6583 Results for “production”
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“The Flash Frames are Like Magic — You Can Almost Smell Them in the Film”: DP Andrew Dunn on Shooting Lee Daniels’s The United States vs. Billie Holiday
Musician Billie Holiday’s troubled life has been the inspiration for many films, including the biopic Lady Sings the Blues, starring Diana Ross. In The United States vs. Billie Holiday, director Lee Daniels takes a different tact, tying the singer’s troubles to a Federal vendetta against her song “Strange Fruit.” Anchored by Andra Day’s remarkable performance as Holiday, the movie offers a vivid account of Black culture from WWII to the singer’s death in 1959. Holiday’s brutal childhood, the pervasive discrimination she experienced, and a milieu that romanticized drugs all contributed to an addiction that landed her in prison. This is […]
by Daniel Eagan on Feb 26, 2021 -
“The Strange Beauty of our World, the Strange Disaster of Our World”: Chris Peters on His Slamdance AI Short, 24,483 Dreams of Death
A spectral and hypnotic entry in this year’s Slamdance Film Festival is Chris Peters’s “film experiment,” 24,483 Dreams of Death, which uses a Mario Bava film (Mask of the Demon) as the sole source material for an A.I.’s imagination of our visual world. Over six days, Peters — a filmmaker, painter as well as software engineer — fed the frames of the film into the computer, producing images that represent, he writes, “… the machine’s neural network forming in real time, not footage in the traditional sense of photographed scenes, but footage of the internal experience of a new intelligence […]
by Scott Macaulay on Feb 24, 2021 -
“… Once a Person’s Voice is Captured, They are Expendable”: Director George C. Wolfe on the Musical Histories of Ma Rainey’s Black Bottom
Black music. White privilege. Chicago. 1927. What could possibly go wrong? Indeed, nearly everything, and it’s chronicled with artful intensity in August Wilson’s Ma Rainey’s Black Bottom, the second in a cycle of ten plays that compassionately detail the 20th-century experiences of African Americans. Ma Rainey’s was brought to the screen this season in a stellar production directed by George Wolfe that stars Viola Davis in the title role and, in his final role, Chadwick Boseman as the upstart young trumpeter and rake in her band. Wolfe, a Tony Award-winning theater director and writer, is gradually building a formidable resume […]
by Martin Johnson on Feb 23, 2021 -
“I Had to Use Nine Credit Cards”: Shatara Michelle Ford on Test Pattern
Shatara Michelle Ford’s debut feature Test Pattern addresses sensitive material with clinically painstaking detail. The narrative begins in 2017 at an Austin bar as Renesha (Brittany S. Hall) meets Evan (Will Brill), a thirtysomething white guy whose liquid courage prompts him to ask for Renesha’s phone number. Somewhat surprisingly, the two hit it off and grow to become a loving couple.One evening, Renesha begrudgingly (she has work in the morning) meets up with a friend for drinks at a local bar, where they meet two flirtatious men who proceed to drug them. Nearing unconsciousness, Renesha is taken to an unfamiliar location […]
by Erik Luers on Feb 19, 2021 -
“Am I Going to Have to Reshoot Half of This Movie?” Howard Deutch on Some Kind of Wonderful
Writer-director John Hughes had just begun to make a name for himself with three films he made for Universal (Sixteen Candles, The Breakfast Club and Weird Science) when Ned Tanen lured him over to Paramount with an overall deal designed to turn the filmmaker into a mogul. In less than three years, Hughes wrote, produced, and/or directed five movies for the studio (Pretty in Pink, Ferris Bueller’s Day Off, Some Kind of Wonderful, Planes Trains and Automobiles and She’s Having a Baby), all of which have now been reissued on Paramount’s “John Hughes 5-Movie Collection” Blu-ray with a generous supply of extra […]
by Jim Hemphill on Feb 18, 2021 -
Virtual and Actual Realities: The Narrative VR and New Media Works in the Sundance 2021 New Frontier Section
A Remote Festival The Sundance Film Festival, which ended February 3, succeeded remarkably well despite the pandemic, and nowhere was that more obvious than in the New Frontier lineup of virtual/augmented reality and other new media. In fact, as has been commented throughout 2020, in many ways virtual reality was made for this moment. With VR headsets reaching ever further into the consumer population it was feasible for this year’s New Frontier lineup, including several 2D browser-based works, to be shown remotely with essentially no loss in quality, especially when compared with feature films being screened on a laptop or […]
by Randy Astle on Feb 18, 2021 -
“We Weren’t Trying to Go for an Exact Imitation”: Dialect Coach Audrey LeCrone on Judas and the Black Messiah
Deputy chairman of the national Black Panther Party Fred Hampton was a stirring orator, firing hearts and minds out of slumber and into action against US capitalism. So clear and infectious was Hampton’s guidance against the country’s racist and classist economic system that the FBI and Chicago police department assassinated the 21-year-old as he slept. In documentaries like The Murder of Fred Hampton, which don’t circulate enough, Hampton is seen delivering his famous speeches at rallies, casually moving fellow Panthers with his warmth in a mock trial at the headquarters, mingling at the Free Breakfast for School Children Program and […]
by A.E. Hunt on Feb 17, 2021 -
The Feeling of a “Doomed, Endless Scroll on Your Phone”: Marnie Ellen Hertzler on Crestone
Deep in the desert of Crestone, Colorado live a group of Soundcloud rappers who live carefree off the land, growing marijuana, recording music, and posting goofy videos to Instagram? Crestone, Marnie Ellen Hertzler’s debut feature, journeys deep into the isolated, sandy abyss, placing her camera amongst an eccentric group of lost boys who have no use for the outside world, even as it steadily burns around them. If influential TikTokers can erect a California-based Hype House to stock up on “content creators,” Crestone is as appropriate a place as any to discover where these wild things are. Hertzler, a 25 […]
by Erik Luers on Feb 17, 2021 -
“This Writing Really Calls To Me. It’s Huge in My Life. It Also Just Repels Me.”: Bill Irwin On His Irish Rep Virtual Theater Piece, On Beckett / In Screen
Bill Irwin premiered On Beckett at the Irish Repertory Theatre in 2018. In the piece he explored Samuel Beckett’s writing by performing selections and offering commentary about the impact the Irish author has had on his life. When the COVID-19 pandemic shuttered theaters, the Irish Rep turned to the internet to stream productions online. Recently the Irish Rep repeated its 2020 season in the Theatre @ Home Winter Festival, which is now streaming and extended through March 7, 2021. For the festival, Irwin and his collaborators, including co-director M. Florian Staab and cameraman Brian Petchers, rethought the piece, which is […]
by Daniel Eagan on Feb 16, 2021 -
The New Nostalgia of Touch: The Best Adult Erotic Filmmakers to Watch in 2021
The relentless slog of this pandemic has, undeniably, left a lot of us bereft of human physical contact. What seemed manageable to handle for a month or two — no hugging outside of your household pod, no new dates without rigorous measures — is starting to feel like a real and permanent loss. As an adult erotic filmmaker myself, I’m painfully aware that the adult film industry has of course been terribly hard-hit by the ban on physical contact. In-person shooting of couples and groups has, by necessity, slowed to a sanitary trickle. I feel very lucky that I finished […]
by Jennifer Lyon Bell on Feb 16, 2021
