6576 Results for “production”
-
Festival Beat: Toronto, Camden and Fantastic Fest
Toronto International Film Festival By Scott Macaulay Following 2013’s The Flag, Petra Epperlein and Michael Tucker returned to the Toronto International Film Festival this year with an entirely different meditation on national identity, Karl Marx City. Here Epperlein, who emigrated to the States following the collapse of the Berlin Wall, travels back to her East German homeland, attempting to uncover the reason for her father’s suicide in 1999. Evidence he may have been a Stasi informant deepens the urgency of her journey, with a visit to Stasi archives revealing thousands of hours of footage, somewhere in which may be the clue […]
by Filmmaker Staff on Oct 20, 2016 -
Super 8: Randomly Accessed Memories
Kerry James Marshall: Mastry Running from Oct. 25 to Jan. 29 at the Met Breuer — the Metropolitan’s new space for contemporary art, in the building formerly occupied by the Whitney — this is the largest museum exhibition to date of Kerry James Marshall. Marshall, whose work since the early ’80s has encompassed painting and sculpture, has returned repeatedly to questions of African-American representation and identity. This exhibition will predominantly focus on his paintings (72 in all) and is complemented by a sidebar exhibition curated by Marshall from the Met’s holdings rounding up his many and varied influences. Belle Époque in Upper Volta […]
by Filmmaker Staff on Oct 20, 2016 -
On the Southern Circuit in the Time of October Surprises: Sidewalk, Third Horizon Caribbean and Hot Springs Film Festivals
Birmingham, tucked right in the middle of Alabama, is easily the biggest city in “the heart of Dixie”; its 1.1 million-person metropolitan area dwarfs the populations of Huntsville and Mobile, Montgomery and Tuscaloosa. The central business district, like that of many American cities that haven’t gentrified after white flight, can feel eerily vacant on the weekends or at night. But during the Sidewalk Film Festival, whose 18th edition was held on the final weekend of August, the center of its modest downtown contains many wonders. Sidewalk knows how to throw a party; in front of the historic Alabama theater, the street is […]
by Brandon Harris on Oct 20, 2016 -
How to Appreciate the Techno-Aesthetic Breakthroughs of Ang Lee’s Billy Lynn’s Long Halftime Walk
Tonight, Friday, October 14, 2016, the Film Society of Lincoln Center makes cinema history with the New York Film Festival’s world premiere of Ang Lee’s Billy Lynn’s Long Halftime Walk, presented at the 600-seat AMC Loews Lincoln Square 13 IMAX theater on its 100-foot-wide screen, the largest in North America. The brief on this technological milestone? Images shot and projected at 120 fps, dual 4K RGB laser projectors that display wide color gamut and high dynamic range, bright RealD 3D, 12-channel audio with overhead speakers plus sub-bass. Talk about immersive! And what of the film itself? Billy Lynn’s Long Halftime […]
by David Leitner on Oct 14, 2016 -
Kelly Reichardt on Shooting Certain Women on 16mm, the Ugliness of the Day, and Making the Space Tell the Story
In the more than two decades since her stunning debut film River of Grass premiered at Sundance in 1994, Kelly Reichardt has managed to carve out a unique niche for herself in the independent film world. Her distinctive and uncompromising body of work includes Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, and her latest, Certain Women, which premiered at the 2016 Sundance Film Festival. Written and directed by Reichardt and based on the short stories of Maile Meloy, Certain Women stars Laura Dern, Kristen Stewart, Michelle Williams, James Le Gros, Jared Harris, Lily Gladstone and René Auberjonois. Shot by frequent collaborator, DP […]
by Paula Bernstein on Oct 14, 2016 -
How I Shot My Feature Film, Tormenting the Hen, in Six Days
Filmmaker Theodore Collatos appeared recently on the site when he and Christopher Jason Bell interviewed each other about their latest pictures. He’s now at work on a new feature, Tormenting the Hen, produced with Matt Grady from Factory 25, Ben Umstead (Slamdance programmer, Screen Anarchy) and George Manatos (editor on Come Down Molly). He’s also in the midst of an Indiegogo campaign to support its co-production. Below, he reveals how — and why — he shot his new movie in six days (and how you might be able to do the same). Read on, and please consider supporting his campaign. […]
by Theodore Collatos on Oct 12, 2016 -
Mechanical Dreams Uses VR to Amplify Diverse Voices
As Hollywood is rightfully called out on its underemployment of women, virtual reality companies like Mechanical Dreams Virtual Reality (MDVR) are actively courting underrepresented voices. The Seattle-based virtual reality content company housed by the University of Washington and the start-up incubator CoMotion is producing six innovative 360 films, five of them directed by women. The company’s first production, Tracy Rector’s Ch’aak’ S’aagi (Eagle Bone), one of the first VR pieces ever by a Native American filmmaker, was recently selected as one of five VR projects to screen at TIFF as part of its inaugural POP VR section at the festival. MDVR is currently raising money on […]
by Paula Bernstein on Oct 11, 2016 -
Kurt Kuenne on Shooting his First Television Episode, From Shadowing to Editing
I first became aware of Kurt Kuenne’s work when I saw his 2011 feature Shuffle on the festival circuit; that film, an audacious psychological thriller about a man who finds himself waking up each morning at a different stage of his life, was an extraordinary fiction debut for a director who, I later discovered, had also made one of the most powerful documentaries of recent years. Dear Zachary (2008) begins as Kuenne’s tribute to a murdered friend and develops into an excruciating portrait of a legal system gone horribly wrong; it’s touching, enraging, devastating, and inspiring in equal measures. Last year’s […]
by Jim Hemphill on Oct 11, 2016 -
Chicken & Egg Pictures Announces Call for Accelerator Lab
Chicken & Egg Pictures will begin accepting submissions for the Accelerator Lab for first and second-time women nonfiction filmmakers on October 11. This program brings together ten projects helmed by first or second-time directors, with a special focus on underrepresented voices. “Completing and launching a documentary takes grit, nerve, and creativity; it also takes money, connections, and time. We offer women directors the tools to realize the full potential of their projects, both as works of art and as catalysts for change,” writes Chicken & Egg Pictures on its web site. Each participant will receive a two-part grant for the production […]
by Paula Bernstein on Oct 10, 2016 -
“It’s Not So-Bad-It’s-Good”: Elijah Wood, Tim League and the Producing Team on Why They Made Jim Hosking’s Unhinged The Greasy Strangler
There are so many irritating things that go into making and distributing films. One detail that can become a nuisance is securing a website or Facebook URL that matches your film’s title, which sometimes, honestly, can tend toward the formulaic or typical. I’m going to go out on a limb here and say that for the producers of The Greasy Strangler, this probably wasn’t an issue. The film’s plot starts out conventionally enough, for about a minute, before there’s a hard left turn during the perfectly timed execution of a stretched-almost-to-breaking-point argument about free water. You’ll probably know then and […]
by Audrey Ewell on Oct 8, 2016
