They came up with a great idea. Within months, they received the highest critical acclaim. They continued to perform and planned to make a movie of it all. It took 13 years. At Sundance 2013, in the New Frontiers section, the 3D film version of the acclaimed performance piece about plane crashes, Charlie Victor Romeo, will have its premiere. A few weeks after the shoot was completed, and as an Associate Producer and behind-the-scenes documentarian of the film, I asked several of the projects principal creators to share an inside account of the transformation. First, Charlie Victor Romeo was a […]
by Matthew Kohn on Jan 21, 2013Here’s the first trailer for Ang Lee’s adaptation of Yann Martel’s novel, Life of Pi. The film’s in 3D, and you can sense how spectacular and immersive it should be from this preview.
by Scott Macaulay on Jul 25, 2012Editor Alan Edward Bell began his career in the late ’80s, working first as an assistant editor (Heathers, Lord of the Flies, Misery, A Few Good Men) and then, a decade later, as editor on a string of both independent and studio films including Little Manhattan, The Story of Us, Water for Elephants and (500) Days of Summer. It was the latter film that connected Bell with director Marc Webb, and the two recently completed their second project together — The Amazing Spider-Man. Below I talk to Bell about cutting a blockbuster, 3D, the AVID, Final Cut Pro, how multiple […]
by Scott Macaulay on Jul 14, 2012In April, the Securities and Exchange Commission (SEC) sent letters of inquiry to four Hollywood’s studios — Warner Bros., Universal Pictures, 20th Century Fox and Sony Pictures — informing them that it was investigating their business practices in China. According to Reuters, while neither the SEC, the Motion Picture Association of America (MPAA) nor the individual movie companies would formally discuss the matter, it is assumed that at issue is possible violations of the Foreign Corrupt Practices Act that makes it illegal to make improper payments to foreign officials for business purposes. Such payments are not uncommon in China. Stay […]
by David Rosen on May 10, 2012German filmmaker Wim Wenders started taking photographs at the age of seven. Over the years he has turned his attentions to medicine, philosophy, painting, and engraving, but it is his four decades directing that has most often caught the publics’ attention. I first saw and loved his films with Wings of Desire; later I could be found carrying around a copy of his book Once religiously. His new film Pina, is a loving tribute to his 20-year friendship with, and admiration of, the dancer and choreographer Pina Bausch. It is a documentary that uses new 3D technology to exquisite effect. […]
by Alix Lambert on Dec 21, 2011Originally posted April 2011. The big NAB show in Las Vegas opened Monday, and I’ll be filing reports for Filmmaker’s readers at the end of every day through Thursday, when the show floor closes. For those unfamiliar with NAB, it stands for National Association of Broadcasters, a powerful trade association and influential Washington lobby, no bastion of progressive politics. But for filmmakers and indie producers, it also stands for the huge annual April trade show in Vegas, where the latest in cameras, lenses, recorders, lighting, audio, and all manner of production gear are introduced. TV execs, techies, DPs, and crew […]
by David Leitner on Nov 27, 2011I had the good fortune of attending a day-long workshop on 3D production this past weekend. It was notable because we had a chance to actually use the Panasonic AG-3DA1 camcorder and to view the results projected using Panasonic’s new home 3D projector, the PT-AE7000U. In the interests of full disclosure; I have previously written at some length about my suspicion and distrust of the whole 3D thing. I blame it on seeing Jaws 3D in 2D at a drive-in movie at a formative age. To me, 3D seems to be an effect that is useful now and again, but […]
by Michael Murie on Nov 17, 2011Joe Corey who posts at A Site Called Fred emailed with this video of James Cameron planting a tree on Earth Day. The kicker is that its in old-school 3D, so if you have some of those blue and red glasses you can slip them on. He also calls this a remake of Les Blank’s film Werner Herzog Eats his Shoe, a comparison which, I have to say, I’m baffled by. No matter — watch Cameron plant a tree in 3D (preceded by a discussion of 3D itself).
by Scott Macaulay on May 2, 2010BONO AND THE EDGE IN CATHERINE OWENS AND MARK PELLINGTON’S U2 3D. COURTESY NATIONAL GEOGRAPHIC ENTERTAINMENT. Though her body of work is famous, Catherine Owens — the woman behind the visual design of U2’s legendary stadium tours of the past 15 years — until now has maintained a much lower profile. Beginning with the band’s revolutionary ZooTV tour in 1992, Irish artist Owens used her expertise in many media (sculpture, video art, sound design, photography, etc.) as inspiration for their subsequent PopMart, Elevation and Vertigo tours, helping the band gain a reputation as the best live act in the world. […]
by Nick Dawson on Jan 23, 2008