production | Filmmaker Magazine

FILM TAX BREAKS INCLUDED IN BAIL-OUT BILL

Nikki Finke points to this Los Angeles Times piece that reveals that pro-movie biz breaks are included in the bail-out bill that just passed the Senate and which is headed for the house. Specifically, the bill extends the film production cost deduction included in the 2004 Jobs Creation Act to December, 2009, and it lifts the budget cap on eligible films. Now, instead of being limited to films budgeted at up to $15 million, the deduction is capped at $15 million for any single film no matter what the budget.

by Scott Macaulay on Oct 2, 2008

A Thousand Phoenix Rising

Following is the text for Ted Hope’s keynote address at the Film Independent Filmmaker Forum on September 27, 2008. Thanks to Ted for allowing us to reprint his speech. A THOUSAND PHOENIX RISING How The New Truly Free Filmmaking Community Will Rise From Indie’s Ashes I can’t talk about the “crisis” of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren’t in crisis. The business is changing, but for us –us who are called Indie Filmmakers — that’s good that the business is changing. Filmmaking is an […]

by Jason Guerrasio on Sep 27, 2008

Matt Wolf, Wild Combination: A Portrait Of Arthur Russell

A REENACTED SHOT OF ARTHUR RUSSELL ON THE STATEN ISLAND FERRY FROM DIRECTOR MATT WOLF’S WILD COMBINATION: A PORTRAIT OF ARTHUR RUSSELL. COURTESY PLEXIFILM. Some people age more quickly than others, and Matt Wolf – both in person and in his work – displays a confidence and maturity that belie his tender years. Twenty-six-year-old Wolf was born and raised in San Jose, California, and spent much of his teenage years watching movies. He won a full-tuition fellowship to study film at NYU, where he made a number of shorts including Smalltown Boys (2003), an experimental biopic about AIDS activist David […]

by Nick Dawson on Sep 26, 2008

Your Film Online

My name is Ryan Bilsborrow-Koo and this is my guest post for the just-concluded Independent Film Week here in New York. Along with Zachary Lieberman (co-creator of The West Side), I spoke on Monday’s panel “Your Film Online,” and I wanted to expand here on some thoughts I shared during that panel — mostly in response to the prevailing wisdom that “the sky is falling” on independent film. (This is also cross-posted on my own blog, No Film School). I’m a New Face of independent film, not an Industry Veteran, so maybe it’s naiveté that leads me to have a […]

by Jason Guerrasio on Sep 23, 2008

SHEILA NEVINS AWARDED TRIBUTE AT THIS YEAR’S GOTHAMS

IFP has announced their final Tribute honoree for this year’s Gotham Awards: President of HBO Documentary Films Sheila Nevins. Nevins will be recognized for her contributions to the art of the documentary. She is responsible for overseeing the development and production of all documentaries for HBO and Cinemax and their multiplex channels. As an executive producer or producer, she has received 22 Primetime Emmy Awards, 25 News and Documentary Emmys and 28 George Foster Peabody Awards. Nevins was also presented with a Personal Peabody in recognition of her work and ongoing commitment to excellence. She holds a BA from Barnard […]

by Jason Guerrasio on Sep 23, 2008

WRAPPING UP INDEPENDENT FILM WEEK

I’m sure there will be a few blog stragglers over the next few days as our guest posters gather their thoughts on the just concluded Independent Film Week. For now, though, thanks to all the filmmakers who joined our blog and took the time to relate their experiences. If you haven’t read their posts, scroll below and check out their first-hand accounts of trying to launch new projects at the IFP’s various programs this past week. I also recommend you click over to Hammer to Nail, where filmmaker David Lowery posted his own diary about his experiences in the Narrative […]

by Scott Macaulay on Sep 20, 2008

Coverage of a Different Kind

The four-to-five week run of New York Film Festival screenings and press conferences each fall functions as something of an annual end-of-summer camp for a certain caste of mostly local film journalists. The series of videos shot, directed, edited by and usually starring Jamie Stuart which document this ritual should be, then, something of a camp yearbook… except that over the years Stuart has only rarely seemed interested in directly documenting the festival itself. He uses the experience of the NYFF — its films, visiting filmmakers both relatively obscure (Hany Abu-Assad, Hong Sang-soo) and unquestionably famous (Warren Beatty, Nicole Kidman), […]

by Jason Guerrasio on Sep 19, 2008

Irena Salina, Flow

There are many paths to cinematic success, some of them direct, some of them not, and it is fair to say that Irena Salina has taken a more meandering route than some to reach her current position. Born in Paris in the wake of May ’68, she grew up in a theatrical family (her uncle was the late, great French actor Philippe Noiret) and initially aspired to becoming an actress. When her adolescence was disrupted by her parents’ divorce, she chose to drop out of school and became a radio reporter at the age of just 15. After a stint […]

by Nick Dawson on Sep 12, 2008

POSTING ABLE DANGER

To conclude our series of blog posts from Paul Krik, writer/director of Able Danger, currently in theaters, here is his breakdown of how he posted his movie. Able Danger was shot on an Panasonic AG-HVX200 by accomplished Brooklyn-based cinematographer Charlie Libin. We shot HD using no tape. It was shot to P2 cards, basically RAM and then copied to a hard drive. It was edited on Avid mostly on a laptop in a basement and then on an Avid at Jump Editorial. It was edited in HD but at the Panasonic “native” file size of 1280 x 720. This is […]

by Scott Macaulay on Sep 12, 2008

SHOOTING LOVELY, STILL

Nik Fackler’s Lovely, Still has garnered a bit of buzz up in Toronto. One of the most impressive elements of the film is its fantastic cinematography and production design. Fackler and his team create a gorgeous Christmas-world that dances just this side of a fairy tale. In this Filmmaker piece, the film’s d.p., Sean Kirby, discusses his approach to shooting the movie.

by Scott Macaulay on Sep 10, 2008

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6579 Results for “production”