production | Filmmaker Magazine

A TRIP TO THE CANNES FILM FESTIVAL’S ATELIER

Producer Noah Harlan posted earlier on this blog about his first few days in Cannes attending the Atelier with Jake Mahaffy’s Free in Deed, and his report below, cross-posted at his own 401st Blow blog, is a great intro to the world of co-production finance for U.S. indie producers. Read it and take notes. I’ve been attending the Cannes Film Festival for nearly 10 years now (which, admittedly, makes me a Johnny-Come-Lately) and each experience of the week on the Croisette takes on it’s own qualities. Where you are staying, what you are trying to accomplish (premiering, selling, financing), the […]

by Scott Macaulay on May 26, 2009

Anders Østergaard, Burma VJ

Danish cinema currently has numerous talented fiction directors – everybody from Lars von Trier, Christopher Boe, Ole Bornedal, and Susanne Bier to Thomas Vinterberg, Kristian Levring, Nicolas Winding Refn and Lone Scherfig – and now Anders Østergaard is bringing attention to the country’s documentary output. Born in Copenhagen in 1965, Østergaard studied at the Danish School of Journalism, graduating in 1991, before deciding to eschew a career as a journalist to become a documentarian. Throughout his career, he has been concerned with the boundaries of non-fiction and with the idea of documentary itself. Østergaard’s debut film, Gensyn med Johannesburg (1996), […]

by Nick Dawson on May 20, 2009

CANNES: MY NEIGHBOR, MY KILLER’s ANNE AGHION

Premiering in Cannes in Un Certain Regard, Anne Aghion‘s penetrating and transfixing documentary, My Neighbor, My Killer, is the culmination of a decade-long filmmaking quest to address one of the most difficult questions facing citizens, communities, tribes, religious groups and ethnic factions around the world today: “Could you forgive the people who slaughtered your family?” In 1994 hundreds of thousands of minority Tutsis were slaughtered by Rwanda’s Hutus, with villager killing fellow villager, cousin killing cousin. The Rwanda genocide has been well covered in the media, but less focused upon has been the Gacaca Tribunals, open air citizen hearings instituted […]

by Scott Macaulay on May 17, 2009

A HARD 38

Ted Hope, who in the past has assembled lists of reasons to feel good about independent film, has posted the sobering opposite: a comprehensive list of “38 American Independent Film Problems/Concerns.” They include: Lack of access — outside of NYC & LA — to films when they are at their highest media awareness (encourages bootlegging, limits appeal by reducing timeliness). Distrib’s abandonment (and lack of development) of community-building marketing approaches for specialized releases (which reduces appeal for a group activity i.e. the theatrical experience). Emphasis on upfront compensation for star talent creates budgets that can’t reasonably recoup investment. HP&W fringe […]

by Scott Macaulay on May 16, 2009

Rian Johnson, The Brothers Bloom

ADRIEN BRODY, RACHEL WEISZ AND MARK RUFFALO IN DIRECTOR RIAN JOHNSON’S THE BROTHERS BLOOM. COURTESY SUMMIT ENTERTAINMENT. When his first film was released in 2005, Rian Johnson became an overnight sensation; but, as is so often the case, that “overnight” success took many years of work to achieve. Johnson was born in 1973 in Silver Spring, Maryland, and grew up in Denver, Colorado, and San Clemente, California. He came from a family of film lovers and by the time he was in seventh grade he was making movies, taking his Super 8 camera with him whenever he could. When he […]

by Nick Dawson on May 15, 2009

TREVOR GROTH APPOINTED SUNDANCE DIRECTOR OF PROGRAMMING

I’m a couple days late catching up with news on the blog, but congratulations to Trevor Groth, who was appointed this week as the Sundance Film Festival’s Director of Programming. He’s taking over the position from John Cooper, who, following Geoff Gilmore’s move to Tribeca, was appointed the festival’s director. From the press release: A 16-year veteran of the Festival, Groth had been a Senior Programmer handling both narrative and documentary feature selection and leading the Festival’s Short Film Section. In his new role Groth will head up the six person programming team that is responsible for curating the Festival’s […]

by Scott Macaulay on May 10, 2009

WALKING AND TALKING WITH JIM JARMUSCH

Tied to this weekend’s opening of The Limits of Control, the FilmInFocus site (which, full disclosure, I co-edit) has posted quite a bit of content relating to writer/director Jim Jarmusch and the movie. Below is an excerpt from Lea Rinaldo’s documentary on the making of The Limits of Control. FilmInFocus will be posting sections of this piece, and, having seen the whole thing I can recommend it both as intriguing glimpse into Jarmusch and his production method as well as film in its own right. And, also, I interviewed Jarmusch about the movie’s striking score, which is compiled of tracks […]

by Scott Macaulay on May 3, 2009

SUNDANCE ANNOUNCES PROJECTS FOR THE JUNE DIRECTORS AND SCREENWRITERS LABS

The Sundance Institute has announced 12 projects for its annual June Directors and Screenwriters Labs, which take place at the Sundance Resort in Utah from June 2- 26. Congrats to all the directors and writers, including the two on the list — Benh Zeitlin and Andrew Okpeaha MacLean, who appeared on our 2008 “25 New Faces” list. From the press release: Los Angeles, CA — Sundance Institute today announced the 12 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah from June 2-26, 2009. Under the leadership of Michelle Satter, Director […]

by Scott Macaulay on Apr 28, 2009

WHAT WOULD YOU LIKE TO LEARN ABOUT IN FILMMAKER?

In the current issue of Filmmaker we feature the last of Bomb It director Jon Reiss’s fantastic three-part series on DIY distribution. In part one he outlined an alternative vision of DIY theatrical distribution; in part two he discusses DIY DVD distribution; and in part three in the current issue he discusses DIY web marketing. This third part will most likely be Jon’s last in the series — he’s writing a book about all of this that should be out later in the year — and I’m curious what practical articles you, our readers, would like to read about next. […]

by Scott Macaulay on Apr 26, 2009

THE UNKINDEST CUT

I’ve been meaning to blog about this interview with director Ti West by Karina Longworth over at Spout for a couple of days now. (I missed it when I first posted but caught up with it through Karina’s Twitter feed when she tweeted that after the interview director West was forbidden from doing press.) You should check out the piece, but, in a nutshell, West alleges that the version of his new The House of the Devil, screening this week at Tribeca, is “not my version,” and that the financiers, Dark Sky Films, excised a four-minute scene in order to […]

by Scott Macaulay on Apr 25, 2009

Cookie	Duration	Description
cookielawinfo-checkbox-analytics	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional	11 months	The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy	11 months	The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.

Cookie	Duration	Description
cfmrk_cic		Used by Cloudflare to route user traffic for this Site.
sparrow_id		Installed by Cloudflare. Used to identify individual clients behind a shared IP address and apply security settings on a per-client basis. It does not store any personal identifiable information.

Cookie	Duration	Description
OAGEO		Installed by the Revive Ad Server. Used to cache geolocation (session, deleted when closing the browser)
OAID		Installed by the Revive Ad Server to distinguish users.

6579 Results for “production”