Up there with Snakes On A Plane in the pantheon of catchy titles, Rosencrantz and Guildenstern Are Undead is a horror-comedy about Hamlet and the Holy Grail premiering in Slamdance this year. The movie stars Jake Hoffman, Devon Aoki, Jeremy Sisto, John Ventimiglia, Ralph Maccio and Waris Ahluwalia and was only the second East Coast feature film to use the Red camera. The film’s director, Jordan Galland, is a New York-bred renaissance man with deep and varied interests. At age eighteen, Jordan Galland started a band, Dopo Yume, which toured the world with Cibo Matto and Rufus Wainwright, and he […]
Noah Buschel’s The Missing Person stars Michael Shannon, last seen as the asylum-bound neighbor in Revolutionary Road, and if Sam Mendes had directed this film, he might have played it straight, disregarding the minefield of clichés to pay reverent homage to The Long Goodbye; Buschel knows what a bold move it is to make a noir in 2007, so he subverts the genre with un-ironic simplicity and a few tall guys hitting their heads on the ceiling. We meet Shannon’s character in his dungeon-like Chicago apartment. His cell phone is ringing; he’s a PI; he’s offered a lot of money […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Vicky Cristina Barcelona star Penélope Cruz for our Gotham Independent Film Awards special section in the Fall ’08 issue. Vicky Cristina Barcelona is nominated for Best Actress (Penélope Cruz). Talking over the phone from London where she’s rehearsing her role in Rob Marshall’s film adaptation of the Tony Award-winning musical, Nine, Penélope Cruz sounds humbled when congratulated for being named one of this year’s Gotham Award Tributes, but […]
Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed Waltz With Bashir writer-director Ari Folman for our Fall ’08 issue. Waltz With Bashir is nominated for Best Foreign Film. It’s been said that the job of the filmmaker is to put on screen things that have never been seen before. And while cinema is essentially an infant art form, these days there are still relatively few films that move into genuinely new territory. Waltz with Bashir, which […]
James Marsh has wrestled before with subjects — both fictional and real life — whose obsessions have fueled eccentric and, at times, even extreme behavior. In The Burger and the King (1996), based on David Adler‘s book, he chronicled Elvis Presley‘s lifelong habit of compulsive eating. Wisconsin Death Trip (2000), based on the nonfiction book by Michael Lesy, traced the origins of a bizarre strain of murders, suicides and odd happenstances in a small Wisconsin community of the 1890s. And in his debut feature, The King (2005), which Marsh scripted with Milo Addica, he dramatized a story of misguided faith […]
[PREMIERE SCREENING: Monday, Jan. 19, 3:00 pm — Temple Theatre, Park City] We set out to make a feature-length documentary DIRT! The Movie inspired by the book Dirt, the Ecstatic Skin of the Earth written by William Bryant Logan. When we started out on this project we were thinking of either a four-part television series or a feature-length documentary for theatrical release. We could either explore the subject as a topic as the book had done, or with a more traditional film narrative — in our case, telling the story of dirt and humans from dirt’s point of view. My […]
[PREMIERE SCREENING: Monday, Jan. 19, 12:00 pm — Temple Theatre, Park City] The Reckoning: The Battle for the International Criminal Court is the flagship film for a three-year Audience Engagement Campaign intended to get people around the world involved in international justice. While I was filming over two years across four continents in six languages, media possibilities exploded. So from the very beginning producer Paco de Onís, editor Peter Kinoy and I were thinking about how to create educational modules for the Web and adapt digital technologies for human-rights work. The result is that we and our Skylight Pictures Audience […]
[PREMIERE SCREENING: Saturday, Jan. 17, 8:30 pm — Library Center Theatre, Park City] What I can remember from very early on in the process of making The Vicious Kind was the desire to shoot my film on film. Specifically 35mm film. Even from the conceptual stage, I latched on to the idea that film would offer the kind of texture that a small, character-driven family story like mine would require. What’s so interesting about making movies today is that the choices of medium are so wide and changing every day. Even seven or eight years ago, if you had anything […]
Lynn Shelton has worked in a variety of creative forms for most of her life, but seems to have found her true voice in the role of writer-director. A Seattle native, Shelton spent her formative years immersed in painting, writing poetry, taking pictures and acting. She was a stage actress for ten years (and was told she was destined to work in film), and subsequently studied for an MFA in Photography at NYC’s School of Visual Arts. She then began working in film, both as an editor on movies such as The Outpatient (2002) and Hedda Gabler (2004) and as […]
[PREMIERE SCREENING: Saturday, Jan. 17, 6:15 pm — Eccles Theatre, Park City] I think “story” is the same as it has always been. Maybe the delivery devices change, maybe the venues evolve, maybe the audiences can absorb information faster and maybe they’re more sophisticated in their demands. But the basic craft and fundamentals of story remain unchanged. We certainly didn’t adjust the concept of the film for YouTube, or any small screen for that matter. Maybe on some subconscious level, the short episodic nature of “the days” grew from watching too many YouTube video bursts. But I can’t say for […]