6581 Results for “production”
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Revolutionary Song: Saul Williams and Anisia Uzeyman on Their Afrofuturist Musical, Neptune Frost
Love and revolution fuel Neptune Frost, an Afrofuturist musical that condemns injustice as much as it inspires joy. The project is a co-directing effort between American poet, musician and actor Saul Williams and Rwandan playwright, actress and filmmaker Anisia Uzeyman—the film’s DP and also Williams’s wife. Chronicling the passionate union of Neptune, a runaway intersex hacktivist (played alternately by Elvis Ngabo and Cheryl Isheja), and coltan miner Matalusa (Burundian-born, Rwandan refugee rapper Kaya Free, credited in the film as Bertrand Ninteretse), the film takes place entirely in Rwanda (the world’s largest coltan exporter) and also features actors from the nearby […]
by Natalia Keogan on Apr 14, 2022 -
How Alex Ross Perry and DP Robert Kolodny Made a New Video for Pavement’s “Harness Your Hopes”
In 2017, the formerly obscure Pavement B-side “Harness Your Hopes” became their number one track on Spotify. It currently has 70 million plays, over twice the amount of “Cut Your Hair,” the group’s highest charting and arguably most popular song during their original run. At Stereogum, Nate Rogers looked into why exactly “Harness Your Hopes” became as prevalent as it had and all signs point to Spotify’s Autoplay feature, which “cues up music that ‘resembles’ what you’ve just been listening to, based on a series of sonic signifiers too complex to describe.” At this point, “Harness Your Hopes” has crossed […]
by Vikram Murthi on Apr 13, 2022 -
Editor Duwayne Dunham on Collaborating with David Lynch on Blue Velvet, Wild at Heart and Twin Peaks
Five years after the Music Box Theatre’s previous David Lynch retrospective coincided with the television premiere of the highly anticipated Twin Peaks: The Return, the Chicago-based arthouse now presents David Lynch: A Complete Retrospective – The Return, a week-long celebration of Lynch’s work that also pays tribute to his many collaborators, friends and, in one particular instance, offspring. Running through April 14th, the retrospective also includes several in-person appearances, one being from Duwayne Dunham, Lynch’s editor on Blue Velvet, Wild at Heart, Twin Peaks and Twin Peaks: The Return. An industry veteran who has continued to work extensively for both Lynch and […]
by Erik Luers on Apr 12, 2022 -
“Is That a 58 Degree Dutch Tilt?”: DP Brett Jutkiewicz on Scream
In the latest Scream installment, “elevated horror” and “requels” are among the contemporary genre trends affectionately deconstructed. The movie also lobs a little friendly fire toward the 1990s slasher revival that birthed the series—a character quips, “It was really over-lit and everyone had weird hair.” There’s not much cinematographer Brett Jutkiewicz can do about the latter, but the former served as a gauntlet thrown down. “When you have a line like that in the script, as a DP you think, ‘I guess I better not over-light this thing. I don’t want to end up as the butt of my own joke,’” […]
by Matt Mulcahey on Apr 11, 2022 -
“A Boxing Contest Between the Movie and the Viewer”: Nadav Lapid on Ahed’s Knee
Ahed’s Knee, Nadav Lapid’s latest feature, takes its title from the teenage Palestinan activist who became a media sensation (and was then imprisoned) for squaring off against Israeli soldiers in 2017. Heralded for his Gold Bear-winning Synonyms and The Kindergarten Teacher, a tw0-hander that produced a Netflix-distributed American remake, Lapid’s work remains consistently critical of, and in opposition to, the oppressive Israeli government. Even so, he remains, in J. Hoberman’s eyes, “the most internationally acclaimed Israeli filmmaker in recent memory…and perhaps ever.” While promoting The Kindergarten Teacher in 2018, Lapid was invited by Israel’s Ministry of Culture to participate in a […]
by Erik Luers on Apr 8, 2022 -
“Understanding This Feeling, How this Strange and Foreign Land Meant So Much to Me”: Cedric Cheung-Lau on The Mountains Are a Dream That Call to Me
Screening tomorrow night at New York’s BAM Rose Cinema is one of the real and under-screened discoveries of the 2020 Sundance Film Festival, The Mountains Are a Dream That Call to Me, the transfixing debut feature from Cedric Cheung-Lau, who has worked for a decade in the New York independent film scene gaffing such features as Patti Cake$, Christine and Monsters and Men. Embracing slow cinema and tacking away from the dialogue-driven penchant of much U.S. independent film, The Mountains Are a Dream That Call to Me is as much about landscape as story, about the possible meanings delivered through the pauses […]
by Scott Macaulay on Apr 4, 2022 -
“I Think for Every Story There is a Hidden Way to Tell it Best, and Your Journey is to Try to Find It”: Director Rick Linklater on Apollo 10 1/2: A Space Age Childhood
When Richard Linklater was in second grade, he became enthralled by the historical moment that was happening right in his Houston backyard as NASA prepared for the Apollo moon landing. Decades later, it occurred to Linklater that he was probably the only filmmaker who remembered the excitement of that moment and was also that geographically close to NASA, a realization that led to his latest feature as writer-director, Apollo 10½: A Space Age Childhood. Combining the delicate observational eye and ear of Boyhood with the more fantastical animated approach of Waking Life and A Scanner Darkly, Apollo 10½ tells the […]
by Jim Hemphill on Apr 1, 2022 -
The Music Inside: Siân Heder on Her Oscar-Winning CODA
Filmmaker’s interview with Coda director Siân Heder originally appeared in our Summer, 2021 print edition, and is being reposted today following the film’s winning Best Picture, Best Supporting Actor and Best Adapted Screenplay at the 2022 Academy Awards. — Editor Ruby Rossi (Emilia Jones) belongs to a family whose business is selling their ground-fishing catch off the coastal city of Gloucester, Massachusetts. Her father Frank (Troy Kotsur), mother Jackie (Marlee Matlin) and brother Leo (Daniel Durant) all rely on the 17-year-old high school student to help negotiate the daily pricing of their catch so that the family isn’t taken advantage […]
by Erik Luers on Mar 28, 2022 -
Everybody Is a Star: Ahmir “Questlove” Thompson on Making His Oscar-Winning Doc, Summer of Soul
This interview with Ahmir “Questlove” Thompson about his Summer of Soul (…Or, When the Revolution Could Not Be Televised) appeared on the cover of our Summer, 2021 print edition and is being reposted following the film’s winning Best Documentary at last night’s 2022 Academy Awards. — Editor On June 29, 1969, Sly and the Family Stone delivered an electrifying performance at Mount Morris Park in Harlem, New York. Fusing the revolutionary fervor of the Black Freedom movement with the collectivist spirit of West Coast counterculture, the iconic band wowed the audience with rousing renditions of “Everyday People,” “Sing a Simple Song” “You Can Make It […]
by Claudrena Harold on Mar 28, 2022 -
“You Never Know When You Will Have a Great Image”: Ryusuke Hamaguchi on the Oscar-Winning Drive My Car
Originally appearing here in July, 2021, Filmmaker‘s interview with Ryusuke Hamaguchi about Drive My Car is being reposted today alongside the film’s Best International Feature win at the 2022 Academy Awards. — Editor It might strike some as sacrilege when I say that the excitement I’ve felt around Ryusuke Hamaguchi’s run of recent work reminds me of watching (and catching up with) the films of Arnaud Desplechin in the 2000s. Drive My Car, which had its world premiere in Competition at Cannes, follows the ecstasies and agonies and everything in-between of Happy Hour, Asako I & II (worth singling out […]
by Nicolas Rapold on Mar 28, 2022
