6579 Results for “production”
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Gaspar Noe’s Enter The Void By Michele Civetta
The Further Adventures of Death Tripper, Ouroboros and What lies Beyond Jupiter Cannes, France. In a cinematic year filled with visions of extreme sex and violence, the enfant provocateur of French cinema Gaspar Noe illuminates a phosphorescent direction forward. In person Noe could be mistaken as the progeny of Aleister Crowley with sunken-in, charcoal-lined eyes and shaved head. But lurking behind this visage is a filmmaker who courts controversy with vivacity and confidence. The last time Noe was at Cannes was to premiere his film Irreversible; he ingratiated himself into the hearts and minds of audiences willing to be subjugated […]
by Scott Macaulay on Sep 5, 2009 -
LOOP PLANES SEARCHES FOR ITS LEAD
Here’s the just-posted episode two of the Killer Films/Massify video production blog for their Loop Planes. For episode one and more on the project, click here. Massify + Killer Films Episode 2 from Massify on Vimeo.
by Scott Macaulay on Sep 4, 2009 -
Alexis Dos Santos, Unmade Beds
FERNANDO TIELVE AND DÉBORAH FRANÇOIS IN WRITER-DIRECTOR ALEXIS DOS SANTOS’ UNMADE BEDS. COURTESY IFC FILMS. If there’s a restlessness to the filmmaking of Alexis Dos Santos, you only have to look at the background of the young Argentinian writer-director to understand why. Born in Buenos Aires, Dos Santos relocated with his family to a small village in Patagonia when he was eight. He returned to the capital city to study Architecture at the Universidad de Buenos Aires, then moved on to study acting, and finally settled on filmmaking as his vocation. After completing his undergraduate studies at the Universidad del […]
by Nick Dawson on Sep 2, 2009 -
PREVIEW OF 66th VENICE FILM FESTIVAL
Reporting from the fest, Belle Burke sends this dispatch on what’s in store this year. VFF begins today and wraps Sept. 12. Stay tuned to the blog for more reports from Venice. Do all film festivals begin with disclaimers, denials, and disappointments? In Venice, where discussions can be as heated as the weather, they often do, but maybe it clears the way for the bragging rights of the world’s oldest film festival. Marco Muller, back again as the festival director, still somewhat apprehensive as last-minute plans evolve, emphasizes that it will not be a “provincial festival” even though it has […]
by Jason Guerrasio on Sep 2, 2009 -
RECESSIONARY FILMMAKING IN GREAT BRITAIN
We’ve envied the Brit’s public funding for feature films, government support for new talent, and innovative tax schemes supporting production. They’ve envied our culture of private equity investment for film. Now we’re both about even… or maybe not. From a worthwhile read by Killian Fox in today’s Guardian entitled “Digital: Take a Short Cut to the Cinema”: In [London Film School Director Ben] Gibson’s view, funding opportunities for first-time film-makers are desperately limited, and the lucky few who receive support are being hobbled by the whims of commissioning bodies, who place more weight on “the availability of a certain actor […]
by Scott Macaulay on Aug 29, 2009 -
Robert Siegel, Big Fan
PATTON OSWALT IN WRITER-DIRECTOR ROBERT SIEGEL’S BIG FAN. COURTESY FIRST INDEPENDENT PICTURES. For someone who says his main creative motivation is boredom, Robert Siegel has done rather well for himself. Born and raised in the Long Island town of Merrick, Siegel graduated from the University of Michigan 1993 with a B.A. in History, after which he followed his then-girlfriend to Madison, Wisconsin, where she was studying for a PhD. In addition to working for the local newspaper and volunteering at Madison’s public radio station, Siegel started writing for a small satirical rag that was given away free in the town’s […]
by Nick Dawson on Aug 28, 2009 -
Hirokazu Kore-eda on Still Walking
A connoisseur of longing and remembrance who brings great sensitivity to each of his reflective fables, Japan’s Hirokazu Kore-eda should be better known in the States, as his films extend the tradition of world-class artists like Naruse and Ozu. Enthralled with the operation of memory and the impact of grief on the lives of everyday people, Kore-eda has created a body of work that’s as rich with feeling as it is modest in tone. In Maborosi (1995), Kore-eda told the story of a quietly devastated young widow struggling to move on after her husband commits suicide. He then departed from […]
by Jason Guerrasio on Aug 26, 2009 -
Lucrecia Martel, The Headless Woman
MARÍA ONETTO IN DIRECTOR LUCRECIA MARTEL’S THE HEADLESS WOMAN. COURTESY STRAND RELEASING. Over the course of the past decade, Lucrecia Martel has established herself as one of the most gifted and original filmmakers around. The Argentine auteur was born in Salta, a city in the northwest of Argentina, in 1966, and spent her teenage years capturing much of her family’s daily life on film. In 1986, she studied Communication Science and had stints at two film schools, Avellaneda Experimental, studying animation, and the National Experimentation Filmmaking School in Buenos Aires. However because she never finished her film studies (one of […]
by Nick Dawson on Aug 19, 2009 -
SUPPORT THE NORTHWEST FILM FORUM!
Recently the Pacific Northwest’s venerable Northwest Film Forum, which has been behind not only the exhibition but also the production of some of our most striking independent features, issued an urgent plea for financial assistance. By August 15, the organization requires $70,000 to forestall severe changes in the organization. With two days left to go, the NWFF is not quite half way there, helped by both its members and audiences but also companies like Sub Pop, which matched donations. There is still time to close the gap, though, in the next 48 hours. Here is executive director Lyall Bush’s latest […]
by Scott Macaulay on Aug 13, 2009 -
DUBAI FILM CONNECTION DEADLINE, AUGUST 15
As my brief interview with Cherien Dabis in festival coverage of the Dubai International Film Festival (in our Spring, 2009 edition and which I’ve just posted online) noted, some of the financing for her debut feature Amreeka was found at the DIFF’s Dubai Film Connection, a CineMart-like financing market aimed at films from directors of Arab nationality or origin. Producers (who can be of any nationality) have until August 15 (that’s one week from now) to submit projects for this year’s edition. Here’s the official word: The DFC is open for documentary and feature film projects that are currently in […]
by Scott Macaulay on Aug 8, 2009
