, The Matrix, Star Wars—no, I’m not linking!) that seemingly prove computer fake can be just as bad as the real thing. I wish I could credit the tweet I saw (and should’ve fav’d) which pointed out that maybe part of the reason Anderson’s aesthetic is the only one being repeatedly run through the AI mill is because even a barely-film-literate coder can figure out its basic components, as codified in […]
by Vadim Rizov on May 23, 2023 -
“If You’re Gonna Do It, DO IT. And Maybe It’s Wrong, and That’s Fine”: Owen Teague (Back To One, Episode 254)
Owen Teague is only 24, but he’s already had an opportunity to show his range as an exceptional young actor in shows like Bloodline, Black Mirror, and The Stand, and films like To Leslie, Montana Story, and the new Nicole Holofcener film, You Hurt My Feelings (which opens Friday, May 26th). On this episode, he talks about gleaning “a lot” from the great actors he’s worked with, knowing when to “separate yourself,” the importance of feeling scared but not intimidated, discovering how central a character’s physicality is for him, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, […]
by Peter Rinaldi on May 23, 2023 -
Cannes 2023: The Zone of Interest, Killers of the Flower Moon, May December
Jonathan Glazer’s The Zone of Interest, instantly hailed as a masterpiece upon the conclusion of its first screenings in Cannes last Friday, finds the British filmmaker once again engineering a vehicle with which to burrow beneath viewers’ skin. After opening his previous film, an adaptation of Michel Faber’s 2000 sci-fi novel Under the Skin, with an on-screen reminder of cinema’s intrinsic visuality—darkness, then pulsating orbs and, finally/explicitly, a dilating pupil—here Glazer turns to the aural. Another literary adaptation (this time of a work by Martin Amis, who died of oesophageal cancer the same day Glazer walked the red carpet), The […]
by Blake Williams on May 22, 2023 -
Cannes 2023: About Dry Grasses, The Sweet East
Cannes official competition has grandfathered-in filmmakers—Pedro Almodóvar, the Dardennes, Arnaud Desplechin—who will keep being included no matter what, and Nuri Bilge Ceylan, whose every feature since 2002’s Distant has premiered here, is definitely among them. After receiving the Grand Prix for 2011’s Once Upon a Time in Anatolia, Ceylan introduced his “three-plus-hours only” mode with 2014’s Winter Sleep and 2018’s The Wild Pear Tree, and reception was what you might call “respectfully muted.” Outside the festival, his reputation seems to have fallen off: it’s a long way from the 2007 Coen brothers short World Cinema, in which a cowboy played by Josh Brolin goes to see […]
by Vadim Rizov on May 21, 2023 -
Cannes 2023: The Goldman Case, The Delinquents
On trial in 1975 for three robberies, plus a fourth in which he’s accused of also killing two people, Pierre Goldman (Arieh Worthalter) makes his opening statement, explaining that he’s declining to call any character witnesses because he wants to be judged on the facts rather than emotional appeals. “I will stand before you in my sole innocence,” he declares, “without the pomp or theatricality” that normally accrue themselves to trials, “which disgust me.” This is very funny given that what follows is a true-story courtroom drama of nonstop rhetorical flourishes and screaming matches between opposing counsels, witnesses, the jury […]
by Vadim Rizov on May 19, 2023 -
Cannes 2023: Jeanne du Barry, Monster, Youth (Spring)
Maïwenn’s Jeanne du Barry, the opening film of this year’s Official Selection, is at least the eighth feature-length biopic to center around Louis XV’s final maîtresse-en-titre, and the first significant film to feature her as a prominent character since Sofia Coppola’s famously booed 2006 Palme d’Or contender, Marie Antoinette (portrayed therein by Asia Argento). As with most Cannes openers, Maïwenn’s film is most notable for its cast: Johnny Depp, stunt-cast as Louis XV; Melvil Poupaud as the Count du Barry; and Maïwenn herself as the titular titillator. The film screened amidst ongoing national protests over pension reform, which almost certainly […]
by Blake Williams on May 19, 2023 -
WYPR Announces Baltimore’s New/Next Film Festival
Eric Allen Hatch, who contributed the “Why I am Hopeful” piece to our site in 2018 among other pieces, is announcing today the New/Next Film Festival, to take place in Baltimore from August 18-20. New/Next was organized in response to the news that the Maryland Film Festival, founded in 1999 and where Hatch previously worked as Director of Programming between 2010 and 2018, would not be having a 2023 edition. To take place at the Charles Theater, New/Next will spotlight emerging works from international filmmakers with a concerted emphasis on presenting new and repertory titles from the Baltimore film community. […]
by Filmmaker Staff on May 19, 2023 -
“A Shifting Metaphor for a Lost Dream of Society”: Srđan Keča on The Museum of the Revolution
Investigating the death of a utopian vision coalesces with a survey of a “developing” dystopian hellscape in Museum of the Revolution, the sprawling, meditative effort from filmmaker, researcher and educator Srđan Keča. Through a series of charming vignettes that are nonetheless thick with human despair (and radical joy in the face of it), Keča’s documentary examines the crumbling remains of the titular edifice in the otherwise rapidly evolving city of Belgrade, Serbia. Construction of the building originally commenced in 1961, and the never-formally-erected Museum of the Revolution was conceived as a grand tribute to then-socialist Yugoslavia. Yet the project was […]
by Natalia Keogan on May 19, 2023 -
Trailer Watch: Martin Scorsese’s Killers of the Flower Moon
Martin Scorsese’s first film to world premiere at Cannes since After Hours in 1986, the trailer finally arrives for Killers of the Flower Moon shortly before it screens at the festival. Adapted from David Grann’s book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, the film’s script was co-penned by Scorsese and Eric Roth. The western boasts a 206-minute runtime and stars Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Scott Shepherd and John Lithgow. The plot revolves around a series of murders in 1920s Oklahoma of the oil-rich Osage Nation and the […]
by Filmmaker Staff on May 18, 2023 -
“I Sort of Became the Festival Therapist”: Writer-Director Jamie Sisley on Addiction Drama Stay Awake
The delicate coming-of-age process is curbed by one family’s struggle with a so-called “crisis” in Stay Awake, writer-director Jamie Sisley’s feature debut. Of course, the crisis at hand is the opioid epidemic, and the afflicted party is a tight-knit family living in a small Virginia town. Michelle (Chrissy Metz, best known for her role on NBC’s This Is Us) is a single mother who undeniably loves her two sons Ethan (Wyatt Oleff) and Derek (Fin Argus). But unfaltering devotion on its own cannot keep Michelle sober, particularly when her doctor keeps refilling her highly-addictive prescription. Most nights, the brothers find themselves desperately […]
by Natalia Keogan on May 18, 2023
