In a press release today Ted Hope announced that Todd Solondz’s new film, Dark Horse, went into production on October 11. Hope is producing through his new Double Hope production company, and the cast includes Justin Bartha, Selma Blair, Mia Farrow, Jordan Gelber, Donna Murphy and Christopher Walken. Andrij Parekh (Blue Valentine) is shooting, Derrick Tseng is co-producing, and Goldcrest is handling international sales. From the press release: Mr. Solondz helms the tale of Abe (Jordan Gelber), a 30-something who lives with his parents, reluctantly works for his father (Christopher Walken), and avidly collects toys. When Abe isn’t playing backgammon […]
“Then, too, there is always something other than content in the cinema to grab hold of, for those who want to analyze,” Susan Sontag wrote in her seminal essay Against Interpretation. “For the cinema, unlike the novel, possesses a vocabulary of forms — the explicit, complex, and discussable technology of camera movements, cutting, and composition of the frame that goes into the making of a film.” Toward the very end of the same essay, she advocated, “The function of criticism should be to show how it is what it is, even that it is what it is, rather than to […]
Marketing and publicity specialist Sheri Candler has a post up on her blog entitled “Five Ways to Fail at Crowdfunding” that is a good read for those thinking of kickstarting of gogo’ing their indie feature. She opens: I am prompted to write this post because I have been hit up many times lately about supporting, advising or donating to various crowdfunding initiatives. Don’t get me wrong, it isn’t quite a complaint because I have been known to support many campaigns by doing any one of these things (ask anyone else offering their advice if they have done any of these […]
In the bookstores is a new John Lennon bio, Lennon Revealed, and speculation about Lennon’s famous “lost weekend” to Spain with Marianne Faithfull where it’s long been rumored that he had an affair with manager Brian Epstein. In an interview published on the Today show site, author Larry Kane discusses the topic and brings up one of the best independent films of the 1990s. From the piece: Did John Lennon and Brian Epstein have physical sexual relations with each other? It was a question that was on many minds within the Beatles’ circle, and to a lesser degree within the […]
So now it’s all over. Independent Film Week has come and gone and the follow up begins. That’s the whole point of all this — to make the connections and see where they can take the film. Who is really interested in launching this film into the universe and what’s the best path? The goal — identifying, creating, and assembling the audience. The good news is that there are people who want to help and are good at it (see conference panel). At IFW there was no shortage of advice from experts on marketing imperatives, branding, and being an active participant in the afterlife […]
Lurking about the less reputable precincts of Texas’ capital, Erica (a terrific Amanda Fuller) at first seems like another aimless, sexually adventurous young woman who in the city that embraced mumblecore would find herself in a pedestrian drama of mid twenties malaise. Living for free in a dusty co-op, she trolls the seedy side of Austin, scoring a new suitor every night for a bout of casual, unprotected sex. Clad in denim cut-offs and white cowboy boots, she drifts through days and nights with an anomie that is only enhanced by the arty, elliptical rhythms of Veteran UK helmer Simon […]
At last night’s Stranger Than Fiction, a weekly documentary series at the IFC, host Thom Powers paid tribute to underground comic icon Harvey Pekar, who died in July of this year, by screening American Splendor, the dramatization of Pekar’s celebrated autobiographical comic series about his life as a file clerk. A comics fanatic who became friends with the writer while working in the underground comic scene, Powers described discovering Pekar’s work as “a truly transformative experience.” Powers almost did not attend a screening of the film at Sundance in 2003, terrified it would do something horrible to something “so precious.” […]
I now have a full week’s perspective on what happened at Independent Film Week as part of the Emerging Narrative section; what I learned, who I met, follow-up completed, what I might have done differently, and a new sense of where I’m going. If you are considering applying for next year, or lucky enough to have gotten in, hopefully this will be helpful. The best place to start, and usually the best place to finish, is with gratitude. I’m grateful to IFP for having selected my project; to the IFP volunteers, who with smiles and patience steered us around for […]
I was very excited to see the list of Woodstock Film Festival winners over at Indiewire. Two Filmmaker favorites picked up the top prizes. You’ve read about Jeff Malmberg’s Marwencol on the site before (see Alicia Van Couvering’s blockquote interview with the director here), and if your memory is good you’ll remember that I picked Stranger Things directors Eleanor Burke and Ron Eyal for our 2009 “25 New Faces” after seeing the rough cut of this very same feature. I think this is a beautiful, delicate, and extremely well directed and acted film, and I’m really happy that it’s now […]
Yup, it’s true. IFP’s Independent Film Week has come and gone. We are now navigating that outside-of-the-cocoon existence again, where our Melvin team is no longer in the safe environs of IFP’s Independent Film Week hug. Will a higher percentage of our emails and phonecalls be returned now that we’ve made some sort of personal connection with people from all walks of the industry’s life? That’s to be determined. I can only say, I really hope so… After all the speed dating, panels, cage matches, and impromptu conversations, I am left with a strange taste in my mouth. After navigating the production […]