6579 Results for “production”
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“This Field Beneath the Field Kept Showing Up in My Dreams” | Jane Schoenbrun, I Saw the TV Glow
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Just past the far end zone of the high school football field in my hometown of Ardsley, NY there’s a short but steep fenced-off decline down a hill towards a second, smaller field: a baseball diamond with a big outfield of grass […]
by Filmmaker Staff on Jan 18, 2024 -
“We Realized During the Edit That There Were Several Options for the Ending”: Editor Sofi Marshall on I Saw the TV Glow
Suburban teen loner Owen (Justice Smith) is introduced to a late-night TV show shrouded in mystery by a fellow classmate (Brigette Lundy-Paine) in I Saw the TV Glow, the latest genre offering from writer-director Jane Schoenbrun. Dubbed an “emo horror” flick by Sundance programmers, Schoenbrun’s sophomore feature is having its world premiere in Park City this year, where the filmmaker’s buzzy feature debut, We’re All Going to the World’s Fair, similarly premiered in 2021. Editor Sofi Marshall discusses how she became involved in Schoenbrun’s latest project, how the “independent” section of her local Blockbuster catalyzed her filmic career path and […]
by Filmmaker Staff on Jan 18, 2024 -
“Malia Will Now Always Be the Right Location for the Film” | Molly Manning Walker, How to Have Sex
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? How to Have Sex is set in European party town. Teenagers from all over the UK flock to various Mediterranean towns. It’s funny that we recreate our culture somewhere hot. Pints and full English breakfasts. These towns are all fairly similar. They […]
by Filmmaker Staff on Jan 18, 2024 -
2024 Sundance Questionnaire: Cinematographer Responses
Each year, Filmmaker sends all Sundance feature film or series cinematographers a questionnaire to complete ahead of their film’s festival screening. We also send out a single question for feature directors to answer as well as questionnaires for editors and first-time Sundance feature producers. Below, find links to individual cinematographer responses, which will be updated daily during the festival. “I Feel Like We Made an Image That I Have Never Seen Before”: DP Eric Yue on I Saw the TV Glow “Creating a Mood and Tone Is the Most Impactful Element of Cinematography”: David Bolen on Thelma “Each Day Was a White-Knuckle […]
by Filmmaker Staff on Jan 18, 2024 -
“We Tried to Take Advantage of What We Found on Site”: DP Nicolas Canniccioni on How to Have Sex
How to Have Sex, the breakout debut feature of Molly Manning Walker that played at Cannes in 2023, will screen at Sundance this year as part of the Spotlight section. The film chronicles the rite-of-passage holiday of three British teens as they navigate the complexities of sex and self-discovery. Below, cinematographer Nicolas Canniccioni (Gerontophilia) exalts the value of abundant prep work and details the film’s varied approach to lighting. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led […]
by Filmmaker Staff on Jan 18, 2024 -
“Anyone That Watched the Early Cuts Had the Same Reaction”: Editors Dashya Broadway and Jon Higgins on Your Monster
In Caroline Lindy’s debut feature, an actress’s life quickly bottoms out, only to be rebuilt with the help of a monster living in her closet. Premiering in Sundance’s Midnight section, Your Monster, an adaptation of Lindy’s own 2020 short, nevertheless finds itself frequently in the vein of a rom-com. Below, editors Dashya Broadway and Jon Higgins talk about finding the right tone for a story that has a little bit of everything and making sure they didn’t leave the audience waiting for too long. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up […]
by Filmmaker Staff on Jan 18, 2024 -
“Treat People Well and They’ll Treat You Well”: Producer Chris Kaye on Thelma
Thelma spins a real-life experience of director Josh Margolin’s grandmother into a comedic action film. The eponymous character, played by veteran character actor June Squibb (The Age of Innocence, Scent of a Woman, Far from Heaven) falls victim to a phone scammer claiming to be her grandson and begins a literal quest for justice. The film also marks the first producing credit for Chris Kaye, who recounts his long road to the gig, which began in earnest just as he was ready to throw in the towel and embark on a new career. See all responses to our annual Sundance first-time […]
by Filmmaker Staff on Jan 18, 2024 -
“Creating a Mood and Tone Is the Most Impactful Element of Cinematography”: David Bolen on Thelma
In a modestly scaled riff on action movies, Thelma follows a 93-year-old grandmother on a quest for justice after falling victim to a phone scammer claiming to be her grandson. The film, which is inspired by director Josh Margolin’s own grandmother, stars June Squibb in the lead role. Below, cinematographer David Bolen (Some Kind of Heaven, Untold) discusses his inspirations for the look of the film’s San Fernando Valley setting and how the crew pulled off one particularly difficult scene. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer […]
by Filmmaker Staff on Jan 18, 2024 -
“It Was an Interesting Challenge to Take a Real Place and Mold It” | Josh Margolin, Thelma
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? We shot a portion of the movie in my real grandma Thelma’s condo. That space is incredibly meaningful to me. Growing up, it always felt like a second home. I wanted to utilize it for the movie because it feels so connected to […]
by Filmmaker Staff on Jan 18, 2024 -
“It’s Surprisingly Difficult to Find a Closet That is Spacious Enough” | Caroline Lindy, Your Monster
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? For Your Monster, a magical and spooky love story between a young woman and the monster in her closet, finding the right closet was critical to the mission of the film. It’s surprisingly difficult to find a closet that is spacious enough to […]
by Filmmaker Staff on Jan 18, 2024
